Vinylsamstag: @mc5alive - Kick Out The Jams! 1966β1970 (2012) πΊπΈ
#vinylsamstag #semmehorcht #vinylsaturday #vinylmatinee #mc5 #kickoutthejams #detroitrock #protopunk #garagepunk #highenergyrocknroll #punkbeforepunk #rocknrollrevolution #vinylcollection #vinylcollector #vinylcommunity #vinyligclub #vinyljunkie #nowspinning #spinningnow #recordcollection #ontheturntable #albumoftheday #classicrecord #americanrock #70srock #punkrockhistory #loudrecords #detroitmusic #rockhistory #vinylpost
There are albums that impress because of their ambition, and others that stay with you because the songs themselves never let go. Bleeds, the latest record by Wednesday, belongs much more to the second category. It may not be the flashiest or most radical album of 2025, but it makes a far more convincing case
Every year, the Album of the Year conversation starts early. Critics begin shaping a narrative around the records that feel the most daring, the most immediate, or the most culturally significant. But as the list of βcontendersβ grows, one question becomes more interesting than any ranking: which of these albums is actually built to last?
There are albums that try to define themselves with precision, building a clear and recognizable identity. And then there are records like Getting Killed, which seem to exist precisely to escape any definition. At this stage in their trajectory, Geese are no longer searching for a form. They are searching for movement. After 3D Country,
Semme
SlaveToMusic
MusiqueNow 
β‘οΈ π΅πΈ 
