“ther as the nyght” – Richard J Tilley

#WordWeavers 4/21. Does the change of seasons affect your writing at all? If so, how?

Doesn’t affect me that much but it does affect my characters. My protagonist is prone to making comments on other people’s dress sense, usually in a derogatory manner. Often pointing out the people who tend to discard their clothes when the weather’s good are usually the one’s you definitely don’t want to see in a state of undress.

Whilst it’s not directly connected to the seasons my novels revolve around the pagan wheel of the year with auctions of magic artefacts taking place on, or near, the date of the various festivals.

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Characters one might meet on a River Severn cruise:

That mysterious, suave man who always wears a sharp suit is going to turn out to be Double-oh-Severn.

It seems inevitable that one of the passengers you’re going to end up seated with at mealtimes is going to turn out to be the Severn bore.

A large group of elderly women who turn out to be related, the Severn Sisters.

A group of vertically challenged passengers, the Severn Dwarfs.

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#WordWeavers 21/4: Does the change of seasons affect your writing at all? If so, how?
It used to, when most of my work was for outdoor magazines, guidebooks, &c, and usually in tandem with photography. Naturally it profoundly affected what and where.
Not so much now, though better weather means more temptation to get outside and leave the laptop behind.
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#WritersCoffeeClub 21/4: What's a (maybe silly) hill you're willing to defend?
Nothing silly about opposing the industrialised plagiarism and degradation of creativity that is AI.
But also… I often find myself shaking my head at ‘writing advice’ that people trot out. One the other day that I particularly recoiled from was ‘know your elevator pitch before you start writing’. I can barely stomach the concept of the elevator pitch after the book is done.
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#PennedPossibilities 992 — If your MC unexpectedly died, who would they want to raise their child(ren), if they have any? Have they already made a plan for this in case it happens?

Bolt would expect her brother to raise her child, in the unlikely event she bore one in the first place. She's avoiding pregnancy because she has no desire to raise a child blackmailed by the mob as she is. Contraception and termination comes up in the story. Her brother was 5 when she ran away at 17, but he would expect the job if he knew she still lived; she feels bad maybe dropping the news on him one day without warning—not about actually expecting he would do it. Child rearing is the societal norm for men, not unlike women decades ago expecting to grow up to become housewives. Bolt's lucky she has a brother; people are so infertile many people are only children, or twins which is common (1:5:17 ➝ single birth:fraternal:identical). The WIP touches on psychology of male child rearing, for example Bolt's friend Blue. He's a praetorian, a man with a rare essential job and he worries about having one day to quit the job to raise his sister's child, or how horrible it would be to say no to her.

Cc: @floofpaldi: Thanks again for another great question, though I didn't answer exactly as intended. Answering it, I finally realized how the segmentation between genders in the society works and sparks certain discrimination and expectations the characters struggle against.

[Author retains copyright (c)2026 R.S.]

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OK, I need to engage the Collective Grammarian Mind of the Fediverse.

The hell did that come from?

Huh.

Anyway, can anyone tell me what it is about this sentence (not mine) that strikes me as...off:

"…going through these reports nothing, nor anyone, flagged themselves up as a serious potential threat to their victim's life."

I know it's wrong, but all my attempts at reworking it have gone horribly awry.

Pedantry welcome, I'm here to learn.

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#PennedPossibilities 992 — If your MC unexpectedly died, who would they want to raise their child(ren), if they have any? Have they already made a plan for this in case it happens?

Oooh, this is a good prompt. I’m glad I had this one saved. Vampires have their “children,” meaning the ones they’ve sired and made bloodbound AKA those they’ve turned into fellow vampires. They aren’t blood children, of course, but the familial relationship is very similar. Things tend to work in the same way. Alistair would want his bloodbound one/ones to survive and thrive, and they would need no help in doing so. He’s sure of that fact. Duncan would be just fine in that respect. He doesn’t require Alistair’s fellow existence to keep on living. There’s no plan needed in the event that he was to ever die.

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@neve
I'm Elektra Hammond. Find me at https://untilmidnight.com

See me talk about SF/F, RHPS, comics, TV, and Supernatural at Con-Tinual (the Con that Never Ends) on FB and Youtube.

My next convention will be Balticon at the end of May. Until then, I'm on social media and writing and reading.

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Until Midnight Web Design and Editorial Services

@neve
What writing and publishing goals (if any) am I focusing on at the moment?

I'm trying to finalize something to submit to an antho of Odyssey Alumni.
I'm working on a story that's fully conceptualized in my head (and even has a title!) to submit to an upcoming ZNB antho.
And work on the novel, of course.

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