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https://mastodon.social/@StefsPicks/116546216078831567
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Shane Lowry has no choice but to pick himself up and move on after PGA National collapse โ US News Hub MISRYOUM
https://misryoum.com/us/canada-news/shane-lowry-has-no-choice-but-to-pick/
ORLANDO, Fla. (AP) โ Itโs OK to feel sad for Shane Lowry. He had one hand on the trophy and the other hand outstretched to hug his 4-year-old daughter when she ran onto the 18th green at PGA National...
Shane Lowry has no choice but to pick himself up and move on after PGA National collapse โ US News Hub MISRYOUM
https://misryoum.com/us/canada-news/shane-lowry-has-no-choice-but-to-pick/
ORLANDO, Fla. (AP) โ Itโs OK to feel sad for Shane Lowry. He had one hand on the trophy and the other hand outstretched to hug his 4-year-old daughter when she ran onto the 18th green at PGA National...
#Shane #Lowry #has #choice #but #pick #himself #and #move #after #PGA #National #collapse #News #Hub #MISRYOUM #US_News_Hub #misryoum_com
Photos: Ray Romano, Jenny Slate, Nicholas Braun, Jake Shane Star in Broadway's All Out
https://misryoum.com/us/trending-now/photos-ray-romano-jenny-slate-nicholas-braun-jake/
The final cast of All Out: Comedy About Ambition By Simon Rich is officially onstage at the Nederlander Theatre for the play's final weeks, through March 8. Get a first look at the final foursomeโincluding Ray Romano, Jenny Slate, Nicholas Braun, and Jake...
#Photos #Ray #Romano #Jenny #Slate #Nicholas #Braun #Jake #Shane #Star #Broadways #All #Out #US_News_Hub #misryoum_com
Shane Is Fight Club in Reverse
https://youtu.be/STC9hswM_kM?si=3SQQhSZOiwxa2jEI
One of the things that emerged in our discussion of Shane (1953) in episode 44 of the Family Pictures Podcast is just how explicitly the film is rooted in real labor history, specifically the Johnson County War of the late 19th century. Wealthy Wyoming cattle barons, threatened by homesteaders organizing collectively, hired guns from Texas to [โฆ]
Thresholds of Violence in The Searchers (1956)
https://www.youtube.com/watch?v=sKVu7q64BQU
After re-watching The Searchers (1956) for episode 43 of the Family Pictures Podcast, I was struck by the way director [[John Ford]] constantly uses thresholds or portals to visualize the moral structure of the film. It isnโt so much about the chase, the raids, or even the racism that drives the narrativeโitโs this idea of space. Doorways, [โฆ]
https://bavatuesdays.com/thresholds-of-violence-in-the-searchers-1956/