Album cover of *Trial by Fire* by Journey, painted by Michael Whelan, is a vivid surrealist tableau that merges myth, nature, and cosmic symbolism. A cat-headed woman in a feathered gown stands on a golden beach, tethering a boat containing a giant infant—perhaps symbolizing rebirth or innocence. Behind them, a swirling Earth floats above the ocean, pierced by a golden arrow, while two figures pour water from amphorae onto the globe, suggesting renewal or cleansing. Palm trees, a terracotta jug with an eye motif, and a twilight sky deepen the dreamlike atmosphere. The artwork reflects the album’s themes of love, loss, and transformation, rendered in Whelan’s signature fantasy-realist style.

https://tidal.com/album/134787117/u

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Album cover of DNA ACTIVATION by Witch Prophet, photographed by Brianna Prophet, is a regal and intimate portrait that embodies the album’s themes of heritage and identity. The artist is depicted in profile, adorned in a richly embroidered blue and gold robe with intricate floral patterns, evoking Ethiopian and Eritrean cultural aesthetics. Her braided hair is crowned with delicate gold jewelry, and her serene expression conveys strength and introspection. The vibrant magenta background and ornate umbrella enhance the sense of royalty and spiritual depth. This visual aligns with the album’s fusion of Ethio-jazz, R&B, and hip-hop, rooted in biblical stories and ancestral connections.

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Album cover of Corridors of Rhyme by Donny G x BK Bonez, created by Grant Hatfield (Filth Effigy), is a dynamic, hand-drawn illustration that captures the raw energy and surrealism of the music. It features a fierce battle scene: a warrior-like figure, possibly representing Donny G, wields a flaming sword against a monstrous creature with sharp teeth and claws. Beside him, a skeletal figure in a purple hoodie, likely symbolizing BK Bonez, plays a keyboard while seated in a throne-like chair. The snowy, mountainous backdrop adds to the epic, otherworldly atmosphere. The style is reminiscent of fantasy comic art, with bold lines and vibrant colors, reflecting the album's themes of violence, isolation, and experimental soundscapes.

https://donnyghiphop.bandcamp.com/album/corridors-of-rhyme



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Infinite Travels by Billa Qause & Junk33

Album cover of Infinite Travels by Billa Qause & Junk33, created by Bizzarescapes, is a serene, dreamlike illustration that captures the essence of a nocturnal journey. The central image features a large, luminous moon reflected in a tranquil lake, surrounded by silhouettes of trees and flying birds. The scene is framed by a starry night sky, evoking a sense of calm and wonder. The style blends natural elements with a touch of surrealism, using soft, muted colors to create a peaceful, lo-fi atmosphere. This artwork perfectly complements the EP's themes of relaxation and interstellar exploration, as described in the tracks "Nefeloma" and "Lake Firefly."

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Black Children Sledge Funk Co. Band – Vol. 3 - Aviation Grand Father

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Album artwork of Chemistry by Buckshot

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RxDxPx – Anarkophobia

https://www.youtube.com/watch?v=wAzKoa1zr0g&t=383s

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Album cover of Hyperphantasia by Lone is a vivid, dreamlike collage that embodies the album’s concept of hyperphantasia's exceptionally vivid mental imagery. It features a close-up of a blue eye surrounded by surreal elements: blooming flowers, a cascading waterfall, trees, and abstract patterns. The left side showcases the album title in ornate, futuristic typography against a purple backdrop, with Lone’s logo at the top. The style is psychedelic and ethereal, blending nature and digital art to evoke a sense of otherworldly beauty. The cover design aligns with Lone’s description of the album as a “kaleidoscopic world” and “synthetic hall of mirrors.”

https://lone.bandcamp.com/album/hyperphantasia

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Album cover of Professor Elemental Meets The Bonzos by Professor Elemental is a chaotic, collage-style explosion of whimsy and nostalgia. It features a donut with googly eyes, vintage candy wrappers, quirky figurines, and surreal imagery like a squirrel labeled “Evil” and a hand holding a photo of a performer. The style is playful and retro, evoking a sense of childlike wonder and eccentricity. The Bonzo Dog Band’s influence is clear in the absurdity and humor. The cover artist is not specified, but the design reflects Professor Elemental’s signature steampunk-meets-pop-culture aesthetic.

https://professorelemental.bandcamp.com/album/professor-elemental-meets-the-bonzos

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I made this poster for a #powerviolence gig at #Copenhagen and my friend Francis took my photo with it so you can see that I made it with my hands #NoAI
#collage #acrylics #musicartwork