Mapa interactivo revela las piezas expoliadas del Museo Británico y su origen
📰 Título original: Un estudiante chino crea un mapa interactivo que visualiza los expolios del Museo Británico
🤖 IA: No es clickbait ✅
👥 Usuarios: No es clickbait ✅
Ver resumen IA completo: https://killbait.com/es/mapa-interactivo-revela-las-piezas-expoliadas-del-museo-britanico-y-su-origen/?redirpost=8defe845-91d7-43e8-ba37-8b7b876e3ce9
Mapa interactivo revela las piezas expoliadas del Museo Británico y su origen
📰 Título original: Un estudiante chino crea un mapa interactivo que visualiza los expolios del Museo Británico
🤖 IA: No es clickbait ✅
👥 Usuarios: No es clickbait ✅
Ver resumen IA completo: https://killbait.com/es/mapa-interactivo-revela-las-piezas-expoliadas-del-museo-britanico-y-su-origen/?redirpost=8defe845-91d7-43e8-ba37-8b7b876e3ce9
I posted this a few weeks ago for fensterfreitag. Failed 🏉 museum (and white elephant many would dare to say).
Now going to be Ireland's first Women's Museum. Good to see it put to some good, meaningful use!
Nice announcement too coming up to the 8th of March.
A science museum would also have been a very good idea, but a women's museum is just better, as we don't have one yet.
Good luck tonight to our 🇮🇪 🏉 team playing 🏴. We're on a roll!
Laia Estruch, el fuego de la ‘performance’: “Hay personas a las que les dan ataques de risa y no me ofende nada. Otras lloran”
Congreso Internacional "Museos al margen. Desafíos desde la periferia, las comunidades y el patrimonio local". Desde nuestro ámbito no podemos olvidar que los #museos también son instituciones clave en la preservación, gestión y transmisión del #patrimonio.
🗓️ 22 abril
📍 Universidad Rey Juan Carlos
Pondrá el foco en museos locales y comunitarios, abordando sostenibilidad, participación y función social desde la periferia. Más información: https://eventos.urjc.es/137189/detail/museos-al-margen-desafios-desde-la-periferia-las-comunidades-y-el-patrimonio-local.html
Throughout its consolidation as an academic discipline, museum studies have tended to gravitate around large national and international museums, their emblematic collections, and the management models they have established as the norm. These spaces, mostly located in urban centers and supported by solid structures of funding, research, and public outreach, have shaped a “canon” that influences not only academic agendas but also collective perceptions of what a museum is (and what it should be). However, beyond this centralized focus lies a vast and heterogeneous museum universe that has historically remained on the margins of scientific discourse and cultural policies. Small archaeological, ecclesiastical, communal, and local museums, ethnographic and anthropological museums, and medium-sized collections, often located in peripheral or rural areas, constitute the largest segment of the museum landscape today. Far from being residual spaces, these museums hold a heritage deeply linked to the communities that sustain them and to the social, cultural, and symbolic environments from which they emerge. The relative “marginality” of these institutions is not only geographical or budgetary, but also epistemological. Their practices, challenges, and potential have been scarcely examined by academia, despite directly addressing central issues for the contemporary museum: sustainability, community participation, intergenerational transmission of heritage, management of limited resources, professionalization in precarious contexts, and the redefinition of its social function in the 21st century. In these spaces, the museum presents itself as an active agent of cultural mediation, living memory, and identity construction that transcends the vision of a mere monumental object container The international conference Museums Beyond the Beaten Track. Challenges from the Periphery, Communities and Local Heritage, organized by students and teachers from Master's Degree in Museums Curation at the Universidad Rey Juan Carlos, is born by the will to shift the gaze and open a space for critical discussion on these these often-overlooked museums. It is proposed as an interdisciplinary and intergenerational meeting forum where researchers, professionals and cultural agents can share experiences, methodologies and theoretical frameworks that allow reconsidering the role of museums from the edges. https://eventos.urjc.es/go/museosalmargen
Recuerdos de museos (mi post del IndieWeb Carnival de marzo)
https://blog.luiscarlospando.com/personal/2026/03/recuerdos-de-museos-mi-post-del-indieweb-carnival-de-marzo/
Ailias crea avatares holográficos 3D conversacionales de figuras históricas, “historia en una caja”, para museos y eventos; también avatares a medida en ~1 mes, con debate ético. https://aidoo.news/noticia/6JoOnW
Ailias crea avatares holográficos 3D conversacionales de figuras históricas, “historia en una caja”, para museos y eventos; también avatares a medida en ~1 mes, con debate ético. https://aidoo.news/noticia/6JoOnW
🎙️ ■ El museo de Alejandro Sanz abrirá sus puertas este verano ■
https://los40.com/2026/02/27/el-museo-de-alejandro-sanz-abrira-sus-puertas-este-verano/?int=MASTODON_WORLD
#cantantes #musica #alcaladelosgazules #los40 #alejandrosanz #museos
KillBait
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AM Corbett
EL PAÍS: el periódico global
FESABID
Luis Carlos Pando
Aidoo
Aidoo
Los40.com
Thiago Ferrer Morini