🚜-theTractorSott'Arno stasera by Gatti Mézzi
Una canzone d'amore a tutti gli innamorati del #lunedi
Stasera al Teatro Nuovo di Pisa per un memorial, vogliamo ricordare un maestro, un amico, un poeta.
La musica 🎶 come linguaggio di pace e di unione.
#pisa #folkmusic #etnopopolare #accordion #sagnetteMusic
Buona danza a tutt* ...il weekend è vicino ::dance-pig::
HISTORIC accordion “American Polka” on Edison cylinder (1908) John Kimmble (John J. Kimmel)
John Kimmble (John J. Kimmel) plays “American Polka” on Edison Gold Moulded Record 9761, issued in 1908. Great accordion! This accordion player was given various names on recordings, such as John Kimmble, J. J. Kimmel, John J. Kimmel, and John Kimmel. The nickname of this German-American musician was “The Irish Dutchman.” John J. Kimmel was born on December 3, 1866, in Brooklyn. This button-accordion player (or melodeon) and saloon keeper in Brooklyn made his first records in 1903. He made records for Edison, Columbia, Zonophone, and Victor. He died on September 18, 1942.
The End - by Adam Holt
Battete le mani sul bit e spassatevela che manca poco alle ferie 🥳 🕺
Adam Holt | The End
#Blues / #BluesRock / #RelaxingBlues / #RelaxingMusic / #slowblues Album: Kind of Blues Buy: https://amzn.to/3dt2v7L __________________________ Edward's Jazz & Blues Channel: http://bit.ly/2vlXAFk _____ Recent Uploads: http://bit.ly/2Hh4kH6 _____ Keep Walking Playlist: http://bit.ly/31E7G0h1233 _____ Ladies Got The Blues Playlist: http://bit.ly/2Sil0EF _____ 1 Hour Blues Compilations: http://bit.ly/2Sv5tQw __________________________ Lyrics: My baby's at home lying on the floor Wonderin' when I'm gonna open the door Bringing that money in my hand That money I made playin' for the man I'm tryin' to make a dollar Or soon it will follow The end I'm tryin' to make a dollar Or soon it will follow The end Drivin' that road 3 a.m. That lonesome road will never end Tryin' to get home quick as I can I gotta be up at 6 a.m. I'm tryin' to make a dollar Or soon it will follow The end I'm tryin' to make a dollar Or soon it will follow The end The end I gotta keep movin' throughout the night 'Cause it's hot on stage but cold at night My heater don't work, forget my stove The Repo man come and took my coal I'm tryin' to make a dollar Or soon it will follow The end I'm tryin' to make a dollar Or soon it will follow The end Well I'm tryin' to make a dollar But soon it will follow The end The end The video is with promotional purpose. All visual and audio elements belong to their respective owners. For copyright issues, please contact me. ___________________________ Adam Holt has made a living playing in bars since before he was old enough to be in a bar, and he’s carved his own solid niche on the Gulf Coast with his live shows, his original music, and his southern hospitality. Take some Alabama red clay rock and roll, Mississippi #blues, New Orleans gumbo funk, and Tennessee country, throw in such varied influences as British #blues invasion, psychedelic rock and 80’s hair metal, then stir it up in a Gibson Les Paul and turn it up to eleven! From Robert Johnson to Dr. John to Tom Petty to Van Halen, Peter Frampton to Led Zeppelin, Adam’s varied influences make a mean fuel for the engine of his unique style, and he’s charting his own musical course. Holt’s newly released 4th studio album, The Sunday Troubadour, has ushered in a fresh but familiar sound he calls ‘New Southern Rock’. With its 10-song mix bag of Nashville sing-along’s played through a Marshall half stack, this new genre is appreciated by those too rock-n-roll for country, and vice versa. Holt’s earthy baritone voice and lightning fast guitar hands, make authentic roots music with melodies that are easy to wrap your heart around and hard to let go of. Adam Holt has played with a non-stop rock-a-holic attitude throughout the Southern U.S., from major music festivals to hole-in-the-wall juke joints. Every fan is considered a friend and every venue is equally important. He’s shared the stage with legends and locals. His live shows have been seen by loyal fans across the south, while his recorded music is continually being discovered by new friends internationally. Adam is a young veteran in the studio as well. He is a sought after session player, producer and mix engineer by artists throughout the south. His partnership in Dancing Dog Studio in southern Alabama has provided him a home for his recording, producing, and mixing endeavors. In whatever venue, Adam’s goal is always to make down-to-earth, quality music that brings people together for a good time.
What Will We Do When We Have No Money - by Lankum
🇮🇹 Surreale, veramente bellissima ❤️🔥 Il suono mi ha ricordato uno strumento tradizionale della sardegna, le launeddas. Sono impazzito ho è dovuto trovare il live per capire cosa stessero suonando. Grazie per le vostre fantastiche playlist.
🇬🇧 Surreal, truly beautiful ❤️🔥 The sound reminded me of a traditional instrument from Sardinia, *launeddas. I went crazy I had to find the live to understand what they were playing. Thank you for your great playlists.
Lankum - What Will We Do When We Have No Money
Guerrilla Session with Lynched recorded at Guerrilla Studios in North Strand, Dublin City. Interview by Ray Wingnut. John 'Spud' Murphy on sound. Shot by Thom McDermott. Edit by Thom McDermott. This is a radio session and interview recorded for Spin ALT on Spin South West; Sundays 9.45 - 11.45am. https://www.facebook.com/GuerrillaStudiosDublin http://guerrillasounds.com http://www.spinsouthwest.com/spin-alt
La Contredanse - from First Steps by Brown Boots
🇮🇹 Un duo di fiddle (violino folk) e melodeon (fisarmonica irlandese) che non si stanca mai di suonare. Martin e Clarke e Will Allen fanno una musica che è molto più della somma delle sue parti, non vorrete che finisca! Curiosità -> La fisarmonica si diffuse in Irlanda alla fine del XIX secolo e nella sua forma a dieci tasti (conosciuta con il nome di melodeon). Se negli Usa il melodeon riscosse apprezzamenti, il melodeon è ancora suonato nel Connemara. I moderni suonatori di fisarmonica preferiscono i bottoni a due file. Musicisti moderni come Sharon Shannon, Jackie Daly e Martin O’Connor hanno reso la fisarmonica irlandese un mezzo popolare che ben si accorda con la concertina.
🇬🇧 A dazzling duo of fiddle and melodeon. Martin and Clarke and Will Allen make music that's far more than the sum of its parts, you won't want it to stop! Interesting fact -> The accordion became popular in Ireland in the late 19th century and in its ten-key form (known as the melodeon). While the melodeon gained appreciation in the U.S., it is still played in Connemara. Modern accordion players prefer two-row buttons. Modern musicians such as Sharon Shannon, Jackie Daly, and Martin O'Connor have made the Irish accordion a popular medium that matches well with the concertina.
🎧 Buon ascolto! 🎧
🪗 | https://brownboots.bandcamp.com/track/la-contredanse
#accordion #AccordionBandcamp #folkmusic #sagnetteMusic #danceMusic #fiddle #melodeon #london
La Contredanse, by Brown Boots
from the album First Steps
Duo Niepold Cutting - by Anne Niepold & Andy Cutting
🇮🇹 Per alcuni l'accordion è uno strumento popolare e in quanto tale non considerato all'altezza, ma sentite un po' qua 🫂 è un abbraccio musicale che ti scalda l'animo come un abbraccio.
🇬🇧 For some people the accordion is a popular instrument and as such not considered up to par, but get this 🫂 it is a musical embrace that warms your soul like a hug.
🎧 Buon ascolto! 🎧
📻 | https://anneniepoldandycutting.bandcamp.com/track/knockdown
#accordion 🪗 #folkmusic #Brussels #sagnetteMusic #AccordionBandcamp
Knockdown, by Anne Niepold & Andy Cutting
from the album Duo Niepold Cutting
Sagnette ❤️🔥 playlist 😎
Yallah Beibe - by MC YALLAH
🇮🇹 "Yallah Beibe" è una chiamata all'azione, una forte sirena che intende educare il mondo intero alla storia oscura e al futuro luminoso dell'Africa orientale. La collaborazione di Yallah con l'astro nascente Rati Gan, "Bigbung Song", ne è la migliore prova: la flessione da dancefloor afro-caraibico di Rati e il flusso politicizzato di Yallah si intrecciano con il ritmo contorto e pesante dei bassi di Chrisman, unendo le mani tra la RDC, l'Uganda e la diaspora in generale. Brani come "Baliwa" e l'anthemica "HERA", invece, mettono completamente al centro la destrezza lirica tipica di Yallah, che fa leva sulle sue battute strappalacrime contro gli schizzi foley-trap pan-globali di Scotch Rolex. A volte i suoni sembrano provenire da un pianeta tutto loro, un quarto mondo che affonda le sue radici nella collaborazione piuttosto che nell'appropriazione.
🇬🇧 "Yallah Beibe" is a call to action, a loud siren call intended to educate the world about East Africa's dark history and bright future. Yallah's collaboration with rising star Rati Gan, "Bigbung Song," is the best proof of this: Rati's Afro-Caribbean dancefloor bending and Yallah's politicized flow intertwine with Chrisman's twisted, bass-heavy rhythm, joining hands between the DRC, Uganda and the diaspora at large. Tracks such as "Baliwa" and the anthemic "HERA," on the other hand, completely center Yallah's signature lyrical dexterity, which leverages his ripping beats against Scotch Rolex's pan-global foley-trap splashes. At times the sounds seem to come from a planet of their own, a fourth world rooted in collaboration rather than appropriation.
Buon ascolto 🎧
📻 | https://hakunakulala.bandcamp.com/album/yallah-beibe
#electronic #rap #techno #trap #Kampala #uganda #afrofuturism #sagnetteMusic
Yallah Beibe, by MC YALLAH
12 track album