In the next pod, I'll discuss #DoctorWho: #Battlefield. I'll also enjoy complaining about #BT, #Uber, #Lime #eScooters, #Ikea, #British #redtape, and anything else I can literally shake either one of my poorly sized #walkingsticks at.

I've been trying to make myself a walking cane that suits my height, needs and fundamental lack of grounding in reality, and they keep turning into Daredevil's Billy Club...

Given there's not a four story building within about 3 miles of me, I suspect I might not need the swinging rope bit.

Which actually is sort of attached to a batarang.

Can you be done for IP transgressions for just using a tricked out cane?

I should probably get back to gaming before I cut my fingers.

#walkingsticks

"Die Schlaue Katzeโ€œ (The Clever Cat), 19th-century walking stick topped with a cat wearing goggles, c. 1890. Place of origin: United Kingdom. Currently part of the Knauf Museum collection. Photo Credit: ยฉ Benedikt Feser. #canes #walkingsticks #museums #cats
Perspective view of #scroll #scaffolding to create #secondaryCurves from #primaryCurves. See https://pixelfed.social/p/Splines/793597613908557570 for backstory.

Green rectangles M, N, P, Q, and R are shown with orange #volute #spirals non-uniformly scaled for their respective frames. Original spiral inside M is unchanged.

To reduce clutter, I show only two sides and two primary curves, F2-R2 and F3-R3. Neither of these curves touches any of the volutes at any point, but they are used as #walkingSticks to create the surfaces which help us locate the tangent curves.

To accomplish that, first locate all tangent points for orange spirals and their respective green frames. I labeled those for the largest spiral in an earlier post as T1 through T6. Here, I show only T2 and T3. The other points of tangency for the top and right sides can be seen if you follow the thick green lines. I didn't label them to reduce clutter, but each endpoint and each kink is a point of contact and tangency between a spiral and its frame.

Our goal is to shift F2 to T2 and F3 to T3, with similar shifts at each point of tangency on the green line.

To do that, #project the green line through T2 on the top surface to get the magenta curve on top. Think of the green line as a thin "rope" on which you shine a bright light from top to get the magenta line on the top surface. Both, the green and magenta lines touch the volutes, but neither touches the blue line at any point. Additionally, the top magenta line touches the top surface at EVERY point. When the blue line through F2 and the magenta line through T2 are viewed from a side, they are indistinguishable. We have found a secondary curve faithful to a primary curve.

Using the same approach, project the green "rope" passing through T3 on the side surface to obtain the secondary magenta curve passing through T3.

Blue primary curves and green straight lines have served their purpose and are no longer needed. Repeat for tangents on other sides.
Splines (@[email protected])

Refer to https://pixelfed.social/p/Splines/793554853964898442 for the backstory on this post. This is a perspective view showing #scroll #scaffolding surfaces #extruded from #primaryCurves F1-R1, F2-R2,โ€ฆ. Be sure to follow these blue curves from back to front and then back again. Metaphorically speaking, we want to use these blue curves as #walkingSticks to find the curves that meet at the front tangent points T1 through T6 and corresponding tangent point in the rear (not shown), WHILE remaining faithful to the original curves we extracted from #Vignola's original sketches. This means that the point F1 should somehow move toward T1, F2 toward T2, and so on, with corresponding movements on the rear rectangle, yielding us 6 new #secondaryCurves. Being "faithful" to the original means that when secondary curves derived from horizontal #primaryCurves are viewed from the top, corresponding curves are indistinguishable from each other, even though they are clearly different curves with distinct trajectories. Secondary curves derived from vertical primary curves must be indistinguishable from each other when viewed from a side. In order to accomplish this feat, we need the remaining #volute tangent points on rectangles P, Q, and R. That means we first need the corresponding volutes that are used to #modulate the scroll surface. In https://pixelfed.social/p/Splines/792616677005177924, we used the #scale operation to scale the original volute down from 3x to match the scale of our model using a #uniformScaling factor of 0.33333333. In https://pixelfed.social/p/Splines/792966507797633558, we can see that the frame rectangles Q and R have independent scaling factors that are different in the X and Y direction. So here we use #nonuniformScaling. To get the modulating volute for Q, scale the original volute by 56/112 in X direction and 80/128 in Y direction. Scale factors for the modulating volute at R are 28/112 in X direction and 48/128 in Y direction. P is same as Q.

Pixelfed
Refer to https://pixelfed.social/p/Splines/793554853964898442 for the backstory on this post.

This is a perspective view showing #scroll #scaffolding surfaces #extruded from #primaryCurves F1-R1, F2-R2,โ€ฆ. Be sure to follow these blue curves from back to front and then back again.

Metaphorically speaking, we want to use these blue curves as #walkingSticks to find the curves that meet at the front tangent points T1 through T6 and corresponding tangent point in the rear (not shown), WHILE remaining faithful to the original curves we extracted from #Vignola's original sketches.

This means that the point F1 should somehow move toward T1, F2 toward T2, and so on, with corresponding movements on the rear rectangle, yielding us 6 new #secondaryCurves.

Being "faithful" to the original means that when secondary curves derived from horizontal #primaryCurves are viewed from the top, corresponding curves are indistinguishable from each other, even though they are clearly different curves with distinct trajectories. Secondary curves derived from vertical primary curves must be indistinguishable from each other when viewed from a side.

In order to accomplish this feat, we need the remaining #volute tangent points on rectangles P, Q, and R. That means we first need the corresponding volutes that are used to #modulate the scroll surface.

In https://pixelfed.social/p/Splines/792616677005177924, we used the #scale operation to scale the original volute down from 3x to match the scale of our model using a #uniformScaling factor of 0.33333333.

In https://pixelfed.social/p/Splines/792966507797633558, we can see that the frame rectangles Q and R have independent scaling factors that are different in the X and Y direction. So here we use #nonuniformScaling.

To get the modulating volute for Q, scale the original volute by 56/112 in X direction and 80/128 in Y direction. Scale factors for the modulating volute at R are 28/112 in X direction and 48/128 in Y direction. P is same as Q.
Splines (@[email protected])

#SeeFeelTouchHug In both #art and #engineering, one must be able to both #see and #feel things that might not be there (yet). We were able to "see" the outlines of the #scroll surface from #imageScans of #Vignola's sketches in https://pixelfed.social/p/Splines/793169876757012827 and https://pixelfed.social/p/Splines/793215298082967733. Vignola's images are on a 2-dimensional surface, as are the outlines we extracted from them. We believe the scroll surface also exists, but it is not yet manifest in 3-dimensional space. So, like a visually impaired person, we try to "feel" our way to the scroll surface using the outlines as our #walkingStick. This diagram is identical to that in https://pixelfed.social/p/Splines/793493316852849994 but with the rear ends of the horizontal #primaryCurves marked with R1, R5, and R3, which are paired with F1, F5, and F3, respectively. We know that the scroll surface must #touch the tangent points T1, T2, and so on in front, as well corresponding tangent points in the rear (not shown here to reduce clutter). In https://pixelfed.social/p/Splines/792906324854792619, I mentioned that a scroll starts with a volute in front and is #modulated by as many as six volutes of different shapes and sizes as it reaches the back, with the scroll surface tightly hugging the volutes at EACH contact point in ALL 3 dimensions. In other words, it is not sufficient for the scroll surface to "touch" the #volute #spirals just in the front and rear. It must also "hug" the intermediate #modulatingSpirals. I will first show this technique with 4 modulating spirals using rectangles M, N, P, Q, and R as their frame, and add more later on. Intuitively, we know that if we use curve F3-R3 as our walking stick on the straight vertical extrusion of that curve, we will feel the scroll surface *somewhere* on that extrusion along every point from front to back. We can narrow it down further by excluding portions above and below as we approach rectangle R in the rear.

Pixelfed
Trychopeplus mashpiensis Conle, Valero & Hennemann 2024, sp. nov. - Plazi TreatmentBank

There's no reason that mobility equipment has to be ugly. These are walking sticks to help with balance or with pain.

If you think that this is a trivial issue, the appearance of mobility equipment can affect the degree of ableism/ageism that other people inflict on the person using the mobility equipment. Also, far too many falls are due to people who won't use their mobility equipment because they worry that it makes them "look old".

I have not been paid in any way whatsoever for making this post.

https://www.neo-walk.com/

#WalkingStick
#WalkingSticks
#Design
#Colour
#MobilityEquipment
#Disability

Home - Neo-Walk

Neo-Walk - Stylish, funky, coloured, unusual, clear, fashionable walking sticks

Anyway, if you see me at a con and Iโ€™m using a cane that means itโ€™s a dodgy walking day. It also means I think Iโ€™m Sherlock Holmes, striding along with my stylish and ever-so-dashing cane. Well, striding may be wishful thinking, but hey, Iโ€™m a writer. Imagination is a wonderful thing.

#hnpp #neuropathy #walkingsticks #walkingcanes