Scottish Antiques Roadshow star says 'every day's a win' 4 years on from cancer diagnosis
Social Media ab 16: Australien verdoppelt Strafen für Plattformen
Australiens Social-Media-Verbot für unter 16-Jährige zeigt wenig Wirkung. Die Regierung will nun härter gegen die Plattformen durchgreifen.
#Google #Medienkompetenz #Facebook #Netzpolitik #Regulierung #SocialMedia #news
How to become a successful synthwave producer
I want to go back to my previous post about démodé, specifically the part about the algorithm.
Let me take a step back to the 2010s when I was releasing my first EPs and publishing them on social media with zero strategy. On Facebook there was an incredible community (the Synthetix group, for those who remember…), we shared each other’s releases, reposting them on our own profiles, tagging people to spread other artists’ music to our own fanbase too. On SoundCloud comments were raining down. Reviews on webzines were written spontaneously by people who actually listened and wrote without press kits or ChatGPT.
It was so good.
Then little by little we got lost along the way. The algorithm changed, other people’s posts started becoming rarer and rarer, unless you paid for ads. And everything became a fast, obsessive scroll, especially since reels arrived (very much stolen from TikTok). Users who don’t stop to write anymore, to leave likes, and we artists don’t understand anything anymore. Even the insights don’t tell you much. Reading how many people saw your post but didn’t interact means very little. There are a lot of people who appreciate things but don’t say it.
Why?
That’s all we need. It’s what pushes us to create. We need to communicate, to send our feelings out, far away.
And now that I write this I’m reflecting on something, a little sad. The fact that I’ve been writing less and less music lately is also because of this, unfortunately. In my last releases I put my heart into it, especially in the “They Speak Italian” saga, but I never found out how many of you read the ebook included with the album, or if you even knew about it because maybe the algorithm hid my posts.
I never started publishing AI music simply because the process of creating and sharing is a pleasure I would call almost physical. But writing music without knowing where it goes and who it reaches… well, that kills the desire. Think about it.
So… how to become a successful synthwave producer?
Maybe… mmh, having support like it was 2016?
Ein lesenswerter Kommentar von @hofrat in der Presse zum Thema #socialmedia
Kernaussage: Algorithmen müssen keine Blackbox sein, durch politische #BigTech Regulierung können die negativen Auswirkungen sozialer Medien auch ohne Überwachung reduziert werden.
Blogue immobilier France et international: Liens utiles - Habitat
Plus :
https://www.kikori.fr/p/liens.html?spref=tw
#France #Marketing #MarketingStrategy #marketingagency #MarketingSuccess #marketingtips #immobilier #immeuble #bourse #boursier #industrie #referencement #socialmedia #SEO #SEA #Web #GEO
les réseaux sociaux lorsque je poste une de mes fameuses punchlines
#socialmedia
https://www.yves.brette.biz/post/2026/06/28/les-r%C3%A9seaux-sociaux-lorsque-je-poste-une-de-mes-fameuses-punchlines
Melanie Sykes proudly shows off her baldness following alopecia battle
Australia to double penalties for platforms in breach of social media ban
https://www.bbc.com/news/articles/c78yv5g74e9o
> Children under the age of 16 have been prevented from 10 key social media platforms in Australia since December 2025.
No, they haven't. “the majority of students who used social media before the ban said they still had access”.
The problem isn't that 15 year-olds are accessing “adult” content, it's that much of the content is not good for anyone, or for society.
It's propaganda, it's hate-filled, it's promoted by algorithms to maximise ad revenue or influence in favour of the platforms’ owners.
Corporate #socialMedia are antisocial.