La Stampa - News, inchieste e approfondimenti La Stampa: Sul set di "Fino all'ultimo respiro", per riscoprire il mito di un cinema libero e rivoluzionario

Questa è la storia di Godard nel momento in cui gira “Fino all’ultimo respiro”, raccontata nello stile e nello spirito con cui Godard ha realizzato “Fino all’ultimo respiro”. Siamo a Parigi, tra il 1959 e il 1960. Truffaut e Chabrol (Adrien Rouyard e Antoine Besson) hanno già mosso i primi passi dietro la macchina da presa. Godard (Guillaume Marbeck) è pronto a girare il suo primo lungometraggio. Rivette e Rohmer (Jonas Marmy e Côme Thieulin) sono agli esordi. Intorno a loro, un fermento culturale unico, nutrito dalle opere di Jean Cocteau (Jean-Jacques Le Vessier), Robert Bresson, Roberto Rossellini (Laurent Mothe) e Jean-Pierre Melville. Girato con lo stesso spirito libero, audace e sperimentale che animava quei giorni, il film non si limita a ricostruire la genesi di “À bout de souffle”, ma la vive e la reinventa.

Il secondo film di questa settimana è “Moulin  Rouge” di Buz Luhrmnann. Nella Parigi nel 1899, Christian (Ewan McGregor) è un giovane scrittore inglese in cerca di ispirazione che ha appena trovato casa nel quartiere bohémien di Pigalle.Grazie a un incontro imprevisto, il ragazzo è introdotto nell’ambiente teatrale del Moulin Rouge, celebre locale notturno del quartiere. Sperando di persuadere l’impresario Zidler (Jim Broadbent) a mettere in scena un nuovo show, gli attori decidono di presentare il talentuoso nuovo arrivato all’étoile del locale, Satine, meravigliosa, desiderata da tutti e purtroppo malata. Christian e Satine si innamorano, ma la loro strada è segnata.

On the set of “Until the Last Breath,” to rediscover the myth of a free and revolutionary cinema.

This is the story of Godard at the moment he’s shooting “Breathless,” told in the style and spirit with which Godard made “Breathless.” We’re in Paris, between 1959 and 1960. Truffaut and Chabrol (Adrien Rouyard and Antoine Besson) have already taken their first steps behind the camera. Godard (Guillaume Marbeck) is ready to shoot his first feature film. Rivette and Rohmer (Jonas Marmy and Côme Thieulin) are just starting out. Around them, a unique cultural ferment, nourished by the works of Jean Cocteau (Jean-Jacques Le Vessier), Robert Bresson, Roberto Rossellini (Laurent Mothe) and Jean-Pierre Melville. Shot with the same free, audacious and experimental spirit that animated those days, the film doesn’t just reconstruct the genesis of “Breathless,” but lives it and reinvents it.

The second film of this week is “Moulin Rouge” by Buz Luhrmnann. In Paris in 1899, Christian (Ewan McGregor) is a young English writer searching for inspiration who has just found a home in the bohemian Pigalle neighborhood. Thanks to an unexpected encounter, the boy is introduced to the theatrical environment of the Moulin Rouge, a famous nightspot in the neighborhood. Hoping to persuade the impresario Zidler (Jim Broadbent) to stage a new show, the actors decide to present the talented new arrival to the star of the venue, Satine, a marvelous, desired woman, and unfortunately ill. Christian and Satine fall in love, but their path is marked.

#Godard #Paris #Truffaut #Chabrol #AdrienRouyard #AntoineBesson #first #GuillaumeMarbeck #Rivette #Rohmer #JonasMarmy #CômeThieulin #JeanCocteau #RobertBresson #RobertoRossellini #LaurentMothe #Jean-PierreMelville #second #MoulinRouge #BuzLuhrmnann #Christian #EwanMcGregor #English #Pigalle #theMoulinRouge #Zidler #JimBroadbent #Satine

https://www.lastampa.it/rubriche/cinesettimana/2026/03/13/video/sul_set_di_fino_allultimo_respiro_per_riscoprire_il_mito_di_un_cinema_libero_e_rivoluzionario-15543154/

Geständnis: Mit dem „Fräulein Smilla“ hatte ich eine leidenschaftliche literarische Affäre. Ich kann mich zwar beim besten Willen nicht mehr daran erinnern, wo ich das Buch von Peter Høeg gelesen habe. Doch daran, wie ich es an einem Stück aufgesogen habe, erinnere ich mich, als wäre es erst gestern gewesen. Merkwürdig ist das schon, oder..? (ARD, Wh.)

Jim Broadbent, Kelly Macdonald and Jamie Demetriou Join Emily Mortimer’s Directorial Debut ‘Dennis’ for A24, Fruit Tree (EXCLUSIVE)

https://fed.brid.gy/r/https://variety.com/2026/film/global/jim-broadbent-kelly-macdonald-jamie-demetriou-a24-dennis-1236662046/

Jim Broadbent, Kelly Macdonald and Jamie Demetriou Join Emily Mortimer’s Directorial Debut ‘Dennis’ for A24, Fruit Tree (EXCLUSIVE)
#Variety #Global #News #EmilyMortimer #JamieDemetriou #JimBroadbent #KellyMacdonald

https://variety.com/2026/film/global/jim-broadbent-kelly-macdonald-jamie-demetriou-a24-dennis-1236662046/

Die Kritik hat mit diesem Meisterwerk der Phantasie damals nicht viel anfangen können. Doch das hat niemanden von uns davon abgehalten, diesen Film lebenslänglich zu lieben. Und jede:r von uns hat eine andere Geschichte darüber. Für mich ist er vermutlich eines der größten Geschenke, das ARTE uns dieses Jahr überhaupt machen konnte… (ARTE, Wh)

Geständnis: Mit dem „Fräulein Smilla“ hatte ich eine leidenschaftliche literarische Affäre. Ich kann mich zwar beim besten Willen nicht mehr daran erinnern, wo ich das Buch von Peter Høeg gelesen habe. Doch daran, wie ich es an einem Stück aufgesogen habe, erinnere ich mich, als wäre es erst gestern gewesen. Merkwürdig ist das schon, oder..? (ARD, Wh.)

'Jay Kelly' is somber character study made watchable by its performances, but never quite figures out what it wants to be. #AdamSandler, #BillyCrudup, #CharlieRowe, #EmilyMortimer, #EveHewson, #GeorgeClooney, #GraceEdwards, #GretaGerwig, #IslaFisher, #JayKelly, #JimBroadbent, #LauraDern, #LouisPartridge, #Netflix, #PatrickWilson, #RileyKeough

https://movizark.com/2025/12/08/jay-kelly-2025-review/