Chatting with, Watching, and Listening to My Blog (The Good, The Bad, and the Ugly): My Experience Creating a Notebook from My Blog Posts Using Google NotebookLM
https://ryanschultz.com/2026/03/12/chatting-with-watching-and-listening-to-my-blog-the-good-the-bad-and-the-ugly-my-experience-creating-a-notebook-from-my-blog-posts-using-google-notebooklm/
My #mammotion #luba lawn mower wont work today due to a software bug.
#Crowdstrike prolly not involved but this inability to access the tech you paid for is frustrating...
<p>A musical portrait of the lesser known Kanyok people, their various direct and indirect Luba neighbours of southern Congo and the urbanizing Katanga mine culture. Amazing xylophones, <em>likembes</em> of immense beauty, great grooves, gourd singing, the first Katanga guitars – so much richness!. Historical recordings by Hugh Tracey. Total time: 68'53". 20 page booklet.</p> <p>Tracklist: 1. Drum Message I, 2. Chindol Wa Mukaleng, 3. Luwend, 4. Mal' Yoo-yooy, 5. Bwal Bwany, 6. Drum Message II, 7. Tschiluw, 8. Musambo Wa Maja, 9. Butuk, 10. Wa Lwend Chombel, 11. Mangaay, 12. Kabondo Musambo Wa Changachanga, 13. Wa Kabwalala Wa Beena Luluwa, 14. Mambala Rhythm, 15. Kaleleke Wetu Yamba Mwana Wa Mbaya, 16. Kazadi Ngandu, 17. Kemai, 18. Lumpumgu, 19. Kankenene Kambula Mushete, 20. Masengu, 21. Kashama Wa Ndiambo, 22. Mambala Dance, 23. Bandemai Dodile Bulanga.</p> <p><strong>The New York Times 1999 (USA)</strong>: "Hugh Tracey’s ethnographic documents of Congolese music, compiled by SWP, were recorded nearly 50 years ago and sound as if they come from another world."</p>
Bis zu den offensichtlich gefakten Reviews hatte man mich fast überzeugt. #mammotion #luba
Ob #ChatGPT denen erzählt hat, dass solche Namen in D üblich sind?
Ryan Schultz
John McLear
laedl-proyekta suy domsabcha
Pieter
Aaron V. Humphrey
ⅅasⓦarⓚeinℍuhn