Asake picks a side: Singer joins Wizkid despite Seun Kuti warning

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Asake announced a joint project with Wizkid on January 23, 2026, defying direct advice from Seun Kuti. This move comes just days after Kuti warned the singer to be careful, following a heated dispute where Kuti called Wizkid’s fans ignorant.

Asake has broken his silence with a loud statement of loyalty. The singer chose to ignore a recent warning from Seun Kuti regarding his friends in the industry.

​On January 23, 2026, Asake announced the release of a new joint work with Wizkid. ​He titled the project Real EP Vol. 1 and shared the art on social media.

​This move surprised many who watched the recent drama unfold online. ​Seun Kuti had urged Asake to keep his distance from the ‘Ojuelegba’ crooner. ​But Asake seems to have picked a side in this bitter feud.

​A clear message

​The timing of this release sends a strong signal to the music world. ​Observers note that silence often speaks louder than words in these cases.

​Asake did not reply to Kuti with a video or a tweet.

​Instead, he used his art to show where he stands.​Both artists posted the cover art in a shared upload on Instagram. ​This partnership suggests a deep bond between the two stars.

​It also shows that Asake values his tie to Wizkid more than the advice from Kuti. ​Fans have rushed to support the move across various platforms. ​The tension began when Kuti told Asake to “be careful of Wizkid.”

​He gave this advice publicly during a tense week on social media. ​Kuti felt that association with Wizkid could harm Asake’s path. ​However, the hitmaker has turned that advice on its head.

​The feud deepens

​This announcement adds fuel to an already burning fire. ​Seun Kuti and Wizkid have traded insults for days.​The conflict took a sharp turn when Kuti attacked Wizkid’s fan base. ​He described the “Wizkid FC” group as the “most ignorant fan base” in the country.

​Kuti claimed these fans lack the grasp of history that his father’s fans had. ​He also brought his father, the late Fela Kuti, into the debate. ​This provoked a harsh reply from the other camp.

​Wizkid hit back with claims about his own status in the industry. ​Reports show that Wizkid claims he is bigger than Fela Kuti in explosive reply to Seun. ​This bold claim shocked many lovers of Afrobeat history.

​Kuti did not let the matter slide and kept up his attacks. ​He mocked the singer for not filling stadiums like other top stars. ​In a recent post, Seun Kuti labels Wizkid FC ghosts for failing to fill stadiums.

​He argued that online noise does not match real-life support. ​These words created a toxic space for any neutral party. ​Yet, Asake walked right into the storm with his new EP.

​What comes next

​The release of Real EP Vol. 1 will likely dominate the charts. ​Fans expect the songs to address the current mood in some way. ​Critics are waiting to see if Seun Kuti responds to this slight.

​He may view the project as a direct snub to his seniority. ​For now, the music scene is watching closely. ​Asake has proven he follows his own mind.

​The coming days will show if this risk pays off for him. ​Wizkid continues to build his team despite the outside noise. ​The industry remains divided as these giants clash.

Samklef sparks outrage by claiming Fela Kuti stole Afrobeat from Orlando Julius

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On January 20, 2026, Nigerian music producer Samklef ignited a fierce debate on social media by asserting that Orlando Julius Ekemode is the true creator of Afrobeat. Writing on X, Samklef alleged that Fela Kuti “stole” the genre’s style and learned to play the saxophone from Julius, citing a lack of historical documentation for the misconception.

​The legacy of Afrobeat pioneer Fela Anikulapo-Kuti has come under intense scrutiny this week. Following a series of online debates regarding the hierarchy of Nigerian music legends, producer Samklef has introduced a controversial new angle to the conversation. On January 20, 2026, the producer took to X (formerly Twitter) to dismantle the widely accepted history of the genre, boldly declaring that Fela Kuti was not the originator of Afrobeat.

​Samklef claims the credit belongs entirely to the late highlife and Afrobeat veteran, Orlando Julius Ekemode. According to the producer, Fela merely adopted the style that Julius had already perfected. The tweets, which quickly went viral, accused the Kalakuta Republic founder of failing to acknowledge Julius during his lifetime. This assertion challenges decades of musical history that position Fela as the singular architect of the genre.

​The sax instructor allegation

​The controversy began when social media influencer Basito tweeted a comparison between Fela Kuti and King Sunny Ade, suggesting Fela could not match Ade’s musical achievements. Seizing the moment, Samklef quoted the post to offer what he termed “facts” about the genre’s origins.

​He stated that beyond just the genre itself, Fela Kuti relied on Orlando Julius for technical guidance. “Fela stole Orlando Julius Ekemode style, the original Afrobeat founder,” Samklef wrote. The producer went a step further, alleging that Julius actually taught Fela how to play the saxophone.

​This specific detail adds a personal dimension to the rivalry Samklef is painting. By suggesting a student-teacher dynamic where the student took the glory, the producer is attempting to rewrite the foundational myths of Nigerian music. The timing of this outburst is notable, as the Kuti family legacy has faced multiple attacks recently on social media.

​Just days prior, tensions flared within the industry regarding the respect accorded to the Kuti name. The atmosphere has been charged since Wizkid claims he is bigger than Fela Kuti in explosive reply to Seun, a statement that already had fans debating the relevance of the Afrobeat pioneer in the modern era. Samklef’s comments appear to pour more fuel on this raging fire.

​A call for proper documentation

​Samklef justified his outburst by pointing to a systemic failure in how Nigerian history is recorded. He argued that the “problem with Nigeria generally” is a lack of proper documentation, which has allowed false narratives to thrive unchecked. “I go start to dey teach una history,” he promised his followers, positioning himself as a corrective force in the culture.

​The producer shared vintage images of Orlando Julius performing, urging the public to recognize the man he calls the “original founder.” Julius, a highly respected multi-instrumentalist who passed away in 2022, was indeed a crucial figure in the fusion of highlife and American soul music in the 1960s. However, historians have traditionally viewed his work as parallel to, rather than the sole source of, Fela’s Afrobeat invention.

​Critics and music enthusiasts have reacted sharply to Samklef’s revisionist history. While many acknowledge Orlando Julius’s immense contribution, the direct accusation of theft against Fela is being viewed by some as an attempt to chase clout. The online space is currently volatile, with various figures weighing in on the Kuti legacy.

​Earlier this week, another commentator weighed in on the ongoing disrespect toward the Kuti family, noting that Daniel Regha blasts Seun Kuti and Wizkid for disrespecting Felas legacy. It seems the industry is currently undergoing a stress test regarding its reverence for past icons, with Samklef leading the charge to deconstruct Fela’s status.

​Whether Samklef possesses concrete evidence to back the claim that Julius taught Fela the saxophone remains to be seen. For now, he has successfully shifted the spotlight onto Orlando Julius, forcing a new generation of music fans to research the late veteran’s discography and his place in the pantheon of African music.

Does Wizkid simply recycle music? Daniel Regha thinks so. 😲 The critic has slammed both Starboy and Seun Kuti for "disrespecting" Fela's legacy for clout. Is he right, or did he go too far? 👇 #ValidUpdates #Wizkid #SeunKuti

https://validupdates.com/2026/01/daniel-regha-blasts-seun-kuti-and-wizkid-for-disrespecting-felas-legacy/

Daniel Regha blasts Seun Kuti and Wizkid for disrespecting Fela’s legacy

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On January 20, 2026, media personality Daniel Regha weighed in on the trending Fela debate, openly criticizing both Seun Kuti and Wizkid. He argued that Seun’s aggressive delivery often undermines his valid points, while dismissing Wizkid’s musical impact as merely “recycled” compared to Fela’s revolutionary activism.

​The ongoing debate over who truly upholds the legacy of Fela Anikulapo-Kuti has taken a fresh turn as critics step in to referee the chaos.

​Media personality Daniel Regha has issued a scathing verdict on the matter, accusing both Seun Kuti and Wizkid of using the late Afrobeat legend’s name for cheap popularity.

​His comments come just days after tensions flared online when Seun Kuti labels Wizkid FC ghosts for failing to translate their online noise into stadium ticket sales.

​Regha took to X (formerly Twitter) on January 20, 2026, to address the heated exchange that has dominated social media timelines this week.

​The verdict on Seun Kuti

​The critic acknowledged that Fela’s youngest son often speaks the truth but ruins his message through his presentation.

​Regha noted that Seun is known to “overdo things” and frequently becomes unnecessarily noisy to gain attention online.

​However, he admitted that regarding the specific issue of Fela’s supremacy, Seun was not completely wrong in his assessment.

​”Fela is the blueprint, and it’s disrespectful for any Afrobeats artiste to be compared to him whether it’s based on originality or impact,” Regha stated in his post.

​This sentiment echoes the broader family stance, as seen recently when Motunrayo Kuti drags Wizkid’s father for suggesting his son had surpassed the Afrobeat pioneer.

​Wizkid under fire

​While Seun faced criticism for his delivery, Regha reserved his harshest words for Grammy-winner Wizkid.

​He insisted that the Ojuelegba crooner “doesn’t hold a candle” to Fela’s name or his historical significance.

​Regha argued that Fela pushed for societal change while creating timeless music, whereas Wizkid mostly “recycles and commodifies music.”

​The critic further questioned Wizkid’s maturity, citing his method of handling heated arguments as proof that he still has much to learn.

​”For someone who claims to be the ‘biggest’ in the game, his way of handling heated arguments shows his level of maturity,” Regha added.

​He concluded by advising both parties to work on themselves and stop disrespecting Fela’s legacy for the sake of online clout.

Seun Kuti labels Wizkid FC ‘Ghosts’ for failing to fill stadiums

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Afrobeat musician Seun Kuti mocked Wizkid’s fanbase on Wednesday, January 21, 2026, labelling them a “ghost fan base” for their inability to fill stadiums. He contrasted them with Davido’s 30BG and Burna Boy’s Outsiders, arguing that Wizkid FC’s massive online presence fails to translate into physical concert attendance.

​The ongoing feud between the Kuti family and Grammy-winner Wizkid has escalated sharply. Seun Kuti released a video on Wednesday mocking the singer’s loyal supporters, known as Wizkid FC, questioning their physical existence outside social media.

​This latest jab strikes at a sensitive point for the fanbase. The Afrobeat saxophonist argued that a real fanbase shows up in stadiums, pointing out that rival groups like Davido’s 30BG and Burna Boy’s Outsiders consistently sell out massive venues.

​Ghost FC vs. The Rest

​Seun Kuti did not mince words in the viral clip. The singer stated that online noise means nothing if fans do not buy tickets and fill seats.

​”If you are not a ghost fan base, you be in stadium,” Kuti declared.

​The musician listed the achievements of rival fanbases to drive his point home. He noted that “30BG are in stadium” and “Outsiders are in stadium,” referring to the devoted followers of Davido and Burna Boy.

​Kuti then turned his attention to Wizkid FC. The son of Fela Kuti stated, “Wizkid FC? No stadium — a ghost fan base.”

​He laughed off the idea of “Ghost FC” filling a venue. Seun Kuti asked, “How do we fill stadium with ghosts? Come on bro. You cannot be ghosts.”

​A Deepening Rivalry

​This mockery is the latest chapter in a bitter exchange that began earlier this month. The tension spiked when Wizkid claimed he is bigger than Fela Kuti in explosive reply to Seun, sparking outrage among Afrobeat purists.

​The comments drew immediate fire from the Kuti clan. Shortly after the initial statement, Motunrayo Kuti drags Wizkid’s father over claim he is bigger than Fela, warning the pop star to respect the legacy of the Afrobeat pioneer.

​Seun Kuti appears determined to challenge every aspect of Wizkid’s dominance, from his musical status to the validity of his fame. By attacking the fanbase directly, Kuti shifts the battle from legacy debates to current relevance and street credibility.

​Observers note that “stadium status” is a major metric in the modern Afrobeats scene. Artists like Burna Boy and Davido have made headlines for selling out venues like the O2 Arena and London Stadium, setting a high bar for their peers.

​Seun Kuti implies that while Wizkid FC dominates Twitter trends, they lack the physical mobilization power of their rivals. The comments are likely to provoke a fierce reaction from the fanbase, who pride themselves on defending their favorite star aggressively.