Quote of the day, 15 March: Silvio José Báez, ocd
It’s true that God seems to be hidden in the pain, but in reality, he’s present, always working mysteriously for our good, even now.
In the difficult moment that humanity is experiencing, we have to walk with serenity like the blind man in the Gospel of John (9:1-41); we have to face uncertainty without losing our inner peace…
The blind man’s perseverance, walking in the midst of conflict and incomprehensible hostility, teaches us that we recover our sight to the extent that we recognize that we don’t see everything clearly, that we don’t understand everything completely, but we trust in Jesus and resist with the light of faith and the strength of his love.
When we feel tired, anxious, and afraid that this long night won’t end, let’s recognize with serenity that we don’t see clearly—that darkness surrounds us. Jesus came “that those who do not see may see” (Jn 9:39). He wants to sharpen our interior gaze, to cure our blindness, and to give us his light so that we may see more deeply.
During this Lent, we must take time to be silent and pray, to listen to the Word of God, and to pray as a family. It’s time to prostrate ourselves before the Lord and adore him. God may seem to be absent, but right there where he doesn’t even seem to be, he is consoling us and giving us strength, marvelously weaving a plan of life for all of humanity.
God consoles us in our helplessness and pain and gives us the strength of his love so that through everyone’s solidarity and sacrifice we can save ourselves. God is with us— and through Jesus, the light of the world, he sustains us in our littleness and gives us the capacity to see in the darkness, beyond all blindness.
Silvio José Báez, o.c.d.
Auxiliary Bishop of Managua
Homily for the Fourth Sunday of Lent (excerpts), 22 March 2020
Translation from the Spanish text is the blogger’s own work product and may not be reproduced without permission.
Featured image: Christ Healing the Blind Man, Gioacchino Assereto (Italian, 1600–1649), c. 1640 oil on canvas. Image credit: Carnegie Museum of Art, Pittsburgh (Public domain).
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