Sonderveranstaltung: wir zeigen einen Antikriegsfilm von Elem Klimov
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– Wann: Dienstag, 10.3., 20.00 Uhr
– Wo: in der Phase IV, ⁨#DresdenNeustadt⁩⁩⁩⁩
– Fassung: Russisch mit deutschen Untertiteln
– Der Eintritt ist frei!
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Einer der verstörendsten Filme überhaupt, egal über was. „In diesem Film müssen die Überlebenden die Toten beneiden.“ schrieb #RogerEbert

Präsentiert von Robert und thegreatkleinfilms gibt es hier wieder einmal: filmisches Meisterwerk trifft auf harten Tobak. Es gibt eine kurze Einführung und schwarzen Tee mit Roggenbrot, solange man noch essen kann.

#ElemKlimov ⁨⁨⁨⁨⁨#Antikriegsfilm #WarMovie #WarFilm #AntiWarMovie #AntiWarFilm #RussischesKino #RussianCinema #Film⁩⁩⁩⁩ ⁨⁨⁨⁨#Kino⁩⁩⁩⁩ ⁨⁨⁨⁨#Movies⁩⁩⁩⁩ ⁨⁨⁨⁨#Cinema⁩⁩⁩⁩ ⁨⁨⁨⁨#cinemastodon⁩⁩⁩⁩ ⁨⁨⁨⁨#DresdenBubble⁩⁩⁩⁩

Top 10 Most Beautiful Russian Actresses
Here's a rundown spotlighting the Most Beautiful Russian Actresses who also excel in acting....

https://bit.ly/49VA3e1

#RussianActresses #BeautifulActresses #Top10 #ActressSpotlight #CinemaBeauty #FilmIndustry #TalentShowcase #CulturalIcons #WomenInFilm #ActingTalent #EntertainmentIndustry #RussianCinema #BeautyInFilm #InspiringWomen #ActressLife

📝 Plot:
During the festive New Year period, a group of mothers navigate humorous misunderstandings, family chaos, and heartwarming moments. Between unexpected guests, playful rivalries, and tender reconciliations, each woman discovers the power of love, friendship, and resilience. The film delivers a cheerful, comedic portrayal of motherhood, holiday spirit, and the universal joy and challenges of family life.

#SNovymGodomMamy
#Comedy
#Family
#Holiday
#RussianCinema

🎬 S Novym godom, mamy! (Bonne année les mamans!) (2012)

Subtitles available:
🇬🇧 English

⬇️ Download
https://app.box.com/s/rweyphy6tqezb9635yh5lmptk9mr0b2e

🎞 IMDb
https://www.imdb.com/title/tt2592500/

▶️ Watch the video here 👇
NONE

#SNovymGodomMamy
#Comedy
#Family
#RussianCinema
#Holiday
#Heartwarming
#NewYear
#FamilyLife

verkopen of niet verkopen that's the question...

EDIT: sold via Vinted

#eisenstein #russiancinema #cinema

Phase IV – Mammutfilm
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– Wann: Mittwoch, 21. Mai, 20.00 Uhr
– Wo: ⁨⁨⁨⁨⁨Filmgalerie Phase IV
– Eintritt frei, wir freuen uns über eine Spende
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Wir schauen einen dreistündigen, russischen Science-Fiction-Film von Aleksey German, präsentiert von thegreatkleinfilms.⁩

⁨⁨#AlekseyGerman ⁨⁨#ScienceFiction #Russland #RussischesKino #RussianCinema ⁨⁨⁨⁨⁨#cinemastodon⁩⁩⁩⁩⁩ ⁨#Kino⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨#Film⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨#Cinema⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨#Movie⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨#FilmBubble⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨#DresdenBubble⁩⁩⁩⁩⁩

#thebanishment #cinema #russiancinema #zvyagintsev

https://www.youtube.com/watch?v=1MC84Ox34EA

#NowWatching the “Viy” (1967) on Blu-Ray from the All The Haunts Be Ours: A Compendium Of Folk Horror (15-Disc Special Edition Collector's Set) from Severin

Get it: https://amzn.to/3DvbEzn

A young priest is ordered to preside over the wake of witch in a small old wooden church of a remote village. This means spending three nights alone with the corpse with only his faith to protect him.

#bluray #PhysicalMedia #blurayCollector #ad #FolkHorror #RussianCinema #Severin #drama #fantasy #horror

My journey with Konstantin Lopushansky’s work began with his post-apocalyptic trilogy. The first of these films, Dead Man’s Letters (1986), explores the aftermath of a nuclear apocalypse. This was followed by Visitor to a Museum (1989), which depicts an ecological catastrophe, and finally Russian Symphony (1994), which delves into the spiritual decay of the Soviet individual. Lopushansky’s later works also held my interest, but a special moment for me came when I recently discovered Through Black Glass (2019) — a film I had somehow overlooked for five years.

The film’s protagonist, Anastasia, is a young woman who has been blind since birth and lives in an orphanage at a convent. She is given a chance to regain her sight in a German clinic, but there is a condition: she must marry an unknown benefactor who has funded her operation. The plot feels archetypal, and I could predict the ending as early as twenty minutes into the movie. Yet, the beauty of the story lies in its simplicity; it’s what unfolds between the lines that holds the real depth.

Lopushansky’s films consistently explore the theme of spiritual decline against the backdrop of material apocalypse, weaving together elements of a final reckoning. Through Black Glass, however, offers a contrasting vision: it juxtaposes spiritual emptiness with material wealth, embodied by Russian business. Given the opportunity for spiritual healing, the characters instead choose a path of base desires and total destruction. The film mirrors contemporary Russian society — cold and unyielding, yet still harboring a faint hope for redemption.

#KonstantinLopushansky #ThroughBlackGlass #DeadMansLetters #VisitorToAMuseum #RussianSymphony #PostApocalypticCinema #RussianCinema #SpiritualDecay #FilmAnalysis #CinemaOfDoom #ArchetypalStorytelling #ModernRussianSociety #HopeForRedemption #RussianFilmmakers #CinematicArt