Ended Tuesday and welcomed Wednesday with Live at the Lighthouse is a live album by American jazz group the Modern Jazz Quartet recorded by Wally Heider at the Lighthouse Café in 1967 and released on the Atlantic label.
The Allmusic review stated "This fairly obscure LP by the Modern Jazz Quartet, features fresh material and improvisations that are both swinging and creative" - Wikipedia
#ModernJazzQuartet #MiltJackson #JohnLewis #Jazz #ThirdStream #Music #PercyHeath #ConnieKay
#DemandezLeProgramme :
1957 - Modern Jazz Quartet - Bruxelles, Anvers et Liège (Brussels, Antwerp and Liège)
- #JohnLewis (p), #MiltJackson (vib), #PercyHeath (b), #ConnieKay (dr)
Le Modern Jazz Quartet en concert le 3 octobre 1966 au Studio 104 le Maison de la Radio à Paris
#JohnLewis (p), #MiltJackson (vib), #PercyHeath (b), #ConnieKay (dr)
#jazz #podcast #francemusique en 2 parties:
https://www.radiofrance.fr/francemusique/podcasts/les-legendes-du-jazz/modern-jazz-quartet-en-concert-le-03-octobre-1966-au-studio-104-le-maison-de-la-radio-a-paris-1-2-2524973
https://www.radiofrance.fr/francemusique/podcasts/les-legendes-du-jazz/modern-jazz-quartet-en-concert-le-03-octobre-1966-au-studio-104-le-maison-de-la-radio-a-paris-2-2-4730837
Avec le Modern Jazz Quartet, l’élégance des smokings n’est pas incompatible avec le swing, le contrepoint sophistiqué, la polyphonie savante peuvent générer une forte sensation de blues, et chaque soliste improvise avec lyrisme en conservant la rigueur collective d'un ensemble de musique de chambre…
Know What I Mean? is a 1962 jazz album by alto saxophonist Julian "Cannonball" Adderley, accompanied by Bill Evans and the rhythm section of the Modern Jazz Quartet.
Adderley and Evans had recorded previously both with the Miles Davis Sextet—most notably on Kind of Blue—and on two of Adderley's earlier recordings as a leader, Portrait of Cannonball and Jump for Joy. Adderley had previously recorded several times with bassist Percy Heath but not with drummer Connie Kay.[2] Evans had recorded previously with both rhythm players several times, including on John Lewis's film soundtrack for Odds Against Tomorrow.
The Penguin Guide to Jazz awarded the album 3 stars out of 4, stating: "The quartet date with Bill Evans was one of the last chances to hear [Adderley] as sole horn, and he sounds fine." - Wikipedia
https://www.youtube.com/watch?v=cxINjGauj-I&list=PLWhh7hp45IeRb97z6neAGlaC3lThkrofA&index=1
#CannonballAdderley #billevans #riversiderecords #jazz #percyheath #conniekay
(I always wanted to play like Freddie Hubbard when I played trumpet as a kid. It's nice to have unrealistic goals.)
#nowplaying #vinyl #jazz #hardbop #BillEvans #JimHall #FreddieHubbard #PercyHeath #PhillyJoeJones
Bill Evans - Interplay
Jim Hall is featured so much on this great album that I'm surprised he's not considered the leader.
Anyway, great new mastering on OJC/Craft of this 1962 classic with Evans (piano), Hall (guitar), Freddie Hubbard (trumpet), Percy Heath (bass), and Philly Joe Jones (drums).
Essential music, mastering, pressing, and if you've only got an old copy, worth the upgrade.
#nowplaying #vinyl #jazz #hardbop #BillEvans #JimHall #FreddieHubbard #PercyHeath #PhillyJoeJones
Andi Chorley
Pascal Savelon 🎷
Ogawa
Dave Nanian