The most underrated productivity tool? Reading outside your field.
The best problem-solvers I know pull ideas from physics, biology, psychology and history — and apply them where others wouldn't think to look.
Carl Pullein makes a strong case for multidisciplinary knowledge as a genuine productivity multiplier.
Worth a read 👇
🔗 https://www.carlpullein.com/blog/why-multi-disciplinary-knowledge-is-the-ultimate-productivity-multiplier/14/5/2026
#Productivity #ContinuousLearning #Multidisciplinary #ScienceAndTechnology
The Genius Everyone Missed: The Greatest Multidisciplinary Artist of Our Time.

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#Frailty and #IntrinsicCapacity are not competing constructs

Their complementary use supports delivering integrated, person-centred #care for older people, grounded in a holistic, capacity-focused, #multidisciplinary approach

#Geriatrics #PrimaryCare #Health

👇
https://academic.oup.com/ageing/article-abstract/doi/10.1093/ageing/afag138/8689999?utm_source=authortollfreelink&utm_campaign=ageing&utm_medium=email

KB_ x SITP x Lokaal

Plantage Dok, Friday, May 22 at 06:30 PM GMT+2

Independent artistic collective KB_ joins Lokaal & SITP for a collaborative event at Plantage Dok, presenting: live performances G-tje & the Boys and Phantom Wizard, the documentary Tra Fasi about the Surinam punk scene, and a closing DJ set by Pedro da Mata.

dinner 18:30 – 19:30 | 20:30 h music Tickets € 10 – € 24 sliding scale | Dinner € 10,- Dinner: tahini cold noodles with vegetable toppings and sliced fried egg (optional)

KB_ is an independent artistic collective based in Amsterdam, focused on nourishing new globalized scenes protagonized by immigrating and queer artists through sonic, visual, and performatic production. Fostering emerging multicultural voices with attention to the margins of the dutch scene and the Global South, KB_ invests efforts on organizing live music events, recordings, and DIY art practices in community.

Lokaal is an Amsterdam based collective for adventurous performing arts. It is born out of the urge to nurture an autonomous community where audiences and artists come together. We are local Amsterdam cultural citizens – artists and artists lovers – searching for inspiring fellow creatives who dare to express themselves honestly, with respect and without boundaries.

 

G-TJE & THE BOYS

G-tje & the Boys deliver an energetic live performance in which various musical styles from Suriname come together. The band combines influences from Indigenous music, Kawina, and Creole rhythms into a powerful and authentic sound that immediately captivates the audience. With a wide range of live instruments, percussion, and multi-part vocals, the band represents the rich musical culture of Suriname. In addition to traditional influences, they also perform well-known songs. G-tje & the Boys guarantee a warm, rhythmic atmosphere and a performance full of energy, culture, and connection.

TRA FASI

Tra Fasi is a short documentary (2026, 20 min) directed by Charity Charly, which explores Suriname’s hidden alternative punk and rock scene. The film follows musician and artist Shavero Ferrier in his attempt to build a creative underground culture in Paramaribo.

Director Charity Charly will be present at Plantage Dok and give an introduction to the documentary.

PHANTOM WIZARD

Nature, afrofuturism, jazz, and hip-hop have come together to form Phantom Wizard’s ethereal work. The artist, composer, and multi-instrumentalist of Surinamese descent was born and raised in the Dutch capital and embarks on a deeply personal yet profoundly universal journey, punctuated by experimentation and improvisation. Onstage, he is interlocked with his own multifacetedness, rendering his art moving to those who watch him play.

 

 

 

https://offbeat.amsterdam/event/kb_-x-sitp-x-lokaal

T.A.E.’s (The Adaptable Educator) Book Review – Refuse to Choose: Use All of Your Interests, Passions, and Hobbies to Create the Life and Career of Your Dreams by Barbara Sher

Barbara Sher’s Refuse to Choose is less a self-help manual than a quiet rebellion against one of modern life’s most persistent moral fictions: that a meaningful person must become one thing, permanently, and then remain legible to everyone else. Her central argument is generous and radical. She refuses to treat curiosity as a flaw, breadth as indecision, or changing interests as failure. Instead, she offers a new identity for the wide-minded reader: the “scanner,” a person whose life is not diminished by many passions but enlarged by them.

What gives the book its force is the way it transforms what is often narrated as anxiety into vocation. The author writes for the reader who has been told, repeatedly, that too many interests mean too little discipline. Rather than pathologize this condition, she reinterprets it as a distinctive temperament with its own rhythms, needs, and forms of excellence. Her style is practical, but the underlying philosophical move is deeply humane: she asks us to stop shaming complexity. In this sense, Refuse to Choose is not only about career design; it is about self-recognition.

One of the book’s strongest achievements is its redefinition of productivity. It does not equate productivity with narrow specialization or relentless linear progress. It imagines a life organized around cycles, rotation, and creative abundance. The advice given often resembles an architecture of permission: make room for multiple “lives,” store interests without forcing immediate commitment, and treat unfinished fascinations not as debris but as a resource. The title itself is an argument. To “refuse to choose” is not merely to procrastinate; it is to reject a false binary between depth and diversity.

A particularly memorable aspect of the book is Sher’s use of reassuring, almost manifesto-like language. She repeatedly invites the reader to see themselves as legitimate rather than defective. Phrases such as “scanner” and “multiple interests” become acts of reclamation. The book’s tone is often that of a patient ally leaning across the table and saying, in effect, that your pattern is real, and it has a shape. That rhetorical kindness is one reason the book has endured. It does not merely advise; it dignifies.

At the same time, Sher is at her best when she pairs affirmation with structure. The book avoids becoming a celebration of scatter by offering practical strategies: lists, systems for idea-keeping, project rotation, and ways to create a “control room” for one’s interests. These frameworks matter because they keep the book from collapsing into sentiment. The author understands that freedom without design can become chaos. Her insight is that multi-passionate people do not need fewer interests; they need better containers.

Literarily, the book has a conversational clarity that suits its purpose. It is not ornate, and it does not need to be. Its plainspoken voice is part of its ethical appeal. Sher is writing against cultural contempt, so she chooses accessibility over prestige. The result is a text that feels invitational rather than performative. Its power comes from recognition, not display.

Still, the book is not without limitations. At times, its optimism can feel a little too seamless, as though the mere acceptance of one’s interests will solve the material constraints of time, money, labor, and care. Some readers may also wish for a more rigorous discussion of structural conditions: class, disability, family obligations, and the unequal freedom to experiment. Sher is strongest on identity and motivation; she is less attentive to the social systems that shape who gets to “refuse to choose” safely. Even so, this is a limitation of emphasis rather than of value.

Ultimately, Refuse to Choose is persuasive because it articulates a moral permission many readers have been waiting for all their lives. Its deepest claim is not simply that you can have many interests, but that your many interests may themselves be the pattern. That insight can feel liberating, even restorative. Sher offers not a grand theory of mastery, but a more tender and perhaps more realistic vision: a life composed of recurring enthusiasms, unfinished questions, and the courage to belong to one’s own complexity.

In the end, the book’s most memorable gift is its refusal of shame. It tells the restless, the multi-obsessed, the beautifully distracted: you are not unfinished. You are plural.

#BarbaraSher #BookReviews #interests #LiteraryCriticism #Mindset #Multidisciplinary #multipotentialite #Sher
นวัตกรรมใหม่มักจะเกิดจากข้ามสาย #silo #multidisciplinary #interdisciplin...
https://youtube.com/shorts/KsDKyZ7VWkQ?si=UWnuGUuME7k7bOGo
นวัตกรรมใหม่มักจะเกิดจากข้ามสาย #silo #multidisciplinary #interdisciplinary #research #technology

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#abstract submission is open for the 5th edition of the vaginal #microbiome dynamics conference at the @collegedefrance in Paris (Sept 14-15, 2026)

https://vm2026.sciencesconf.org/submission/submit

Confirmed speakers include Laura Symul (UC Louvain), Jacques Ravel (University of Maryland), Marion Ravit (CEPED), Serena Sanna (IRGB), and Asmaa Tazi (Institut Cochin).

This is a #multidisciplinary event so we welcome submissions in #microbiology #modelling #epidemiology #sociology #genomics

Vaginal microbiome dynamics 2026 - Sciencesconf.org

Siencesconf.org

Catch a lively PROPL'24 discussion on multidisciplinary PROPL work with Patrick Ferris & Michael Dales — ideas at the crossroads of programming, environment and collaboration. Dive in! #PROPL #ProgrammingForThePlanet #Multidisciplinary #OpenSource #Sustainability #ScienceAndTech #English
https://watch.eeg.cl.cam.ac.uk/videos/watch/9bdef444-d3a5-438d-b865-9b383a5bfe08
[PROPL'24] Discussion on multidisciplinary PROPL-work

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