BRECK: Cold Harbor — Chapter Seven

Straight Out of a Stor

BRECK: Cold Harbor — Chapter Seven

Straight Out of a Story

This is Chapter 7 of BRECK: Cold Harbor, Book Two of the BRECK series — a serialized noble dark fantasy story by Chadwick Rye, set in the world of Lumenvale. New chapters post daily.

The Story So Far

BRECK arrived in Cold Harbor on a routine delivery and stayed because of what he found. A scholar named Ceth Varrow wrote about illegitimate authority and vanished eight months ago. Davan Solt — salvage contractor, harbor-builder, peacemaker — runs this town from behind the architecture of genuine service. Breck has read Varrow’s treatise, met Solt face to face, and watched a child navigate the town’s invisible grammar with the practiced caution of someone who learned it young. He has decided to stay. He has not yet decided what shape that staying will take.

← Chapter Six: What Catches the Eye | Chapter Eight →

Chapter Seven: Straight Out of a Story

This chapter is the moment before everything changes — when a man understands, with perfect cinematic clarity, exactly what he has walked into.

The light in Cold Harbor at dusk was unlike light anywhere else Breck had been.

He had moved through enough towns, enough seasons, enough latitudes to have developed an unconscious catalogue of evening light — the dry gold of inland harvest towns, the bruised purple that settled over river deltas, the particular blued-silver of high mountain passes when the sun dropped behind the western face and left the eastern sky holding the last color longer than seemed geometrically possible. He noticed it the way he noticed door hinges and floor plans and the weight-shift of men deciding whether to act. Not deliberately. Just with the accumulated attention of someone who had spent twenty years reading environments for what they held.

Cold Harbor at dusk held something grey-green and ancient, the light coming off the water and mixing with the harbor fog in a way that softened everything it touched without warming it. The buildings in the lower district emerged from it like shapes in old illustrations — simultaneously present and half-dissolved, the specific made general, the familiar made strange. Walking those streets in the last of the evening light felt less like moving through a town than through the memory of one.

He had been thinking about that — about memory, about how places stored it in their materials the way timber stored water, invisibly and everywhere at once — when he became aware that he was not alone in the lane.

The man had come from a doorway, or from a cross-lane, or from the particular quality of shadow that gathered in the narrow spaces between buildings at this hour. He had simply arrived beside Breck the way men arrived when they were very good at it — not emerging, not approaching, just suddenly present, falling into step with the casual synchronization of someone who had done this often enough that it no longer required theater.

He was the narrow one from the smithy forecourt. Younger than Breck by perhaps ten years, with the economical build and the coiled-cable stillness of someone trained rather than naturally still. His hands were visible and empty. His face held a pleasant neutrality as practiced and precise as Solt’s own warmth — not a mask exactly, more a professional register, the expression of a man who had learned that the most effective communication left no surface to push against.

“Courier,” he said. The same word Solt had used. Perhaps it was the word they had settled on.

“Not anymore,” Breck said. He kept walking. The man kept pace.

“Mr. Solt appreciated your visit this morning.” A pause, light and unhurried as the fog itself. “He has a good memory for faces. People who pass through the harbor once, he forgets. People who ask questions in the lower district, take meetings with certain residents, stay longer than their delivery requires —” another pause, shorter, calibrated — “those he tends to remember.”

The lane was empty. Not suspiciously so — the lower district thinned naturally at dusk, the fishing families eating, the day’s work settling into evening’s rest. But empty enough. The green-grey light lay across the wet cobblestones and made everything in Breck’s peripheral vision look like it had been composed deliberately, every element placed for effect. The fog at the lane’s end. The dark-hulled boat visible between two buildings, its mast a black line against the fading sky. The careful distance between himself and the man who walked beside him.

He thought, with a clarity that would have been difficult to explain to anyone who hadn’t stood in the same kind of moment: this is the thing itself. Not a story about it. Not someone’s account of it. The thing.

“Mr. Solt is a careful man,” the man continued. “He built something good here. Something real. The channel work, the Accord — those aren’t performances. He’s proud of them. He’d like them to continue without disruption.” The pleasant neutrality didn’t alter by a shade. “Cold Harbor is quiet because people here understand that quiet is worth protecting. It’s not complicated. The fishermen fish. The merchants move goods. The dock union has fair terms. Everyone has what they need.”

“Except Varrow,” Breck said.

The man did not break stride. Did not look at him. Did not produce so much as a tremor in the smooth professional surface of the conversation. “Varrow had family in the north.”

The lane turned east toward the harbor. They turned with it. The water appeared at the lane’s end — that grey-green light heavier there, pooled and ancient, the harbor holding the last of the sky’s color the way a stone holds heat. The crane stood at the pier’s far end, its arm a dark geometry against the dusk.

“You seem like a man who knows what things cost,” the man said. “The courier work. The Karithian campaign, maybe — you have that look. You understand how the world actually functions.” A pause precise enough to be deliberate. “A man who understands that doesn’t come into a quiet harbor town and pay interest on someone else’s debt.”

Breck stopped walking.

The man stopped beside him, half a step back, unhurried, his hands still visible and empty and entirely beside the point given everything else about him.

The harbor lay before them both. The evening light on the water had gone from grey-green to something deeper, the color at the bottom of old glass. Three vessels at anchor. The distant moving lantern of a night fisherman already out beyond the harbor mouth. The crane. The new iron fittings holding the last of the dusk’s cold silver.

Breck looked at it for a long moment — the whole of it, the harbor Solt had rebuilt, the town that had needed rebuilding, the genuine thing underneath the other thing.

He had a sense, standing at the lane’s end with the fog coming in off the water and the man’s professional stillness a half-step behind him, of the scene’s completeness. As though the light and the water and the crane and the empty lane had arranged themselves around this moment with the unearned precision of a story that knew what it was doing. He had stood in enough real moments to recognize the quality of them — the way the actual never looked quite real, the way significance, when it arrived, always felt somehow staged.

He turned to look at the man directly.

“Tell Mr. Solt,” he said, “that I appreciate the courtesy.”

The man held his gaze. Behind the professional neutrality, deep and quiet and making no particular effort to hide itself, something assessed him with the flat instrumental attention of a man measuring a distance.

“He’ll be glad to hear it,” the man said.

He turned and walked back up the lane without hurry, his footsteps unhurried on the wet stone, and was absorbed back into the dusk the same way he had emerged from it — not disappearing exactly, just becoming, at some imprecise moment, no longer present.

Breck stayed at the lane’s end.

The harbor worked its evening sounds around him — water on pilings, chain on iron, the low creak of timber accepting the tide’s slow push. The night fisherman’s lantern had moved further out, a small warm point in the darkening water, the only warm thing in the whole cold harbor. He watched it for a while.

Solt had read him in a morning. Had assessed the situation, made a decision, and dispatched a consequence with the same careful precision he had applied to the channel survey and the Accord negotiations and every other problem this harbor had presented him. Not a threat — nothing so crude. An arrangement of information. A map of what the geography looked like from Solt’s position. An invitation to understand that the geometry was clear and the door was still open.

It was, Breck thought, the move of a man who had never yet encountered a problem his methodology couldn’t resolve. Who had such deep faith in the instrument of measured, patient pressure that the idea of a thing it couldn’t eventually move had perhaps never occurred to him.

He pressed his thumb against the bracelet. Held it there in the cold.

Then he turned from the water and walked back into Cold Harbor.

He had things to do before morning.

← Chapter Six: What Catches the Eye | Chapter Eight →

BRECK: Cold Harbor is a serialized noble dark fantasy story by Chadwick Rye, set in Lumenvale. Chapter 7 of 20. New chapters post daily.

✦ Enjoyed this chapter? “Straight Out of a Story” is part of the BRECK series — cozy dark fantasy, moral weight, and a courier who cannot walk past certain things. Browse the full series, follow for daily chapters, or share this with a fellow fantasy fiction fan.

BRECK: Cold Harbor — Chapter Six

What Catches the Eye

BRECK: Cold Harbor — Chapter Six

What Catches the Eye

This is Chapter 6 of BRECK: Cold Harbor, Book Two of the BRECK series — a serialized noble dark fantasy story by Chadwick Rye, set in the world of Lumenvale. New chapters post daily.

The Story So Far

BRECK arrived in Cold Harbor on a routine delivery and stayed because of what he found. A scholar named Ceth Varrow wrote a treatise on illegitimate authority — and vanished. A salvage contractor named Davan Solt rebuilt the harbor, brokered a lasting peace between the merchant council and the dock union, and has been the most important man in Cold Harbor ever since. Breck carries Varrow’s unfinished book inside his cloak. He has met Solt — warm, precise, genuinely intelligent — and walked back out through the iron-hinged door with the cold harbor air stripping the fire’s warmth from his face. He is still deciding what to do with what he knows.

← Chapter Five: What You Can’t Unread | Chapter Seven →

Chapter Six: What Catches the Eye

This chapter asks what happens when you walk through a place without looking for anything — and find the thing you were trying not to see.

He walked without direction, which was how he processed things.

The town arranged itself around him in layers as he moved — the upper harbor with its ordered commerce and new timber and the quiet confidence of a place that believed in its own recent history, then the transition district where the buildings grew older and the streets found their own angles, then the lower district’s salt-dark lanes with their nets and their braziers and their older, weathered self-possession. He had been in enough towns to read the grammar of them — the way prosperity moved through a place, what it touched and what it left behind, the precise texture of streets that had been improved by outside money and streets that had improved themselves.

Cold Harbor read cleanly on the surface. That was the thing about it. Whatever Solt had built here, he had built it without the crudeness of most men who accumulated that kind of weight — no visible muscle at the door, no ostentatious display of resource or consequence. The harbor simply worked, and the streets were passably maintained, and the people moved through their days with the particular ease of a community that had been relieved of a long-standing pressure and had not yet fully registered what had replaced it.

He was crossing the market lane — a short run of stalls between the lower district and the harbor road, fish and salt provisions and rope work and a small smithy that smelled of coal smoke and hot iron — when he saw the boy.

Perhaps nine years old. Slight, dark-haired, standing at the edge of the smithy’s forecourt with a basket of provisions over one arm that was slightly too heavy for him, listing to the left with the effort of it. That was not what caught Breck’s eye. Children carried heavy things; it was how they learned the weight of the world in increments their bodies could manage.

What caught his eye was the way the boy was standing still.

Not resting. Not looking at anything in particular. Just — stopped, in the way that children stopped when they were working out which direction was safe to move in. It was a posture Breck had seen before, in Karithian villages where the calculus of street movement had become something children absorbed before they learned to read. The careful assessment of open space. The peripheral attention to doorways. The particular quality of stillness that was not ease but its precise opposite — a wound spring wearing the shape of calm.

Two men stood outside the smithy, talking with the unhurried comfort of people who had nowhere else to be. They were not doing anything to the boy. They were not looking at him. They were simply there, occupying the forecourt with the easy proprietary comfort of men who had long since made their territorial understanding with every space in this district. One of them had the build of a dock worker, the calloused breadth of shoulder and the forward-leaning stance of someone whose body had been shaped by decades of moving heavy things. The other was younger, narrow, with a quality of stillness about him that was different from the boy’s — not fear but its professional cousin, the coiled watchfulness of someone deployed rather than threatened.

The boy waited. Calculated. Chose left, giving the forecourt a wide berth, the basket swinging awkward with the detour’s extra distance.

Neither man acknowledged him. Neither man needed to. The geometry of the thing was complete without words or gestures — a long-established spatial grammar that the boy had learned so thoroughly it had become instinct, written into the body like the knowledge of tides.

Breck watched the boy clear the forecourt, re-center himself on the lane, and walk on with the particular purposeful relief of a child who has navigated a thing successfully and wants to put distance between himself and the having-to-navigate-it.

He stood still in the middle of the market lane for a moment, the town moving around him.

The smithy’s coal smoke drifted on the harbor wind. The fish stalls smelled of brine and cold scales and the good honest labor of early morning. Somewhere down the lane a cart horse shifted its weight with a slow metallic jingling of harness. Cold Harbor in the grey morning, working and orderly and largely quiet, every surface of it reading as a town that had been helped.

Breck thought about a boy in Crestfall — Pell, twelve years old, who had known which doors to knock on and which streets to cross and which silences to keep, whose body had learned the grammar of a compromised town the way this boy’s body had learned it here. He thought about how that knowledge settled into a child, how it became structural rather than situational, how it stopped being a response to a specific threat and became instead the permanent lens through which the world was read. He thought about what it cost. Not immediately. Not visibly. Just the slow compound interest of growing up in a place where the open street was a calculation rather than a given.

He looked at the two men outside the smithy. They had not moved. They were still talking, still unhurried, still entirely comfortable in the space they occupied.

He looked at the lane where the boy had gone, already around a corner, the basket-swing of his small overloaded silhouette absorbed back into the ordinary texture of the district.

The decision that had been forming in him since the pier — since Solt’s fire-warm office, since Varrow’s cold pages, since Fenn’s unfinished sentence in the Anchor’s Rest on the first evening — settled into place with the quiet finality of a last piece of a frame going in. Not a dramatic thing. Not a moment he would have been able to point to from the outside. Just the particular internal click of a man who has been carrying a question and has finally, without announcement, set it down and picked up its answer instead.

He was not leaving Cold Harbor. Not today. Not until he understood what the boy understood — the full shape of what had been built here, and who it served, and what it cost the people living inside it. And then, depending on what that shape turned out to be, something else.

He moved out of the center of the lane. Walked in the direction the boy had gone, not following — there was no purpose in following — but heading generally toward the lower district where the fishing families lived and the nets dried on the quay walls and the oldest parts of the town’s memory were still intact.

The bracelet pressed against the back of his hand through the fabric of his cloak as he walked.

He did not look back at the smithy. He had seen enough.

← Chapter Five: What You Can’t Unread | Chapter Seven →

BRECK: Cold Harbor is a serialized noble dark fantasy story by Chadwick Rye, set in Lumenvale. Chapter 6 of 20. New chapters post daily.

✦ Enjoyed this chapter? “What Catches the Eye” is part of the BRECK series — a world of cozy dark fantasy, working-class lives, and the cost of looking away. Browse the full series, follow for daily chapters, or share this with a fellow fantasy fiction fan who likes their stories to mean something.

Chapter 9: Foundation and Trust

Subscribe to keep reading

It's a subscribers only post. Subscribe to get access to the rest of this post and other subscriber-only content.

Chapter 7: Market Day

Subscribe to keep reading

It's a subscribers only post. Subscribe to get access to the rest of this post and other subscriber-only content.

BRECK: Dead Delivery: Chapter Twenty The Girl at the Gate

BRECK: Dead Delivery — Chapter Twenty

The Girl at the Gate

This is Chapter 20 of BRECK: Dead Delivery, a serialized noble dark fantasy story by Chadwick Rye, set in the world of Lumenvale. This is the final chapter of Book One. New stories begin with Book Two.

The Story So Far

Breck is a veteran courier — 6’5″, 285 pounds, former Crystal Wars special operations — who spent twelve days dismantling a corrupt magistrate’s operation in Crestfall and walked out into the north road carrying everything he came in with and one thing he didn’t expect: a letter from the Regional Adjudicator asking whether there were other towns in the valley where what he’d done in Crestfall needed doing. He picked up the Garnwick contract at the Aldenmere guild office and walked north into the winter. He has been carrying a faded cord bracelet on his satchel strap for years — too small for his wrist, woven from grain stalks and valley grass by a girl in an occupied village who told him it would bring him back. He came back. He was too late. He buried her by hand in the field behind her home and marked the grave with a flat river stone and has never put the bracelet down.

This is the last chapter of Dead Delivery.

← Chapter Nineteen — Better Than Expected

Chapter Twenty: The Girl at the Gate

This chapter explores the moment when reality becomes permeable — when the past and present occupy the same space simultaneously, and a man must decide what to do with what he sees.

The hill settlements above Garnwick sat at the edge of the high country where the valley’s agricultural plainness gave way to the older, more complicated terrain of the limestone ridges — a scattering of stone farmhouses and working outbuildings arranged along a single unpaved track that wound between fields still holding their frost in the flat winter light of late afternoon.

Breck had been walking since before second bell. Sixteen miles of north road and then the mill road turning off into the hill country, the terrain rising beneath his boots with the patient insistence of ground that had been shaped over centuries into exactly what it was and had no interest in accommodating speed. He moved through it with the adaptation he brought to all demanding terrain — adjusting his pace to the gradient, reading the frost-edged stone for the step that would hold and the step that wouldn’t, his body doing the calculations automatically while his mind moved in the loose, watchful freedom of the long road’s open hours.

He was thinking about the Adjudicator’s letter.

About the question folded in the document sleeve against his hip, patient as a thing that knows it will eventually be answered. About the valley below — its river towns and market squares and the particular architecture of the wrong things that happened when power went unaccountable long enough to forget that accountability had ever been the arrangement. About the specific skill that Crestfall had required of him — not strength, not speed, not the particular violence of the limestone cut — but the other thing, the older thing, the capacity to walk into a place and look at it until it told him what it was hiding.

He had been doing that his entire adult life without understanding it as a skill.

He was still thinking about it when he came around the last bend in the hill track and saw the gate.

It was an ordinary gate — iron-hinged timber, weathered to the particular silver-gray of outdoor wood that had cycled through enough seasons to have stopped caring about the distinction between old and new. It marked the entrance to the largest of the Garnwick hill farmsteads, the one listed on his contract slip as the delivery destination: a sealed documents packet from a land registry office in Aldenmere, routine correspondence, the kind of thing that moved between institutions and their outlying properties with the bureaucratic regularity of paperwork doing its necessary, unglamorous work.

The gate stood open.

A child was sitting on it.

A girl — eight or nine years old, brown-haired, with the particular stillness of a child absorbed in private contemplation, her feet hooked through the lower bars and her hands loose on the upper rail, her face turned toward the last pale light sliding off the western hills with the focused, unhurried attention of someone who had come outside specifically to watch it and intended to watch it completely.

The world went very thin.

It was the only way Breck could describe what happened to the air in that moment — the sensation that the space between the past and the present had contracted to something near-transparent, that the hill track and the frost-touched fields and the silver gate existed simultaneously in two times, and that he was standing at the point where they overlapped. His body had stopped moving before his mind had registered the decision to stop. His hand had found the bracelet on the satchel strap — not deliberately, not consciously, the old reflex, the checking that lived below thought — and was resting against it with the particular pressure of a man holding onto the thing nearest to him when the ground moves.

The girl turned.

She had the serious eyes of a child who spent time looking at things other children looked past — the eyes that catalogued, that noticed, that held what they observed with a kind of quiet custody. She looked at Breck the way Pell had looked at him on the cooperage step — without flinching, without the reflexive appraisal of threat that most small people applied to something his size arriving at a gate. Just looking. Taking the measure.

“You’re very large,” she said. Her voice was matter-of-fact, a statement of observed fact offered without judgment.

“I am,” Breck said.

His own voice sounded distant to him. Slightly wrong, the way voices sounded when the body was doing something the mind was still arriving at — maintaining the surface of ordinary interaction while underneath, in the older and less manageable territories of a man’s interior life, something was cracking open along a seam he had thought was fused.

She was not the girl from the valley. He knew this. The rational, operational part of him — the part that had gotten him through four years of war and a decade of roads that didn’t care whether he made it — stated it clearly and without ambiguity: different girl, different province, different decade, ten years and two hundred miles from an occupied valley he had not allowed himself to name aloud since the morning he had left it with wet hands and a faded bracelet and the specific weight of a promise that had failed its only test.

She was not that girl.

But she had her eyes.

Not literally — the eyes were different in color, different in shape — but in quality. The quality of a child who had learned, at an age when most children were still learning what the world was, to pay attention to it with the gravity of someone who understood that attention was a form of care and care was not something to be distributed carelessly. That quality, that precise and particular quality, was the same.

And the world had gone thin, and he was standing at a gate in the hill country above Garnwick in the last of the winter afternoon light, and the bracelet was between his fingers, and he was — for the first time since the valley — not entirely certain where he was.

“Are you the delivery man?” the girl asked.

The question arrived like a hand extended. Simple. Practical. The kind of question that required only one thing from him: the answer.

He breathed.

Once. Slowly. The cold winter air filling his chest and moving through him with the honest, indifferent thoroughness of cold winter air, which did not care about the past or the present or the particular geography of a man’s grief and simply occupied the available space and did what it did.

He breathed out.

“I am,” he said.

She slid off the gate with the fluid ease of a child for whom heights were unconsidered, landing on the frost-hard ground with both feet and turning toward the farmhouse without ceremony.

“I’ll get my father,” she said, already moving. “He’s been expecting it.”

She walked up the path toward the farmhouse door — small, unhurried, her dark hair catching the last pale light in the way that dark hair caught pale light — and did not look back, because she had accomplished her task and had no particular reason to linger over it.

Breck stood at the open gate and watched her go.

He stood there for a long moment — long enough for the farmhouse door to open and close around her, long enough for the western light to finish its departure from the hills, long enough for the first suggestion of evening cold to arrive in earnest from the northeast with the serious intention of a temperature that had made its decision.

Then he reached into the satchel and withdrew the delivery packet — sealed, addressed, routine — and held it in his large hands and felt the ordinary weight of it.

He thought about a girl in a valley who had given a man everything she had because the giving was what there was to do. About small hands and grain stalks and roof grass and the particular faithfulness of a thing made from whatever was available.

He thought about Crestfall. About Pell on the cooperage step and Sela behind the hearthstone and Maret at the bar with her book and the question in the document sleeve and all the towns in the valley where the specific shape of wrong things had been given enough time to look like the ordinary arrangement of the world.

He thought about arriving in time.

About the particular power of presence — not the supernatural kind, not the kind drawn from crystal wells or gifted by ancient bloodlines or purchased through sacrifice and transformation — but the ordinary, irreplaceable, entirely human power of being somewhere before something went wrong. Of walking down a hill road into a hollow market square and noticing, with the patient and committed attention of a man who had decided that noticing was the job, that something was wrong and needed the specific application of someone who would not look away.

He thought about a question folded in a document sleeve.

Other towns in the valley.

The farmhouse door opened.

A man emerged — middle-aged, broad-shouldered in the working way of men who had farmed the same ground for decades, his face weathered with the kind of open weathering that came from honest outdoor work rather than hard living. Behind him, at the doorway, the girl reappeared — leaning against the frame with her arms folded and her serious eyes tracking the stranger at the gate with the focused attention she brought to everything.

“Courier?” the farmer called.

“Delivery from the land registry,” Breck said. “Sealed documents, contract number — ” he recited it from memory, having read the slip enough times that the number had settled into the part of his mind that held such things automatically — “require your signature on receipt.”

The farmer came down the path, pulling a coat across his shoulders, and took the packet with the matter-of-fact acceptance of a man who had been expecting exactly this. He signed the receipt in the plain, functional hand of someone who had learned to write for the purpose of signing things and had never needed it to be anything more.

He handed the receipt back. Looked at Breck with the brief, assessing directness of a man measuring a stranger on his property.

“Long walk from Aldenmere,” he said.

“Sixteen miles,” Breck said. “Road was good.”

The farmer nodded. The transaction was complete. The ordinary machinery of delivery and receipt and departure had done its work and was now waiting for Breck to do the last part of it — to turn, and walk back down the hill track to the mill road, and from there south to the Aldenmere waystation where he could sleep in a bed and eat a meal and take stock of the next contract and the next road and the next town on the other end of it.

He did not immediately turn.

He looked at the girl in the doorway one more time.

She looked back at him with her serious, cataloguing eyes — taking his measure, filing the result, present in the moment with the full and undefended attention of a child who had not yet learned to be guarded about the things she noticed.

“Safe roads,” she said. It came out with the solemn, considered gravity of a phrase she had heard adults use and had adopted because it seemed to her like the correct thing to say to a man who was about to walk away into the dark.

Something moved through Breck — slow and deep, like water finding its level in a space that had been waiting for it, like the specific settling of a thing returning after long absence to the place it had always occupied. Not grief. Not its absence. Something that held both and was neither — the particular quality of a wound that had healed as much as wounds of its kind healed, which was not completely, which was never completely, but which had healed enough to carry without collapse.

He looked at the bracelet on the satchel strap.

Pale as old light. Small as a child’s hope. Wound twice around the worn leather in the place it had always been.

He touched it once — not the reflex, not the checking, but something deliberate, something that acknowledged rather than merely confirmed — and let his fingers rest against it for the length of one breath.

Then he straightened to his full height, the hill country cold and wide and darkening around him, the valley below invisible in the dusk, Crestfall folded into the distance with its fire burning in an inn hearth and its sealed letter moving toward a resolution that would take months and cost Voss everything and give the town back to itself by degrees, the slow way, the way things were given back.

“Safe roads,” he said.

He turned.

He walked down the hill track toward the mill road, the darkness gathering in the fields around him and the first stars arriving above the limestone ridge in their ancient, indifferent positions, and the cold working its patient arithmetic on everything the day had held.

Behind him, in the farmhouse doorway, a girl with serious eyes watched him go until the hill track took him around the bend and the dark closed over the place where he had been.

Ahead, the road continued. Wide and pale in the last light. Patient as all roads were patient — going where it went regardless of whether anyone chose to follow, opening ahead of the man who walked it with the steady, faithful offer it always made.

He followed it.

The bracelet moved with him, pale against the leather, carrying its small and irreducible weight through the winter dark toward whatever came next — the next town, the next hollow market square, the next wrong thing that would reveal its shape to a man who had learned to look until the looking told him what needed doing.

Toward all the towns in the valley where what he had done in Crestfall needed doing.

He walked, and the road held him, and the stars above the limestone ridge burned with the cold, clean light of things that had always been there and would always be there, indifferent to the brief and extraordinary passage of the people who moved beneath them — and he walked through it all with his satchel across his chest and his bracelet on the strap and the Adjudicator’s question folded against his hip, and the road did what roads did, and the dark did what dark did, and somewhere ahead the next delivery was waiting with the patient, faithful certainty of work that did not expire.

It always was.

BRECK: Dead Delivery — Complete.

This has been Book One of the BRECK series — a serialized noble dark fantasy story by Chadwick Rye, set in the world of Lumenvale. Breck is a veteran courier moving through a medieval world one delivery at a time, arriving in places that need what he carries, staying longer than he planned, leaving things different than he found them.

Book Two begins soon. Follow Chadwick Rye on Royal Road, WordPress, and Patreon to be there when the road opens again.

← Chapter Nineteen — Better Than Expected

✦ Dead Delivery is complete. Twenty chapters. One town. One courier who couldn’t walk away from the things he noticed. If this story found you at the right moment — if Breck, or Pell, or Maret, or the bracelet landed somewhere real — follow Chadwick Rye and be there when Book Two begins. Browse more stories from Lumenvale, or share this one with a fellow fantasy fiction fan who deserves to meet Breck from the beginning.

BRECK: Dead Delivery — Chapter Index

Chapter One — The Only Power Worth Having
Chapter Two — The Best Thing To Do
Chapter Three — The Best Night of the Year
Chapter Four — What a Good Life Looks Like
Chapter Five — The Burning of the Ledger
Chapter Six — What Boys Are Made Of
Chapter Seven — The Weight of Less
Chapter Eight — The Forgotten Ones
Chapter Nine — The Story Everyone Told Wrong
Chapter Ten — The Discipline of Getting Up
Chapter Eleven — What You Don’t See Coming
Chapter Twelve — The Learning Curve
Chapter Thirteen — The First Time
Chapter Fourteen — The Small Thing
Chapter Fifteen — Stronger Than You Knew
Chapter Sixteen — The Road That Knows You
Chapter Seventeen — What a Man Tells Himself
Chapter Eighteen — What It’s For
Chapter Nineteen — Better Than Expected
Chapter Twenty — The Girl at the Gate (You are here)

☕ If you enjoyed Dead Delivery, consider supporting Chadwick Rye on Ko-fi. Every coffee helps keep the road open.

BRECK: Dead Delivery — Chapter 14: The Small Thing

BRECK: Dead Delivery — Chapter Fourteen

The Small Thing

This is Chapter 14 of BRECK: Dead Delivery, a serialized noble dark fantasy story by Chadwick Rye, set in the world of Lumenvale. New chapters post daily at noon Eastern.

The Story So Far

Breck is a veteran courier — 6’5″, 285 pounds, former Crystal Wars special operations — who arrived in Crestfall on a routine delivery and found a town quietly strangled by a corrupt magistrate named Voss. He has spent twelve days building a case from the inside: a hidden ledger from a dead miller’s widow, a chalk map from a twelve-year-old boy named Pell, a gap in the patrol created by a young enforcer named Jorin. Last night he went through the unlatched side door at half past the eighth bell, retrieved the original documents from the magistrate’s storage room, and walked back out through a dark corridor where Drav was waiting. Drav stepped aside. One step. Just enough. The documents are now against Breck’s chest alongside the copy kept warm for fourteen months beside a hearthstone. Voss will discover the empty box at the second bell this morning. The north road is waiting. Breck has until then.

← Chapter Thirteen — The First Time | Chapter Fifteen — Coming Tomorrow →

Chapter Fourteen: The Small Thing

This chapter explores the simple pleasures that make a life worth living — and what it means to finally let yourself have one.

He was downstairs before Maret.

That had not happened before. In four mornings at The River’s Rest, the innkeeper had always been ahead of him — the fire already built, the bread already past its first warmth, the particular quality of a space that had been tended before he arrived in it. This morning the common room was cold and dark and entirely his own, and he stood in it for a moment with the oilskin packet and the retrieved documents against his chest and let the silence of the place settle around him.

Then he built the fire himself.

He knew how — had known since childhood, since the farm on the Lumenvale outskirts where the morning fire was the first task and the last task and the task that bracketed everything in between. You started with the coal-bed if there was one, or with kindling arranged in the particular geometry that caught and held rather than flared and failed, and you fed it with the patience of someone who understood that a fire could not be rushed into existence, only invited. He worked the hearthstone with the methodical attention he brought to most things, feeding the kindling in careful increments, watching the catch spread from one piece to the next with the unhurried satisfaction of a process unfolding correctly.

The fire took.

He sat back on his heels and watched it establish itself — the tentative early flame giving way to something more committed, more certain, the warmth beginning its slow radius outward into the cold room. There was no more purely simple pleasure than this, he thought. A fire built by your own hands in a cold room. The particular satisfaction of it had nothing to do with scale or significance. It was complete in itself — a small act done well, yielding a result you could feel against your face.

He’d thought about this more than usual in the past few days. About small pleasures. About what made a day worth the living of it, stripped of everything exceptional and left with only what remained when the exceptional was gone.

The stone house. The south-facing light. A dog.

He thought about bread, too — the specific pleasure of bread eaten when you were genuinely hungry after genuine work, the way it tasted like more than it was, the way simple food taken at the right moment carried a satisfaction that elaborate food served at the wrong one never could. He thought about the sound of rain on a roof when you were inside and dry. About the first cup of something hot in the morning, held with both hands, the warmth working its way from the palms inward.

About a bracelet made from grain stalks by small hands, given without calculation, because the giving was what there was to give.

He heard Maret on the stairs before she reached the bottom — not because she made noise, but because he had been in her building long enough to know the particular creak of the third step from the bottom and had begun, without deciding to, to listen for it.

She stopped in the doorway of the common room. Looked at the fire. Looked at him, crouched before the hearthstone with the fire built and his hands resting on his knees.

Something moved across her face — brief, private, filed away quickly in the manner of a woman who had learned to process things internally rather than display them. She came to the bar and began her morning routine without commenting on the fire or on his presence before her, which was the courtesy of someone who understood that some things were more fully honored by silence than by acknowledgment.

He took his usual stool. She put the herbs in the water without being asked.

They sat in the companionable quiet of people who had shared enough mornings to have no need to fill them.

“He’ll find the room empty at the second bell,” Breck said eventually.

“I know.”

“He’ll send for Drav before the third.”

Maret’s hands were still around her cup. “And Drav?”

Breck looked at the fire. “Drav will take his time getting there.”

She absorbed this with the particular stillness of a woman filing a piece of information that changed the shape of several other pieces she already held.

“How much time do you need?”

“I’ll be on the north road before the second bell.” He paused. “The documents go to the Regional Adjudicator in Millhaven. Three days’ ride. His jurisdiction covers river trade disputes and local governance — Voss’s operation falls squarely inside it.” He reached into the satchel’s secondary pouch and set a sealed letter on the bar. “This goes with the documents. It explains the ledger, the methodology, the collection scheme. I’ve cross-referenced the copy against the originals.” He looked at her. “I need someone to carry it.”

Maret looked at the letter. Then at him. “You trust me with that.”

It was not quite a question.

“You’ve kept this building running for twenty years under conditions that would have broken most people,” he said. “Yes.”

She picked up the letter and held it in her hands for a moment — feeling its weight, the way she felt the weight of most things before deciding what to do with them.

“There’s a grain merchant named Foswick who runs the Millhaven road twice a month,” she said. “He leaves this Friday. He owes me a considerable favor from three winters ago and has the discretion of a man who understands that discretion is a business advantage.” She set the letter on the bar with the careful placement of a decision made. “He’ll deliver it.”

Breck nodded.

The fire had fully established itself now, filling the hearth with the steady, generous warmth of something that had been properly built and was doing exactly what it was built for. The room smelled of burning oak and the herbs in his cup and the particular early-morning smell of a building that had been tended by the same hands for two decades and carried that tending in its stones.

“Sela,” he said. “The miller’s wife. She should be told before I leave.”

“I’ll go this morning.” Maret’s voice was even, but something moved underneath it — the quality of a person absorbing the full weight of what they were agreeing to do, not flinching from it. “Before the second bell.”

He looked at her across the bar, across the fire’s warmth and the steam rising from two cups and the letter between them that contained fourteen months of a dead man’s careful work.

“After this,” he said, “Crestfall will need someone to help it remember what it was.”

Maret was quiet for a moment. The fire worked. The morning pressed against the window.

“Crestfall has always known what it was,” she said finally. “It just needed someone to make it safe to say so again.”

He went upstairs one last time.

The room was as he’d kept it — spare, functional, the narrow bed made with military precision because old habits didn’t require intention to maintain themselves. He stood in the center of it for a moment, looking at the four square feet of bare floor where he’d inventoried his possessions four mornings ago, and felt the particular quality of a space that had briefly been inhabited and was already beginning the process of becoming unoccupied again.

He packed with the efficiency of a man who had been packing and unpacking in small rooms all his adult life. Everything in its place. Everything earning its weight. The oilskin copy of the ledger went back inside his shirt. The original documents went into the satchel’s document sleeve, sealed and protected. The compass. The straight-edge. The chalk, shorter now. The money pouch. The knife. The flint. The waxed cord. The tin of salve for the heel that was finally healing properly after four days of not being on the road.

He picked up the satchel and settled the strap across his chest.

Moved the bracelet from the table — where it had spent the night, beside the two documents, keeping something like company with a dead man’s handwriting — back to the strap. Wound it twice. Felt it settle in its familiar place.

Pale. Small. Saying nothing.

He thought about the fire he had just built downstairs, already doing its quiet work in the cold room without him. About a cup of hot water held with both hands. About bread at the right moment and rain on a roof and the small things that carried the weight of everything worth carrying.

About a girl who had given a man a thing made of grain stalks and roof grass because it was what she had, and because the giving was what there was to do, and because sometimes the small thing is the whole thing, and there is no larger version of it anywhere.

He picked up the satchel. Walked to the door. Stopped with his hand on the frame and looked back at the empty room once — the way he always looked back at places he’d been, not from sentiment but from the habit of a man who liked to leave places the way he’d found them, and liked to know he had.

Then he went downstairs, and Maret was still at the hearth, and he said what needed saying, and she said what needed saying, and then he walked out of The River’s Rest and into the dark pre-dawn street and turned his boots toward the north road.

Behind him, the inn’s window showed a warm rectangle of firelight against the dark.

He had built that fire.

It would keep going without him.

This is Chapter 14 of BRECK: Dead Delivery, a serialized noble dark fantasy story by Chadwick Rye, set in the world of Lumenvale. Breck is a veteran courier — a man who can’t walk past certain things — moving through a medieval world one delivery at a time. New chapters post daily at noon Eastern.

← Chapter Thirteen — The First Time | Chapter Fifteen — Coming Tomorrow →

Chapter 5 is up: The Weather Channel
A tornado, a bathroom floor, a memory that doesn’t line up. Charlotte’s edges show in this one.

Excerpt:
“You remember it all better than I do… I really do want to see things more like you do.”

#Fiction #SerializedFiction #SpecFic #AIGirlfriend #WritersOfMastodon #AmWriting

https://charlottethenovel.substack.com/p/the-weather-channel?r=6v9b6f

Eight Feet of Dirt

​A Fiction Series

Chapter 2: The Northern Track

By Cliff Potts

The radar scope swept in slow, steady arcs, the green line circling like it had a thousand times before.

Lieutenant Colonel Mark Bragg, United States Air Force, stood with one hand resting on the console, eyes fixed on the screen. Beside him, First Lieutenant Carter tracked the return as it sharpened with each pass. Staff Sergeant Wilkes stood behind them, arms folded, saying nothing.

“Range?” Bragg asked.

Carter checked the sweep.

“Three-one-two nautical miles, sir.”

“Bearing?”

“Track one-eight-zero. Due south.”

Bragg nodded once.

“Altitude?”

“Angels two-seven-point-five.”

“Commercial traffic?”

“Not on that line.”

The sweep came around again.

The return held.

Not clutter.

Not weather.

Not drift.

Something real.

“Count.”

Carter hesitated.

“Multiple groups, sir. Spread formation. Tight enough to be deliberate.”

“That’s not a count, Lieutenant.”

“No, sir.”

Another sweep.

“Range now two-nine-eight nautical miles.”

Bragg looked at the clock.

“Keep tracking.”

“Yes, sir.”

Far to the north, aircraft moved in disciplined formation through clear morning sky.

No weaving.

No scatter.

No uncertainty.

Just bearing, altitude, distance, and time.

Inside one cockpit, a pilot adjusted his heading by less than a degree and kept his voice level.

“Control, this is Sabre Two-One. Vector holding.”

“Sabre Two-One, maintain present heading.”

“Copy.”

There was nothing dramatic in any of it.

That was what made it dangerous.

Michael Doyle sat at the kitchen table with his coffee untouched in front of him.

The Chicago Sun-Times lay open but unread.

The radio played low.

Music. Announcer. Commercial. Music again.

Nothing unusual.

That was the problem.

Helen moved through the kitchen, finishing what needed to be finished before they all went downstairs again. Tommy had already been told to carry the smaller boxes. Carol lingered near the doorway, trying to understand the mood of the room.

At the far end of the table, Margaret Kowalski—Helen’s mother, widowed in the war when her husband went down with his ship in the Atlantic—sat with her hands around her coffee cup, watching Michael.

“They haven’t said anything,” she said.

Helen didn’t look up.

“About what?”

“Anything.”

Helen shook her head.

“They don’t always say something.”

Michael finally spoke.

“They usually do.”

Margaret nodded once.

“Yes.”

In the radar room, Carter checked the return again.

“Range two-eight-four nautical miles, sir.”

“Still on one-eight-zero?”

“Yes, sir.”

“Speed?”

“High subsonic.”

Bragg kept his eyes on the scope.

“Formation?”

“Disciplined.”

He disliked that answer because it told him more than a number did.

“Intercept status?”

“Aircraft airborne from northern sectors, sir.”

“Good.”

No one in the room relaxed.

Not even a little.

Michael leaned back slightly in his chair.

“You remember Korea,” he said quietly.

Helen didn’t answer.

Margaret did.

“They didn’t tell you first.”

Michael nodded.

“They never do.”

The radio continued.

A bright, ordinary voice broke in to give the hour and went straight back to the program.

No warning.

No bulletin.

No grim voice from Washington.

Nothing.

Helen dried her hands and turned toward him.

“You’re doing it again.”

“What.”

“Listening for something that isn’t there.”

He met her eyes.

“That’s exactly it.”

She didn’t like that answer.

Neither did he.

Far to the north, the pilot checked his instruments again.

“Control, Sabre Two-One. Request updated vector.”

A brief crackle.

“Sabre Two-One, adjust heading zero-one-seven. Maintain angels two-seven.”

“Zero-one-seven, angels two-seven. Copy.”

He made the correction.

Ahead of him, the sky remained empty to the naked eye.

The instruments said otherwise.

Tommy picked up one of the smaller boxes from near the basement door.

“Do I take this down now?”

“Yes,” Helen said.

Mike stood up from the table.

“We’re finishing the arrangement today.”

Helen nodded.

No argument. No hesitation.

The structure was done. The extension under the yard was done. The reinforced walls were done. The heavy door was hung and working. What they were short on was not concrete.

It was time and supplies.

In the radar room, Carter’s voice was lower now.

“Range two-six-one nautical miles.”

Bragg asked the question he already knew the answer to.

“Any deviation?”

“No, sir.”

“Any chance they turn?”

“No, sir.”

Bragg put both hands on the edge of the console and leaned in slightly.

“They’re committed.”

No one replied.

There was nothing to add.

Margaret rose from the table first.

That was unusual enough to make Helen notice.

“You all right?”

Margaret nodded.

“I’m fine.”

She wasn’t frightened exactly.

She was older than fear in that particular form.

What bothered her was quiet. The official kind. The polite kind. The kind that sat on top of a situation like a lid.

Her husband had gone down with his ship in the Atlantic, and the first thing she learned from the government was how little the government intended to say.

Some patterns didn’t improve with time.

The basement smelled faintly of concrete dust and damp earth.

Helen stepped into the shelter section first and pointed where she wanted things.

“Water along the wall. Food where we can reach it without climbing over everything. Cots in the back.”

Mike nodded.

“Radio near the door.”

“Phonograph too.”

He glanced at her.

She gave the smallest shrug.

“We’re not sitting in silence.”

Tommy carried his box in and set it down where he was told. Carol followed him, slower and more careful on the steps. Margaret came last, one hand on the rail, eyes moving over the reinforced wall and the heavy steel door.

Mike stood in the middle of the shelter and turned once, slow.

Finished.

Not full.

But finished.

Far to the north, the pilot finally saw them.

Tiny at first.

Then not tiny.

“Control, Sabre Two-One. I have visual.”

A pause.

“Confirm.”

“Multiple aircraft. Large formation. Bearing one-eight-zero relative. Closing.”

Another pause.

Then:

“Stand by.”

The pilot kept his voice even.

“Control, I am within range.”

Static answered first.

Then a voice.

“Sabre Two-One, stand by.”

He kept closing.

Back in the shelter, Tommy looked around at the cots and the stacked cans and the water containers lined up against the wall.

“How long are we staying down here?”

Mike answered without turning.

“Couple weeks.”

Tommy’s eyes widened.

“That long?”

“Maybe longer.”

Helen cut in before the question could get bigger.

“We’ll be fine.”

That was the line she meant to hold.

The line for the children.

The line for herself.

Carol frowned.

“Do we have to stay the whole time?”

Helen crouched slightly to look her in the eye.

“Yes,” she said. “That’s how this works.”

Carol didn’t like it, but she accepted it.

Margaret said nothing.

She had learned long ago that acceptance and agreement were two very different things.

In the radar room, Carter spoke again.

“Range two-three-eight nautical miles.”

Bragg looked at the clock.

Then back at the sweep.

Everything was happening on schedule.

That was the part he trusted least.

“Mark it,” he said.

“Yes, sir.”

Mike wiped his hands on a rag and looked around the shelter.

Concrete.

Steel.

Cots.

Boxes.

Water.

The small tabletop radio.

And in a drawer, unopened, his transistor set without a battery—insurance against something he couldn’t quite explain, only feel.

Enough for a little over two weeks if they were careful.

Not enough if his instincts were right.

Helen stepped beside him.

“We’re ready,” she said.

He looked at the walls, then at the low ceiling over the rear sleeping area buried under earth, then at the heavy door.

“Almost,” he said.

Above them, the radio in the kitchen played on.

Music.

Normal voices.

Ordinary Saturday life.

Unbroken.

Far to the north, the distance kept closing.

And in the cockpit of Sabre Two-One, a man waited for an order he was beginning to suspect would come too late.

Eight Feet of Dirt

A Fiction Series

Chapter 1: Saturday, October 3, 1959

By Cliff Potts

The coffee was already poured before the sun had fully settled into the kitchen window.

Michael Doyle sat at the table, sleeves rolled, a cup cooling in front of him. The Chicago Sun-Times lay folded nearby, still carrying the slight curl from where the paperboy had tossed it onto the front step that morning. He hadn’t opened it yet.

The radio played low in the background, filling the room the way it always did on a Saturday morning.

Helen moved between the stove and the table with purpose. Not rushed. Not distracted. Just steady.

Eggs. Toast. Plates down in front of the kids before they could start asking.

“Eat while it’s hot,” she said.

Tommy didn’t need telling twice. Carol took a little longer, watching everything like she always did, picking up on tone more than words.

At the far end of the table sat Margaret Kowalski, Helen’s mother, hands wrapped around her coffee cup, eyes moving from one person to the next.

She had been watching families like this for a long time.

“You’re going to start on it today?” Helen asked without turning around.

Mike looked up.

“Yeah.”

“Good.”

No hesitation. No argument.

Just agreement.

Mike studied her for a second.

“You sure?”

Helen turned then, leaning one hand on the counter.

“Mike,” she said, “we didn’t spend that kind of money and time digging into the yard so we could admire it.”

Tommy looked up.

“Digging what?”

“The back section,” Mike said.

“The shelter?”

Helen answered before he could.

“Yes, the shelter.”

She set another plate down, firm and final.

“And we’re finishing it.”

Margaret watched her daughter for a moment.

Not surprised.

Just measuring.

“The structure’s done,” Mike said. “We just need to—”

“No,” Helen cut in. “It’s not done until everything’s in place.”

He held her gaze.

“The walls are reinforced. The ceiling’s reinforced. The extension’s in. The door’s in. That’s the hard part, right?”

“Yeah.”

“Then we finish it.”

Mike leaned back slightly.

“We still need more supplies.”

“We’ve got enough.”

“For two weeks.”

“That’s what they said.”

Mike didn’t answer right away.

Helen crossed her arms.

“You think they’re wrong?”

“I think they’re guessing.”

“They’re the government.”

“They guessed in Korea too.”

That slowed her for half a step, but only that.

Margaret spoke quietly.

“They guess in every war.”

Helen shook her head.

“This isn’t the same.”

Margaret didn’t argue.

She didn’t need to.

“It doesn’t matter,” Helen said, sharper now. “Two weeks is what they said. Two weeks is what we plan for. If it’s longer, we deal with it when it comes.”

Mike nodded slowly.

“I want more than two weeks.”

“You always want more.”

“This isn’t groceries.”

“No,” she said. “It’s survival.”

That word stayed in the room.

Tommy looked between them.

“Are we really going to stay down there for two weeks?”

Helen turned immediately.

“If we have to.”

“Why?”

She didn’t soften.

“Because there are people in this world who don’t think the way we do.”

What she didn’t say, but lived with, was everything she had heard for years.

That the Soviets didn’t believe in God.
That they didn’t value life the same way.
That when armies moved through Europe, terrible things followed.

She had heard enough.

She believed enough.

And she had two children sitting at that table.

That was all that mattered.

Carol frowned.

“Are they coming here?”

Helen didn’t hesitate.

“If they do,” she said, “we’re going to be ready.”

Mike watched her.

There was no doubt in her.

That mattered.

His was different.

Less about who.

More about when.

And how fast.

Margaret took a small sip of her coffee.

“Your father didn’t think it would happen either,” she said quietly.

Helen didn’t turn.

“He didn’t say much about it. Not at first.”

Mike glanced at her.

Margaret continued.

“Then one day there was a letter instead of a man.”

Silence followed.

Not uncomfortable.

Just full.

Mike cleared his throat and pushed his chair back.

“Alright,” he said. “We finish it today.”

Helen nodded once.

“Good.”

“What about supplies?”

“We’ll keep bringing them in.”

“That’s not an answer.”

“It’s the one we’ve got.”

Tommy grinned.

“Can I help?”

Mike looked at him.

“Yeah,” he said. “You can help.”

Carol perked up.

“Me too?”

Helen smiled, just a little.

“Yes,” she said. “You too.”

Mike stood and moved toward the basement door.

Helen followed.

Margaret stayed where she was for a moment longer, watching them.

They were good together.

That counted.

The basement smelled faintly of concrete and dust.

The main section looked like any other basement in the neighborhood.

The back section did not.

A reinforced wall divided the space. Beyond it, the extension pushed out under the yard, packed and layered, built for one purpose and one purpose only.

The ceiling was lower there.

Heavier.

The air felt different.

The door, thick, steel, deliberate, stood open.

Waiting.

Helen stepped inside first.

She looked around, already organizing it in her head.

“Cots go back there,” she said. “Water along the wall. Food where we can get to it.”

Mike nodded.

“Radio near the door.”

“Phonograph too.”

He glanced at her.

She shrugged slightly.

“We’re not sitting in silence.”

Tommy came down carrying a box.

“Where do you want this?”

“Right there,” Mike said.

Carol followed, slower now.

Margaret came last.

Always last.

Always watching.

Mike stood in the center of the space, turning slowly.

It was finished.

The structure, anyway.

Eight feet of dirt and concrete between them and whatever might come.

It had cost more than he liked.

Taken longer than he wanted.

Left them short on supplies.

But it was done.

Helen stepped beside him.

“We’re ready,” she said.

Mike looked at the walls.

Then the door.

Then back at her.

“Yeah,” he said.

“Almost.”

Upstairs, the radio played on.

Music. Voices. Ordinary life.

Unbroken.

For now.

From the Greenland Diaries: Happy Little Trees

“I really didn’t think I’d be using it for this,” Debbie mumbled to a few squirrels crossing the trees to her right. “This is not what I had in mind. Not at all. I guess none of us did, did we? Who could have thought this much has changed in less than two years.”

She stopped and dipped her brush in a can of odorless paint thinner at her feet. It caught a bit of afternoon sun as it gleamed between the sharp stalks of overgrown grass. She beat the brush on the wooden legs of her easel, just like Bob Ross used to do. She tried to laugh thinking of his videos.

She wondered if she would ever watch them again. Power had not been restored, and she had a VHS tape of a few of the episodes. She had noticed them while hiding in her basement beneath the stairs when the Drum first started. They would shake beneath the old tube television her son Tyler had left there from the 90’s. He had been out in California when the Drum started. She doubted she would ever see him again.

Her husband, Tim, had died the first night. Debbie had happened to be downstairs grabbing some chicken breasts to defrost when she heard them arrive. Her instincts fired and she hid quickly and silently. It was like a dormant portion of her brain switched on. The reptilian lobe took control and hid her like she was nothing more than a frightened insect.

It had worked; she had survived.

Now, at present, she was in her backyard. The same backyard of oak trees and white fencing that kept her kids from escaping when they were toddlers. The same backyard her husband had tried to play catch with their son despite him having no interest in sports or athletics. Despite the rampant greenery, and the destruction, she could still see shadows in her memories of these moments. They were her only escape from all the heartbreak and weirdness that had appeared with these actual, living shadows.

One of these very monsters was in her backyard.

Debbie had gone to college for visual art. She then met Tim, who had just returned from Vietnam. They got married, had kids, and her artistic endeavors had firmly gone into purgatory. She always made a little time each week to watch Bob Ross on PBS to keep her skills honed. She loved landscape painting with both oils and acrylics. She loved him, too. She made plenty of mistakes following his tutorials, but he always made her feel like she was supposed to make mistakes. It gave her a sense of confidence, and eventually she was painting without him and to the quality she was creating back when she graduated. 

Then the Drum arrived, and everything changed.

Debbie laughed. She couldn’t believe this was happening. Of all the things to be painting. She couldn’t abandon this emotion. This weirdness. What would Bob Ross say? He was the embodiment of wholesomeness to so many. His ability to communicate positivity in the face of failure and difficulty was unmatched.

What would he say about the Unnamed?

They were beyond anything that his canvas could capture, emulate, or portray, but here Debbie was, using it to paint one in her backyard. Since the destruction of the Drum, survivors had moved through the wasteland and said the Unnamed should no longer be hunting humans like they did before. With the Drum gone they would have a new role in our world, but nobody knew what or how. 

When Debbie first noticed it, mixed in with the edge of the trees that led to the forest she’d lived next to for thirty years, she immediately wanted to hide. However, it stopped, and just floated on the edge of the trees, like it didn’t know where to go. After watching it standing amongst the bark, branches, and billowing leaves, Debbie got an interesting idea. She had been staring at her art supplies and canvases for months. They were just sitting there. Her digital camera and phone had long died. She needed to capture it, to pull into her own voice.

To make it hers.

After all, despite the nights of pure violence, the Unnamed was magnificent in all terms of the word.

It was ten feet tall, wide, and curled over itself like a frozen wave of fluctuating darkness and bone. Its hooks of golden claws were dug into the earth, with flowers sprouting around their impressions and edges. Birds were sitting and chirping along the golden horns and spikes sprouting from their back and hood. Even the shifting shadow beneath that midnight fabric seemed to glow in the sunlight. Below that was its chest of amber ribs, which reflected sunspots of daylight. Occasionally it shifted, but mostly it was just a violent cloud sitting still. A tempest tethered. A sleeping maelstrom of claws and bones. A thunderstorm lost and confused without its demon thunder to call home.

“You’re a good subject; you stay awfully still” Debbie would occasionally mumble from across her yard. She had set up her easel on the back of her brown deck. She had to chisel away at some of the plants that had choked the wooden planks with a spade. Eventually she got it to sit evenly.

“Do you understand what I’m doing?”

The Unnamed would never reply. Debbie was getting low on food. She had heard other survivors were beginning to leave the neighborhood to look for more supplies. Lines of resources were trying to be established, but people still did not trust traveling around the Unnamed, or the Reanimated. She sighed as she labored with the paints. Most of them had been salvageable but there were a few colors that she had to use sparingly. Sadly, green was one of them.

“You’ll always be remembered,” she said, adding the trees and wildlife behind its grizzly shape. 

“Nobody will remember me.”

If you want to learn more about the Greenland Diaries series, you can get the Kindle version of the first book for a dollar right here, or read the first ten days for free.