Salvatore Sciarrino - Il silenzio degli oracoli (1989) for wind quintet
Il silenzio degli oracoli (1989) for wind quintet
Composer: Salvatore Sciarrino (b. 1947)
Performers: Alter Ego Ensemble
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"In his youth, Salvatore Sciarrino was attracted to the visual arts, but began experimenting with music when he was twelve. Though he had some lessons from Antonino Titone and Turi Belfiore, he is primarily self-taught as a composer. After his classical studies and a few years of university in his home city, in 1969 he moved to Rome, where he attended Franco Evangelisti's course in electronic music at the Accademia di Santa Cecilia (Osmond-Smith 2001).
In 1977, Sciarrino moved from Rome to Milan, where he taught at the conservatory until 1982. By this time his compositional career had expanded to the point where he could withdraw from teaching, and he moved to Città di Castello, in Umbria, where he has lived ever since. He nevertheless has continued to teach occasionally in Florence and Bologna, as well as in Città di Castello.
Apart from being author of most of the librettos of his operas, Sciarrino has written many articles, essays and texts [...]. His book about musical form: Le figure della musica da Beethoven a oggi (Ricordi 1998) is particularly important.
From 1978 to 1980, he was Artistic Director of Teatro Comunale di Bologna, Academic of Santa Cecilia (Roma), Academic of Fine Arts of Bavaria and Academic of the Arts (Berlin). He has been teaching at the Accademia Musicale Chigiana since 2013; beforehand he held the composition class in 1983 and in 2002.
Sciarrino has won many awards, among the most recent are: Prince Pierre de Monaco (2003) and the prestigious Feltrinelli Prize (2003). He is also the first prizewinner of the newly created Salzburg Music Prize (2006), an International composition prize established by Salzburg. He received the 2011 BBVA Foundation Frontiers of Knowledge Award of Contemporary Music for renewing the possibilities of vocal and instrumental music and for the singularity of his sound materials. Sciarrino has developed a new and unique syntax and a manner of combining extreme synthesis with richness of detail."
Source: https://en.wikipedia.org/wiki/Salvatore_Sciarrino
“Salvatore Sciarrino’s music evolves in a frontier zone, gripped by a fear of large uninhabited spaces, and especially of marine desert, at the edge of dreams, where being lies but still hesitates to give itself over to existence. This geography becomes flesh in an “imaginal” world, between the realm of earth and the realm of spirit, in the articulation between the intelligible and the sensual: the world of what the Latins called the caro spiritualis [spiritual corporality], where spirits become bodies and bodies spirits.”
Source: http://smcq.qc.ca/smcq/en/artiste/sciarrino_sa/Salvatore_Sciarrino/biographie
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