New find: it appears George French Angas trimmed the left edges of two paintings to remove S T Gill's signature for his 1846 London exhibition. Paintings considered to be Angas's best, evidence shows, are actually by Gill. In this new overview I examine Gill's work for and relationship with Angas, 1844 to 1852. Gill as ghost artist. Much praise bestowed on Angas has rightly belonged to #S_T_Gill. #colonialArt #historyAU #artHistoryAU #ozGLAM #catalogueRaisonne
My new article: https://coombe.id.au/S_T_Gill/S_T_Gill_artist_for_George_French_Angas.htm
I did say my #S_T_Gill project would "further rock the art history boat, not by intent, but because that's where the evidence takes us". So here's the extra rock ...
Big claims need big evidence. My new article adds to the pile, showing despite his claim to his London publisher, George French Angas likely didn't go to the Victorian diggings in 1852 at all.
Pivotal to this story is Charles Lord for whom Angas had great affection. A quick trip to Melbourne by the pair landed Angas in the middle of gold rush lithography.
NARRATIVE, ANALYSIS & CATALOGUE. (Not light reading. Analysis only made possible by digitised newspapers.) #historyAU #artHistoryAU #TroveAU #ozGLAM
My new article: https://coombe.id.au/S_T_Gill/George_French_Angas_Victorian_Diggings_1852.htm

The weight of evidence is against Angas' presence at the Victorian diggings. He visited Gill in Melbourne in August 1852 and again used Gill's pictures for his own publication. This further cements the role of Gill as a ghost artist for Angas.
As is his custom Tim @wragge Sherratt undersells (above) what he's done.
He's programmatically geolocated "18,603 out of 20,644 photos" digitised by #StateLibraryVIC.
Tim: "When I started working on the collection I wasn’t really sure what was possible." So he learnt, tried, adapted, all with a goal in mind. Tim has an uncommon mind and set of skills. And uncommon productivity. His article is easy to read - if needed one can skim the more technical detail. Tim documents his methods to be shared.
#digitalHumanities #historicalMapping #OpenStreetMap #heritageAU #ozGLAM
Tim's blog post: https://updates.timsherratt.org/2026/01/29/geolocating-photos-from-the-slvs.html
#StateLibraryVIC still working on the images problem. (I note small images sometimes work). #ozGLAM
SLV status page for this: https://slv-vic.libanswers.com/systems/5160?product_id=5160&m=view_posts
An area of interest for me is the (history of) localised nature of library services (and maybe I’ll pursue this in the new year)
Also, I don’t think I’ll ever get used to the Guardian’s weird style guide (Alia)
A Monet is going on show in an art gallery in a paddock in the Tweed Valley of Northern NSW. This is courtesy of an initiative under the new national cultural policy to bring the collection of the National Gallery of Australia to people living jn regions throughout Australia
#GLAMS #galleries #OzGlam
Hello lovelies
I’m on the lookout for any GLAM related newsletters you might be making (I already subscribe to a few and they are very excellent and just the thing). Let me know so I can hit subscribe!
(I’m just a gal, calling out to Masto, hoping to rebuild her info network)
#GLAM #GLAMPD #OzGLAM #libraries #archives #professionalreading 
Catching up on my reading this morning and oh! Dolly Parton and reading goodness 🩷 🦋 📚
https://www.abc.net.au/news/2023-07-25/tamworth-dolly-parton-imagination-library-730/102643392