John McCracken (1934-2011) occupies a singular position within the recent history of American art, as his work melds the restrained formal qualities of Minimalist sculpture with a distinctly West Coast sensibility expressed through color, form, and finish. McCracken developed his early sculptural work while studying painting at the California College of Arts and Crafts in Oakland in the late 1950s and early 1960s. While experimenting with increasingly three-dimensional canvases, the artist began to produce objects made with industrial materials, including plywood, sprayed lacquer, and pigmented resin, creating the highly reflective, smooth surfaces for which he was to become known. As he described his practice, “In distilling my ideas I was doing something analogous to making poetry—trying, in a way, to say the most with the least.”
Text / Images: David Zwirner

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Blue Plank by John McCracken, 1969 #johnmccracken https://www.guggenheim.org/artwork/2867

Blue Plank by John McCracken, 1969 #johnmccracken https://www.guggenheim.org/artwork/2867

Blue Plank by John McCracken, 1969 #johnmccracken https://www.guggenheim.org/artwork/2867

Blue Plank by John McCracken, 1969 #johnmccracken https://www.guggenheim.org/artwork/2867