BUTTHOLE SURFERS unearth mythical missing album âAfter the Astronautâ (out 6/26/26)
In 1998, when BUTTHOLE SURFERS followed up their 1996 mainstream breakthrough Electric Larryland with their next record entitled AFTER THE ASTRONAUT, the major label they were signed to at the time pulled it from their release schedule at the last minute. Their reasoning? They wanted a more âcommercialâ record. Had that label known Butthole Surfersâ oeuvre better, they probably shouldnât have expected another âPepperâ (their #1 Billboard Modern Rock from 1996). Instead, After the Astronaut was shelved⊠until now when Sunset Blvd. releases that mythic and much-discussed follow-up on June 26, 2026.
âWe were pretty stoked to make another album after the success of our previous album and its single âPepperâ,â recalls guitarist Paul Leary. âCapitol Records was stoked to get that next record until our relationship soured.â After some legal wrangling, Butthole Surfers were released from the major labelâs roster and their contract was sold. âHollywood Records bought the album but wanted to make changes to it which was an uncomfortable experience for us,â he notes (the reconfigured and reworked album was eventually released as Weird Revolution in 2001). âNow we have the right to release the original recording the way we intended it to be with its original title, After The Astronaut.â
Reacting to the grunge/altrock sludge that was populating the airwaves, Leary, drummer King Coffey and vocalist Gibby Haynes pulled away from the style that was surfacing and, instead, submerged their creativity deeper into electronics, industrial beats, acid grooves, and other synthesized sci-fi sounds. âAfter the Astronaut was a fun project,â says Coffey. âWe were using all the digital toys at our disposal at the time, and it felt much like the creation of Locust Abortion (1987). We were playing with new toys, creating things that amused us with the crayons we had, and we werenât worried about radio airplay. It felt like we were going back to our experimental roots while still navigating the major label ecosystem.â
Kicking off with Haynesâ spoken word intro where he announces âI stand as a messenger of strangeness this evening in order to impress upon or at least to instruct the honorable musicians as to the methods and motives of the truly bizarre reality,â âWeird Revolution launches into a trippy and psychedelic cacophony of distorted guitar and beat-heavy rhythms that sets the tone for the record. The syncopated vocals of âIntelligent Guyâ veers into proto-industrial synth grunge territory, grimy and dirty with a pulsating, mechanized beat.
The textural and moodily cinematic âI Donât Have A Problemâ is an exercise in layering, with distorted voices weaving in and out of textured fuzz, guitar feedback, and other subterranean and unnerving sounds, which unsurprisingly is Learyâs favorite song on the album. âKing showed up to the studio one day with a device that could listen in on other peopleâs cell phone conversations,â Leary laughs. âWe set it up to record and turned it on. Right out of the gate this guy is talking about girls with âknives and daggers.â We turned it into the song âI Donât Have a Problemâ.â
Emerging from the 1980s hardcore scene, Butthole Surfers was formed by Haynes and Leary while in college in San Antonio, Texas. Bonding over a shared distaste for mainstream music, Butthole Surfers traipsed through the music industry, always in the fringes. Championed by Dead Kennedys, Nirvana, and Orbital and compatriots of Scratch Acid, Flipper and Big Black, they remained a fixture in the music sceneâs counterculture. In a moment of mainstream acceptance (they scored a #1 Modern Rock Hit with âPepperâ), the band always embraced the obtuse and the obstinate. Though the band has never quite broken up, their legacy still inspires other acts, including Gwar, Flaming Lips, Janeâs Addiction, White Zombie, Monster Magnet, Primus and dozens more.
Butthole Surfers on After The Astronaut is Gibby Haynes (vocals, synths), Paul Leary (lead guitar, bass guitar, keyboards), and King Coffey (drum machines). After the Astronaut was produced by Paul Leary, engineered by Stuart Sullivan (Meat Puppets, Sublime)at Arlyn Recording Studio, mixed by Paul Leary at Preacher Mon Studio, and mastered by Howie Weinberg (Herbie Hancock, Beastie Boys, Nirvana). It will be released on June 26, 2026 via Sunset Blvd. with original art by Paul Leary and Gibby Haynes.
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