Last Blood Vol. 1 Available January 12

#horror#horrorcomics#LastBlood#Keenspot – @keenspot – #BobbyCrosby – 20th anniversary edition collecting the popular horror action webcomic from the author of Marry Me and the artist of Rat Queens! After zombies take over the Earth, vampires must protect the last surviving humans so they can live off their blood.

#ad #BobbyCrosby #horror #LastBlood #Releases

https://horrornerdonline.com/2025/12/last-blood-vol-1-available-january-12/

Kate Micucci Developing Animated Series ‘Toy’ Based On Keenspot Comic

EXCLUSIVE: Veteran actress, comedian and musician Kate Micucci (Guillermo del Toro’s Cabinet of Curiosities) has launched development on Toy, a new animated series based on the popular Keensp…

Deadline

Check out the cover to Squish and Squash #2!
And remember you can pre order issue 1 now, and it releases on Nov 29th!

#comics #kidlitart #kidlitcomics #keenspot

(Sorry, should have been #KeenSpace / #ComicGenesis, rather, #KeenSpot being the “pro” service.)
And sure enough, SmackJeeves is no more and KeenSpot & ComicGenesis aren't looking that good either. At the same time, “Big Social” (esp. Facebook and Instagram, but also Twitter) has gobbled up much of the mindspace, and a general effort to monetize on the phenomenon (artists want to eat too, how greedy of them!) has shifted to more professional or semi-professional oriented services.
There was an interesting conversation on Twitter some time before the Musk takeover about webcomic history and the important role that hosting services (particularly #SmackJeeves first and #KeenSpot later) had on the development of the medium and in launching artists. Among the many changes the Internet has undergone in the mean time, it was argued, was the drift towards irrelevancy of these platforms.