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Premiere: LIVING WRECKAGE (ANTHRAX, SHADOWS FALL) Debut New Single, 'Righteous Side Of Sanity'

https://metalinjection.net/video/living-wreckage-premiere-new-single-righteous-side-of-sanity-with-metal-injection

#LIVINGWRECKAGE #ANTHRAX #Premiere #DebutNewSingle #single #MetalInjection #metal #music

L'invention inattendue de la Première Guerre mondiale

https://runtube.re/w/54dWn2e8g5C3caiJ4BDziD

CF Premiere: Shaun Moses, Aardy – Noah [Illegal Alien Records]

Over the past decade, Shaun Moses has established a strong presence within the electronic underground of the Indian subcontinent. From Goa, his language is rooted in a raw, continuous strain of techno, where sub-bass drives forward relentlessly and grooves are structured with focused insistence. The sound is built through a direct logic: sustained pressure, controlled energy, functional clarity.

Alongside this, Aardy has developed a trajectory that extends the reach of Asian techno from Hyderabad. More than two decades of sonic exploration inform his work, drawing from influences that range from Indian classical music to rock, disco, and blues. This breadth condenses into a precise technical language, shaped across warehouse environments and global circuits. His role as founder of Hydrozoa Recordings and A&R at Octopus Recordings reflects a curatorial vision grounded in detail, structure, and global projection.

https://clubfuries.com.mx/2026/04/19/cfp-thisisthx-ic-4351-iar396/

Their convergence takes form in Raw Aesthetic, Shaun Moses’s debut on Illegal Alien Records. The EP enters with determination, embedding itself into the label’s catalog through a clearly defined energy. Four tracks compose the release, including two collaborations with Aardy that expand the sonic field while maintaining cohesion. Driving grooves, tense synth work, and carefully treated vocals form a system where each element serves a distinct role.

The EP unfolds as a continuous surface. Tension builds, redistributes, and circulates again, creating prolonged states that keep the body engaged. There is discipline in the design, allowing intensity to remain sharp and controlled. The result is an immersive, almost labyrinthine landscape where hypnosis develops gradually and holds its ground.

https://soundcloud.com/clubfuriess/cfp-shaun-moses-aardy-noah-iar397

Within this framework, “Noah” stands out with particular clarity. From the outset, the track expands through fine sonic threads, delicate filaments that establish its tone with immediacy. The rhythmic base settles firmly as layers assemble around a stable core. A luminous quality emerges in its progression, with flashes that cut through the structure and generate a sense of continuous elevation.

The track builds through a controlled ascent, accumulating energy while maintaining clarity. Its spatial dimension widens, projecting beyond the dancefloor into a field that approaches the intergalactic. This is not decorative imagery, but an expanded perception: sound becomes lighter, almost suspended, while a solid foundation sustains movement throughout.

Raw Aesthetic leaves a defined mark within Illegal Alien’s catalog. It functions as an assertion of presence, outlining Shaun Moses’s direction while amplifying the collaborative dynamic with Aardy. The result remains active, held in tension, extending beyond its immediate duration.

Label: Illegal Alien Records
Artist: Shaun Moses, Aardy
Title: Raw Aesthetic
Genre: Techno
Format: Digital WAV/MP3
Catalogue: IAR397
Mastering by The Programnaitor
Artwork Design by Rommulo

Release Date: May 8th, 2026
Support & Buy: Bandcamp

Tracklis
1. Shaun Moses – Crunchy (Original Mix)
2. Shaun Moses – Raw Aesthetic (Original Mix)
3. Shaun Moses, Aardy – Noah (Original Mix)
4. Shaun Moses, Aardy – Poison (Original Mix)

Shaun Moses

SoundCloud | Instagram | Linktree

Aardy

SoundCloud | Instagram | Facebook | Linktree

Illegal Alien Records

SoundCloud | Website | Bandcamp | Instagram | Facebook | YouTube | Beatport

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Interview | Rigor: No Memories — Techno as the Architecture of Forgetting

Some releases work on the dancefloor. Others alter perception from within. No Memories, Rigor’s debut on SRC_Records, belongs to that second category: three peak-time techno cuts built with a clinical precision that operates as a method and absolute control over sonic space.

Born and shaped in Berlin, with more than thirteen years immersed in club culture, Rigor has developed a language positioned between dark minimalism and dancefloor energy, sustaining constant tension between both axes. His tracks operate through sustained pressure, precise repetition, and a sound design focused on depth and clarity.

His background as an audio engineer on productions for Netflix, Warner Bros., and HBO directly informs the way he constructs sound. Here, sound design never appears as decoration or superficial layering; it organizes dense atmospheres, mental structures, and trajectories that impact both the physical and perceptual dimensions. Every element is placed with clear intent, pushing the experience beyond immediate pulse and toward a state of psychological immersion.

No Memories is available exclusively on Beatport from April 9th, 2026, and on all platforms from April 23rd, via SRC_ Records (SRC2).

I

Berlin and origins

Club Furies (CF): You have been immersed in Berlin’s club culture for over 13 years. At what point in that journey did you feel you had found your own language as a producer?

Rigor: It wasn’t that long ago. From the outset, I had a clear vision of the sound I wanted to pursue, but I lacked the technical foundation to fully realize it. That changed when I completed my training in audio engineering—around four years ago—which also led me to commit to Ableton. Since then, I’ve been able to shape and refine a sound that genuinely feels like my own.

CF: Berlin carries a very heavy mythology around techno. How do you live with that shadow without letting it crush your identity?

Rigot: It’s a constant challenge. But by resisting the pull of the mainstream, you naturally carve out your own space—one where your identity can develop and solidify without compromise.

https://soundcloud.com/defmainmusic/if-wishes-could-kill

II

No Memories — the EP

CF: The title No Memories suggests a state of absolute present, an erasure of the past. How did that concept emerge in relation to the music?

Rigor: The EP title, much like the track names across all my releases, reflects my current state of mind. The music follows the same principle—it’s always tied to a specific emotional moment.

CF: The press release describes the EP as music designed to “bypass the pulse and go straight for the psyche.” What concrete production decisions did you make to achieve that?

Rigor: I work with punchy, driving drums, layered with bleep-driven synths and atmospheric textures, aiming to engage the listener on a more subconscious level.

CF: The three tracks work as a unit but each carries its own weight. How did you build the internal progression of the EP?

Rigor: There’s a lot of intention behind it. Working within the same key across a release helps maintain tonal coherence and creates a unified sonic language. It supports the mixdown process and allows the tracks to transition seamlessly, forming a continuous narrative.

https://soundcloud.com/defmainmusic/no-memories

III

Technical process and sound design

CF: Your training as an audio engineer — working on productions for Netflix, Warner Bros., HBO — implies a very specific discipline. How does that background speak to your work as a club music producer?

Rigor: It can be challenging. Spending eight hours a day working in a DAW inevitably shifts your relationship to it. That’s why most of my own production happens on weekends or during time away—it needs a different kind of headspace.

CF: You started with a Xone mixer and analog hardware before settling into Ableton. What did the analog world leave you with that no software could replace?

Rigor: For the first six to seven years, I spent countless hours in DAWless jam sessions with my best friend. Those sessions were essential—they shaped my sense of timing and laid the groundwork for my approach to sound design.

https://soundcloud.com/defmainmusic/scared

IV

SRC_ Records and the ecosystem

CF: You already have releases on BCCO, Concrete Tbilisi, and Pure Echo. What does SRC_ Records have that those other contexts did not?

Rigor: I appreciated the clarity and professionalism in the way everything was handled. Beyond that, the label’s commitment and its strong, reliable distribution made a real difference.

V

The dancefloor as psychological space

CF: Techno has a long history with altered states of consciousness and dance as collective ritual. How do you think about the dancefloor when you produce?

Rigor: For me, being a techno producer also means understanding the dynamics of the dancefloor. You need an open mindset and a certain sensitivity for the crowd—only then can you truly connect with people through your tracks.

CF: No Memories is conceived for the late hours of the night. If you had to place it at a precise moment within a set, what would that moment be and why?

Rigor: I see this release unfolding in the final third of a set. I tend to build things more minimally in the beginning, so these tracks naturally belong to that later moment—when the energy becomes more focused and immersive.

https://clubfuries.com.mx/2026/04/26/cfr-2026-04-rigor-no-memories-src-records/

VI

Closing

CF: This EP also seems to function as a broader declaration of intent. Where does Rigor go from here?

Rigor: I’m not working toward a fixed destination. The goal is to keep evolving and to release music on labels that resonate more and more with my artistic direction.

CF: Is there something in No Memories that you feel cannot be read with ears alone — something you would want to say directly to the listener?

Rigor: I value all kinds of feedback, especially when it gives me insight into where and by whom my tracks are being played. That connection to the outside world is an important part of the process.

https://soundcloud.com/defmainmusic/sets/rigor-no-memories

No Memories functions as a statement of principles transformed into sound. With this debut on SRC_Records, Rigor presents a fully defined identity, developed through years of work, immersion in club culture, and a pursuit guided by rigorous personal standards.

The combination of advanced technical training and direct dancefloor experience runs through every detail of the EP. Precision structures the sound with clarity and depth, while darkness maintains a constant presence within the textures, tension, and movement of the tracks. The entire release conveys a feeling of absolute control over sonic space and emotional dynamics.

Three cuts built for the late hours of the night, when perception begins to shift rhythm and the dancefloor enters a more introspective state. The energy remains steady and forceful, while the mind gradually starts moving somewhere else.

Artist: Rigor
Title: No Memories
Label: SRC_ Records
Catalog Number: SRC2

Beatport Exclusive Pre-order: April 9, 2026
Global Release: April 23, 2026
Support & Buy: Bandcamp

Tracklist
1. If wishes could kill
2. No Memories
3. Scared

Rigor

SoundCloud | Instagram | Bandcamp

Defmain_Platform

Website | SoundCloud | Instagram | Facebook | Bandcamp

SRC_Records

Instagram

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: D MONSH – No Hay Techo [DTKTD Records]

Founded in 2017 as an event platform, DETEKTED became a driving force for underground artists within the Argentine electronic scene. In 2024, the project expanded its vision through the creation of DTKTD Records, carrying that same curatorial energy into a label format.

https://clubfuries.com.mx/2026/01/21/cfp-hiroshina-sigo-de-largo-dtktd007/

Its new compilation, BASEMENT TOOLS, operates like a partial map of contemporary techno tensions. The release moves through raw, hypnotic, groove-heavy territory while absorbing influences from UK garage, dubstep, and other strands of club-oriented electronic music. It also introduces new artists into the label’s orbit, including Merlina, Agustina Alcober, MAGEM, Mxrtin (AR), Jeremy LP, D MONSH, and Ramiro Koaz.

Among them appears D MONSH, a producer and DJ whose practice has evolved through techno, drum & bass, UK garage, and dubstep. His contribution, “No Hay Techo,” brings a distinct energy into the compilation: sustained pressure, mental tension, and a rhythmic sensibility that gradually reshapes the atmosphere of the dancefloor.

https://soundcloud.com/clubfuriess/cfp-d-monsh-no-hay-techno-dtktd008

From the opening moments, the track establishes a relentless hammering pulse running through the entire structure. Percussion strikes with insistence while wrapped in a soft, almost velvety texture. That contrast creates a peculiar sensation: the body absorbs the impact while the sonic surface remains smooth and restrained. Like wet concrete barely lit by stroboscopic light.

Repetition slowly takes control of perception. Subtle shifts open fractures inside the loop, guiding the listener toward increasingly deeper hypnotic states. The groove settles into the body with patience, altering the way time seems to circulate inside the club.

https://clubfuries.com.mx/2025/08/31/cfp-alan-berbel-b3nz-traccion-sonora-dtktd005/

As the track develops, the texture grows rougher. New layers emerge like metallic residue attached to the rhythm, redirecting its emotional charge. The initial trance mutates into nervous movement, into a semi-frenetic dance where energy remains contained while constantly approaching rupture.

“No Hay Techo” thrives within that ongoing tension between softness and friction. A track that understands the club as a space of perceptual transformation, where sound becomes physical pressure, atmosphere, and shared mental state.

Label: DTKTD Records
Artist: Various Artists
Title: BASEMENT TOOLS
Catalogue: DTKTD008
Mastered: FRONTMAN MANAGEMENT
Artwork: RUMANU
Format: Digital

Release Date: May 4, 2026
Support & Buy: Bandcamp

Tracklist:
1. Jeremy LP – Untitled003 (Original Mix)
2. Merlina – Judgement (Original Mix)
3. Ramiro Koaz – My Big Room (Original Mix)
4. D MONSH – NO HAY TECHO (Original Mix)
5. Mxrtin (AR) – Reply to the Unknown (Original Mix)
6. Agustina Alcober – New Flava (Original Mix)
7. MAGEM – It’s Basic Chinese (Original Mix)
8. RUMANU – RITUAL (Original Mix)

D MONSH

SoundCloud | Instagram | Bandcamp

DTKTD Records

SoundCloud | Instagram | Bandcamp | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Avilynn – Faster Than AI [Systolic]

Avilynn positions herself as a sound artist working across multiple fronts: production, DJing, and curation converge into a practice where sound is treated as a system. Based in Berlin, her approach constructs immersive environments where tension and detail sustain a continuous narrative. Each alias becomes a reconfiguration of language, shifting her center without losing direction.

Her presence within the underground circuit has grown through that logic. Rather than a fixed aesthetic, what emerges is a consistent way of shaping space and experience. Sound operates as a moving architecture, where every element is calibrated to produce an enveloping, time-based perception.

This approach extends beyond the booth. The limited-edition modular cases she designs function as objects that carry her sonic thinking into the physical realm. They are not accessories, but components of the same system, integrating material and auditory dimensions within a practice grounded in applied experimentation.

https://clubfuries.com.mx/2026/04/12/cfp-internal-observer-dillema-systolic/

Within this framework, Archive Series on Systolic appears as a record in motion. The selection gathers previously unreleased tracks produced over recent years, condensing an earlier phase without fixing it as a closed past. The archive becomes active—organizing, connecting, and revealing the lines that shape her evolution.

The release signals a shift toward a new stage centered on hardware, live recording, and a more defined sonic language. These pieces act as traces of a system in transition, retaining relevance through their repositioning in the present. There is a sense of closure, accompanied by a controlled opening toward what follows.

https://soundcloud.com/clubfuriess/cfp-avilynn-faster-than-ai-systolic

Within the collection, “Faster Than AI” stands out with particular clarity. The track translates states associated with contemporary anxiety and uncertainty about the future into a structure that intensifies progressively. Tension builds from an initial pulse, accumulating pressure into a sustained rise toward overflow.

Beyond that peak, the piece moves into a more diffuse zone. Rhythm remains, yet perception shifts: a liminal quality emerges, suspended between what has just unfolded and what has yet to settle. The sound becomes lighter, less defined, carrying a resonance that extends the impact without repeating it.

What remains is not resolution, but persistence. Archive Series settles as a threshold—simultaneously memory and projection, where the archive does not preserve; it reshapes.

Label: Systolic
Title: Archive Series ep
Artist: Avilynn
Catalogue:

Release Date: May 7th, 2026
Support & Buy: Bandcamp

Tracklist
1. Avilynn – Faster Than AI
2. Avilynn – Hash
3. Avilynn – Vortex

Credits
Music: Avilynn
Mastering: Ddroga
Artwork: Adrian Gambin

Avilynn

Website | SoundCloud | Instagram | YouTube

Systolic

SoundCloud | Instagram | Bandcamp | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

Elektromobilität erleben - Premiere auf dem Bleiloch Stausee: Am 9. Mai um 11:30 Uhr ist Stapellauf der MS Gera im nur 13 km entfernten Saalburg.

Die MS Gera fährt jetzt mit Elektro-Antrieb und fährt Sie flüsterleise über den Stausee zu den Highlights der lokalen Saalekaskade.

Infos zu Schiffstouren auf dem Bleilochstausee unter: https://tinyhouse-im-wald.de/erleben/schiffstouren/

Wir freuen uns auf Sie 🤗

Foto: Marina Saalburg

#schifffahrt #elektromobilität #tinyhouse #hundeerlaubt #premiere
@marinasaalburg

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Premiere: Stream DETACH THE ISLANDS New EP A Day Early Here

https://metalinjection.net/av/full-album-stream/premiere-stream-detach-the-islands-new-ep-a-day-early-here

#DETACHTHEISLANDS #EP #Premiere #Stream #MetalInjection #metal #music