After helping a wounded gang member, a strong-willed female saloon owner is wrongly suspected of murder and bank robbery by a lynch mob.
#GirlsWithGuns #JoanCrawford #FilmMastodon đ˝ď¸ đŹ
1970's Trog is not just a movie about a prehistoric troglodyte getting revived in modern England, it's also the final film appearance of an all-time great, Joan Crawford. It's the topic of this week's Monster Mondays!
Listen to the new episode at https://wp.me/p9Tw3k-1OP
#podcast #monstermondays #moviediscussion #joancrawford #70s #horror
Some photos of one of the first and most successful female directors in Hollywood, Dorothy Arzner, a gay woman; USA, 1930s?
It is altogether fitting and proper that Trump had the honor of starring in one of the worst movies ever made. We're living it!
#BehindTheScenes
#GrandHotel (1932)
A group of very different individuals staying at a luxurious hotel in Berlin deal with each of their respective dramas.
Director #EdmundGoulding and cinematographer #WilliamHDaniels shoot #WallaceBeery and #JoanCrawford
Joan Crawfordâs Evolution Through Movie Magazine Covers, 1920sâ1950s
đ° Original title: 30 Wonderful Movie Magazine Covers Featured Joan Crawford From Between the 1920s and 1950s
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Joan Crawford was a prominent figure on movie magazine covers from the late 1920s to the 1950s, reflecting the changing styles and glamour of Hollywood. In the 1920s, she was often portrayed as the energetic 'jazz baby,' appearing in magazines like Motion Picture and Photoplay with youthful, vibrant illustrations and early color photography. Her signature bobbed hair and expressive eyes made her an icon of the flapper lifestyle, highlighted by roles such as in Our Dancing Daughters (1928). During the 1930s, Crawford became one of MGMâs leading stars. Covers from this era emphasized Hollywood glamour, showcasing her in Adrian-designed gowns with dramatic smoky eye makeup, reflecting her status as a fashion trendsetter and aspirational heroine. After moving to Warner Bros. and winning an Oscar for Mildred Pierce (1945), Crawfordâs magazine portrayals evolved toward more mature, intense, and dramatic imagery, often using sharp lighting and strong contours reminiscent of film noir. In the 1950s, she maintained her presence in fan magazines such as Movie Life and Screenland, which highlighted her enduring career and status as a Hollywood legend. These covers often featured structured hairstyles and high-contrast makeup, emphasizing her continued influence on cinematic style and star power.