The Flesh and Blood Show (Kino Cult #43) (1972) Available February 17
#horror – #horrormovies – #TheFleshandBloodShow – #KinoCult – @kino_cult – Pete Walker’s transition from crime thrillers and nudie pictures to full-blown horror arrives in this blood-splattered homage to the Grand Guignol. A seaside theatre, long shuttered after a tragic production of Othello, reopens as a groovy musical
The Flesh and Blood Show (1972) Available January 20
#horror – #horrormovies – #TheFleshandBloodShow – #KinoCult – @kino_cult – With The Flesh and Blood Show, Pete Walker (House of Whipcord) transitioned from crime thrillers and nudie pictures to full-blown horror, where he would evolve into one of the genre’s most playful and perverse directors. Billed as “An Appalling Amalgam of Carnage a
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https://horrornerdonline.com/2025/12/the-flesh-and-blood-show-1972-available-january-20/
Dan Curtis’ Gothic Tales Available December 9
#horror – #horrormovies – #DanCurtisGothicTales – #KinoCult – @kino_cult – Shot on videotape and originally aired on ABC’s late-night series Wide World Mystery, these two features exquisitely demonstrate Dan Curtis’ gift for blending 19th-century literature with psychological horror. In The Picture of Dorian Gray, a petulant young Adonis
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https://horrornerdonline.com/2025/11/dan-curtis-gothic-tales-available-december-9/
Frightmare (Kino Cult #40) (1974) Available November 11
#horror – #horrormovies – #Frightmare – #KinoCult – @kino_cult – Throughout his career, director Pete Walker (House of Whipcord) was no stranger to controversy, but his 1974 film Frightmare sparked a firestome of criticism from the protectors of public morals, who deemed it “despicable” (London Observer), “horrendous” (Evening News), and “a mora
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https://horrornerdonline.com/2025/11/frightmare-kino-cult-40-1974-available-november-11/
“Dan Curtis’ Classic Monsters” (Kino Cult #39) Available October 28
#horror – #horrormovies – #DanCurtisClassicMonsters – #KinoCult – @kino_cult – Widely acclaimed for having modernized television horror in the 1960s and ’70s, producer Dan Curtis (Dark Shadows, The Night Stalker) also embraced more traditional approaches. This special edition presents Curtis’s made-
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https://horrornerdonline.com/2025/10/dan-curtis-classic-monsters-kino-cult-39-available-october-28/
Dan Curtis’ “Late-Night Mysteries” (Kino Cult #36) Available September 30
#horror – #horrormovies – #DanCurtisLateNightMysteries – #KinoCult – @kino_cult – Perhaps no figure exerted a greater influence on 1970s television horror than Dan Curtis. Having created the daytime drama Dark Shadows (1966-71), and while developing The Night Stalker into a weekly series, h
“Dan Curtis’ Late-Night Mysteries” (Kino Cult #36) Available September 23
#horror – #horrormovies – #DanCurtisLateNightMysteries – #KinoCult – @kino_cult – Perhaps no figure exerted a greater influence on 1970s television horror than Dan Curtis. Having created the daytime drama Dark Shadows (1966-71), and while developing The Night Stalker into a weekly series, h
Frankenstein’s Bloody Terror (Kino Cult #35) (1968) Available August 26
#horror – #horrormovies – #FrankensteinsBloodyTerror – #KinoCult – @kino_cult – Among the most elusive gems of 1960s Eurohorror, Frankenstein’s Bloody Terror (La marca del Hombre Lobo) is a modern gothic 3-D monster mash written and directed by Paul Naschy (The Werewolf Versus the Vampire Woman). Waldemar Da
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Sugar Hill (1974) Available June 24
#horror – #horrormovies – #SugarHill – #KinoCult – @kino_cult – When mobsters kill the owner of the exotic Club Haiti (Larry Don Johnson), girlfriend Diana “Sugar” Hill (Marki Bey) calls upon a voodoo priestess Mama Maitresse (Zara Cully) to enact justice. Together, they summon lord of the underworld Baron Samedi (Don Pedro Colley) who resurrects […] …
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https://horrornerdonline.com/2025/05/sugar-hill-1974-available-june-24/
I, Madman (1989) (Kino Cult #31) Available June 17
#horror – #horrormovies – #IMadman – #KinoCult – @kino_cult – Book store clerk Virginia (Jenny Wright) loves to lose herself in a good novel, but when she cracks the spine of a horror pulp called I, Madman, she conjures the book’s monstrous author/villain Malcolm Brand (Randall William Cook). As grisly murders begin to occur around […] …
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https://horrornerdonline.com/2025/05/i-madman-1989-kino-cult-31-available-june-17/
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