Original Sin Rebirth WIP

I created this piece, to test out a new palette and technique that I was thinking of using for my next large painting. It too will have a silver metal leaf design and rather than the alla prima approach I often take I wanted to try out a more stylised crosshatch technique. (I later also tested this out in another tiny piece 'Testing DIY Silverleaf Sealant, Size & Colour Palettes'

Here’s Part 2 of my 4 part series with details of how the underpainting was done, with tips and tricks I learnt along the way.. Though subsequent layers were done in oil in rich hues, this one was done in a monotone umber in acrylic.

https://open.substack.com/pub/jacquelinegomezfineartist/p/part-2-underpainting?r=35189p&utm_campaign=post&utm_medium

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Part 2 : The Underpainting (in Acrylic)

In this next part, I shall be going in to the details of the underpainting of the Ghost Rider Painting (Clayton Crain's Original Artpiece) done in Acrylic's. Although there's still some controversy about the use of acrylic's under oil paint ( I recommend doing some of your own research before deciding ) I haven't encountered any problems nor does Winsor & Newton discourage it according to

Materializing Inspiration