rtoehrenfeld: 🍀🐉Als Hommage an den großen Klaus Doldinger eins seiner weltbekannten Werke, das Titelthema der Unendlichen Geschichte („Flug auf dem Glücksdrachen“). #zdfmagazin
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#klausdoldinger #doldinger #dieunendlichegeschichte #unendlichegeschichte #neverendingstory #filmscore #filmmusik #titletheme #fantasy #moviescore #dragon #glücksdrache #fuchur #strings #latenight #janböhmermann

Quelle: https://www.instagram.com/p/DQwUksMjSU0

auch geil, dass #Maluhkas Version mittlerweile als "offizielle Version" gilt.

https://youtu.be/DAxPzDWKI_Y

#Skyrim #Dragornborn #MOvieScore

The Elder Scrolls V: Skyrim // The Danish National Symphony Orchestra featuring Eivør (Live)

YouTube
Logic Moon – Metamorphosis
#Ambient #drone #moviescore #soundscape #Mainz
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://logicmoon.bandcamp.com/album/metamorphosis
Metamorphosis, by Logic Moon

2 track album

Logic Moon
rtoehrenfeld: 🪨🥊 @​​dicolaofficial - „Training Montage“ from his Rocky IV movie soundtrack! Stunning piece of work, utilizing all those new and exciting instruments for an unheard fresh aesthetic in 1985. Apparently some critics didn’t appreciate the synth heavy style back then, but they were of course wrong 🤷#zdfmagazin
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#vincedicola #rocky #rockyiv #rocky4soundtrack #synthesizer #synthesizers #analogsynth #digitalsynth #sequenzing #ost #soundtrack #moviescore #orchestra #livemusic #bigband #horns #strings #janböhmermann

Quelle: https://www.instagram.com/p/DOyi19SDRM4

A couple years back I had a crazy idea. Then I ran with it. This is the result. It's not great, it might piss some folks off. But it was fun. Taught me a lot about the art of scoring. Imagining Richard H. Kirk teaming up with RZA after taking a time machine to Tangerine Dream's studio circa 1976. #reddesert #darioantonioni #italianfilm #monicavitti #Moviescore #scoring #soundtrack

https://vimeo.com/343333657?share=copy

RED_DESERT VARIATIONS

Vimeo
This is where we start to revert score-wise to the original NoES. Gone are the lush scores of Charles Young and, I gotta be honest here, I’m a little torn.

The original NoES score is iconic. It’s moody and spooky and definitely of the time. But I discovered through listening to these that I actually REALLY like hearing wildly different scores for the movies. They give them such a unique flavor and, kind of like the movies, the religion of everything starts to weigh the franchise down.

I like NoES 3. I am solidly a 1, 2, 3, and New Nightmare kind of guy. 4-6 were wildly weak, derivative, and don’t stand up to multiple viewings. At least for me. Maybe if New Line had given writers time to make better scripts or invested a little more money into the #1 cash crop, but no. By then they were just cranking them out as fast as they could and it shows.

#vinylrecords #vinylcollection #recordcollection #vinylcommunity #vinyl #recordoftheday #recordcommunity #musicsky #vinylsky #nightmareonelmstreet #freddykrueger #freddy #horror #horrormovie #horrorsoundtrack #horrorscore #moviescore
It gets cold and rainy here in Germany during the fall/winter and the train station is a walk that’s a few miles away.

I like it. Walking is good for me and I like to see the countryside.

But I REALLY like walking in the rain with some super moody, super synth-heavy score playing in my ears.

I don’t know. It just fits.

People talk a lot of shit about this movie, but I really liked it. It felt like the end - the unequivocal end. No arguments about this one. No swapped-out paramedic, no climbing out of a collapsed mine into a stream, no being rescued by men in black.

There is no argument that this is the end of Michael Myers without ignoring this trilogy as a whole.

Which I’m sure is what they’ll do.

While Halloween Kills was heavy-handed, I really liked the concept of a town becoming a mob. Feels natural. And, with Ends, I liked how a basically decided that they needed SOMEONE to hate just to make themselves feel better and I loved how they all decided en masse to let that shit go and move on.

It’s a good ending. With a couple weird moments, I’ll admit.

But the score? Fantastic. I love it when composers build a score that is meant to be played as one piece of music. It gives the album a much more cohesive feel and increased my enjoyment exponentially. And it’s John Carpenter. Come on. Dude’s a legend in the studio.

Say what you will about the inaccurate mining of 80s nostalgia that’s been going on for a long time now, but I absolutely LOVE that everyone is reaching for synth scores to be the soundtracks.

It’s a great time to be alive and walking in the cold rain to the train station.

#vinylrecords #vinylcollection #recordcollection #vinylcommunity #vinyl #recordoftheday #recordcommunity #musicsky #vinylsky #halloween #halloweenends #johncarpenter #horrormovies #horror #horrorsoundtrack #moviesoundtrack #moviescore

I will never not share this #moviescore masterpiece when the algorithm puts it in my feed.

https://youtube.com/watch?v=-w-58hQ9dLk&si=Dwknc3nlIJdqXlNB

Jurassic Park Theme Song (Melodica Cover)

YouTube

Maximilian Steiner composed over 300 film scores with RKO and Warner Brothers, and was nominated for 18 Academy Awards, winning three: The Informer (1935), Now, Voyager (1942), and Since You Went Away (1944).

#composer #music #maxsteiner #moviescore #filmscore #sinceyouwentaway #cinema

https://www.youtube.com/watch?v=GDdnWTL1SJY

Since You Went Away | Soundtrack Suite (Max Steiner)

YouTube