Ludwig van Beethoven (Bona, baptizado a 17 de Dezembro de 1770 — Viena, 26 de Março de 1827),
Monumento a Beethoven em Leipzig, 1902, de Max Klinger (18 de Fevereiro de 1857 - 4 de Julho de 1920), pintor, escultor e artista gráfico alemão.
Kommt dir was bekannt vor?👀
Ab Donnerstag zeigen wir ein künstlerisches Projekt der Max-Klinger-Schule Leipzig auf unserer Studioterrasse.
Ausgehend von #MaxKlinger Kunstwerken haben die Jugendlichen ihre eigenen Arbeiten erschaffen. Insgesamt sind 20 Arbeiten vom 22.08.–22.09.2024 im #MdbK ausgestellt.
📌 Verschmelzung. Verwischen der Grenzen
Eine künstlerische Auseinandersetzung von Jugendlichen der
#MaxKlingerSchuleLeipzig mit Werken Max Klingers
22.08.–22.09.2024
In <em>On Death, Part One</em>, a series of ten etchings, the Symbolist Max Klinger envisioned the ephemeral nature of life and the suddenness of death, themes that prompted one contemporary critic to call the portfolio a modern "Dance of Death." In <em>Night</em>, the first in the series, a man sits on a bench in an enclosed garden. A moonbeam breaks through the clouds over the sea, and on the path to the right is a lily with a fluttering butterfly. The landscape seems an extension of the figure’s melancholy thoughts, a landscape of the mind.
Die Naumburger Meister sind am 6.7.2024 wieder in der Trinitatiskirche Gleina zu Gast, dieses Mal mit ihrem aktuellen Programm "Max und Elsa".
#NaumburgerMeister #MaxKlinger #Kirche #Gleina #Trinitastiskirche
Max Klinger's "On Death, Part I" captures the ephemeral nature of life and suddenness of death. The delicate butterfly, lone man, and moonlight evoke introspective melancholy. Does this monochromatic masterpiece resonate with themes of existential solitude to you?
#Art #Symbolism #ClevelandArt #MaxKlinger #Etching #Melanch
https://clevelandart.org/art/1933.126
In <em>On Death, Part One</em>, a series of ten etchings, the Symbolist Max Klinger envisioned the ephemeral nature of life and the suddenness of death, themes that prompted one contemporary critic to call the portfolio a modern "Dance of Death." In <em>Night</em>, the first in the series, a man sits on a bench in an enclosed garden. A moonbeam breaks through the clouds over the sea, and on the path to the right is a lily with a fluttering butterfly. The landscape seems an extension of the figure’s melancholy thoughts, a landscape of the mind.
In <em>On Death, Part One</em>, a series of ten etchings, the Symbolist Max Klinger envisioned the ephemeral nature of life and the suddenness of death, themes that prompted one contemporary critic to call the portfolio a modern "Dance of Death." In <em>Night</em>, the first in the series, a man sits on a bench in an enclosed garden. A moonbeam breaks through the clouds over the sea, and on the path to the right is a lily with a fluttering butterfly. The landscape seems an extension of the figure’s melancholy thoughts, a landscape of the mind.
Max Klinger - Die blaue Stunde
#Museumssonntag #ScharfGerstenberger #Surrealismus
#MaxKlinger
Des Teufels Feder, 1880
Roland Maurice
Laura 🇵🇹
MdbKLeipzig
Hidden Gems
Pfarrbereich Laucha
ZWISCHENHOCH
Lieschen Müller's father
Magda♪enaBerlin 💚 🦥 💚