Here's an interesting project, if, like me, you like Console applications and know your way around #blazor #razor #dotnet #csharp

https://github.com/LittleLittleCloud/RazorConsole#component-gallery

ASP.Net MVC vs Blazor: чья возьмет?

Привет! Сегодня разберем два подхода в ASP.NET. Blazor и классическую архитектуру MVC (Model-View-Controller). В отличие от обсуждений вроде «Java vs C++», эта тема менее спорная, но очень полезная для понимания современной веб-разработки на .NET. Разобраться в нюансах

https://habr.com/ru/companies/otus/articles/962512/

#mvc #blazor #asp_net_core #aspnet #c# #razor #WebAssembly #SPA #серверный_рендеринг

An animated gif showing a small quality-of-life feature coming soon to a Razor editor near you...

#dotnet #razor

An animated gif showing a small quality-of-life feature coming soon to a Razor editor near you...

#dotnet #razor

An animated gif showing a small quality-of-life feature coming soon to a Razor editor near you...

#dotnet #razor

Revenge – Night Danger Review

By Creeping Ivy

Like all subgenres, speed metal exists at the nexus of other genres: namely, classic heavy metal and thrash. Whether a band leans towards a classic or thrashy version of the sound becomes the primary distinguisher. Night Danger, the latest LP from longstanding Colombian band Revenge, is a speed metal record in the vein of Running Wild and Razor. But Revenge leans in a classic direction, claiming Judas Priest and Helloween as inspirations. Indeed, that Helloween-inspired artwork, coupled with the band’s longevity, should be enough to convince speed freaks to give Night Danger a spin. Those who observe the speed limit, however, will probably need more than the orange glow of a horse’s face to be convinced.1

Speed metal fans will be happy to hear that Night Danger consistently fulfills the promise of the genre’s adjective, with quality performances across the board. All but one of its songs gallop at the pace of the steed adorning its cover. To the list of Revenge’s self-professed classic influences, I would add the contemporary heavy metal band Century as a sonic touchstone, insofar as Night Danger tends to keep things up-tempo and, production-wise, traditional. The first half of the album races through songs that veer more in the classic direction, offering harmonized guitar melodies (“Black Sight”), fist-pumping choruses from Esteban ‘Hellfire’ Mejía (“Night Danger”), and impressive solos from lead guitarist Night Crawler (“Soldier’s Heart”). On the back half, Revenge delves into thrashier terrain, building songs around more menacing riffs (“Desire from Pain”) and stompier bridges (“The Devil Race”) that allow drummer Hell Avenger to show off his double bass skills. Despite really having only one speed, Night Danger doesn’t overstay its welcome; no song feels overlong, and the album sensibly clocks in at just under 40 minutes.

Even for speed metal aficionados, though, Night Danger will read less like a holistic album and more like a collection of similar songs. The title track, for example, follows up opener “Black Sight” with a similar kind of introduction: a riff punctuated by drum accents before blastoff. From there, “Night Danger” also mirrors the opener’s pre-solo, half-time bridge. By the time the intro riff to “Soldier’s Heart” rolls around at the midpoint, the listener feels as if they’ve already heard a version of it as the intro to “Night Danger.” Closer “Crushing Death” is one of the stronger cuts on the album, morphing its righteously thrashin’ riff into a jaunty verse and a chorus with uber melodic guitar tags. Nothing about it, however, makes it feel like a closer; it could just as easily live somewhere in the middle of Night Danger.

This is not to say, however, that there’s no songwriting variation to be found here. As the only mid-tempo track on Night Danger, “Misty Night” first comes to mind. Beyond its tempo, the song’s solo also contains a minute variation, picking up on the melody of the main riff before shredding the listener’s face off. Speaking of solos, “The Devil Race” refreshingly opens with one (and, yes, has one during the bridge). On the low end, bassist Camilo Hernandez is periodically noticeable, adding countermelodies that would make Steve Harris proud (“Night Danger,” “Desire from Pain”). Switching from strings to voices: Hellfire is a solid vocalist, but the gang vocals on “The Hammers Fall” add a refreshing flavor to the mix. All of these variations, however, are infrequent and virtually imperceptible.

Speed metal is gonna speed metal, but the lack of variety on Night Danger will likely pose issues for devotees and neophytes alike. Fans of the genre should dig this, but they’ll also crave a few more mid-tempo tracks to keep things interesting. Those less familiar with Revenge’s influences won’t easily forgive the album’s mono-temporality. Night Danger probably won’t turn you into a speed freak, but if you already are one, it’ll satisfy your need.

Rating: Mixed
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Dying Victims Productions
Websites: revenge666.bandcamp.com/album/night-danger | facebook.com/revengespeed
Releases Worldwide: October 17th, 2025

#25 #2025 #Century #ColumbianMetal #DyingVictimsProductions #HeavyMetal #Helloween #JudasPriest #NightDanger #Oct25 #Razor #Revenge #Review #Reviews #RunningWild #SpeedMetal