Julia Roberts, Lily Gladstone, Wilson Cruz and Peppermint Join Committee for the First Amendment NYC Concert Lineup

https://fed.brid.gy/r/https://variety.com/2026/politics/events/julia-roberts-committee-first-amendment-concert-lineup-1236762884/

Julia Roberts, Lily Gladstone, Wilson Cruz and Peppermint Join Committee for the First Amendment NYC Concert Lineup
#Variety #Events #CommitteefortheFirstAmendment #JaneFonda #JuliaRoberts

https://variety.com/2026/politics/events/julia-roberts-committee-first-amendment-concert-lineup-1236762884/

Julia Roberts Joins Committee for the First Amendment Concert Lineup

Julia Roberts, Lily Gladstone, Wilson Cruz and Peppermint to join Jane Fonda at Committee for the First Amendment concert.

Variety
Good News/ Bad News:
A 4th #NoKings event is planned for June 14th, to counter USA 250th programs. It will offer local opportunities too - "A Night to Build Community" w/ #BetteMidler, #JaneFonda, #RufusWainright, #PattiSmith, yay.
Bad News: #homophobe Joy Reid is on the roster, we need to get her removed pls -
#NYC #TownHall #concert #LGBTQ #rights are #HumanRights #homophobia #transphobic #reporter #commentator #community #DEI #diversity #equity #inclusion #fascist #GOP
https://www.theguardian.com/us-news/2026/may/28/no-kings-concert-patti-smith-bette-midler
No Kings event set for 14 June, as Trump celebrates birthday with White House UFC bout

Fourth No Kings event will feature a concert with Bette Midler, Patti Smith and Rufus Wainwright streaming nationwide

The Guardian

🎬 Et si on vivait tous ensemble? (2011)

Subtitles available:
đŸ‡łđŸ‡± Dutch
đŸ‡©đŸ‡Ș German
đŸ‡ŹđŸ‡· Greek
đŸ‡Ș🇾 Spanish

âŹ‡ïž Download https://app.box.com/s/716bcisgkcvzsaqnlum8g1ticu4gvfyc

🎞 IMDb https://www.imdb.com/title/tt1674057/

▶ Watch the video here 👇
https://vk.com/video651219387_456246467

#EtSiOnVivaitTousEnsemble #StĂ©phaneRobelin #JaneFonda #DanielBrĂŒhl #GuyBedos #ClaudeRich #PierreRichard #Comedy #Drama

No Kings event set for 14 June, as Trump celebrates birthday with White House UFC bout

Fourth No Kings event will feature a concert with Bette Midler, Patti Smith and Rufus Wainwright streaming nationwide

The Guardian

A quotation from Jane Fonda

When a child enters the world through you, it alters everything on a psychic, psychological and purely practical level. You’re just not free anymore to do what you want to do. And it’s not the same again. Ever.

Jane Fonda (b. 1937) American actress and activist
Interview (1980-11-28) by Danae Brook, “At Home with Tom and Jane,” Los Angeles Weekly

More about this quote: wist.info/fonda-jane/83855/

#quote #quotes #quotation #qotd #janefonda #change #children #commitment #dependence #freedom #obligation #parent #parenting

Fonda, Jane - Interview (1980-11-28) by Danae Brook, "At Home with Tom and Jane," Los Angeles Weekly | WIST Quotations

When a child enters the world through you, it alters everything on a psychic, psychological and purely practical level. You're just not free anymore to do what you want to do. And it's not the same again. Ever.

WIST Quotations

Andy Warhol’s 1982 Polaroids of Jane Fonda and Their Role in His Silkscreen Portraits

📰 Original title: Polaroids of Jane Fonda Taken by Andy Warhol at The Factory, 1982

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View full AI summary: https://en.killbait.com/andy-warhol-s-1982-polaroids-of-jane-fonda-and-their-role-in-his-silkscreen-portraits.html?utm_source=mastodon_world&utm_medium=social&utm_campaign=killbait.mastodon_world

#culture #andywarhol #janefonda #popart

Andy Warhol’s 1982 Polaroids of Jane Fonda and Their Role in His Silkscreen Portraits

This article explores a series of Polaroid photographs of actress and activist Jane Fonda taken by pop art icon Andy Warhol in 1982 at his New York studio known as The Factory. Warhol frequently used the Polaroid Big Shot camera, introduced by Polaroid in 1971, which was designed for portrait photography with a fixed focus and built-in flash. Although the camera was discontinued in 1973, Warhol continued to use it extensively until his death in 1987, documenting a wide range of subjects including celebrities, political figures, and people from his social circle. In 1982, Warhol photographed Jane Fonda as part of this ongoing Polaroid practice. These images were not merely casual snapshots; they served as reference material for his later silkscreen portraits. One of the resulting works became the well-known piece titled 'Jane Fonda 268,' produced in an edition of 100 prints. Some of these prints were reportedly signed by both Warhol and Fonda, highlighting the collaborative and semi-commercial nature of Warhol’s portrait production. The article also situates Fonda within her broader cultural and political context. During the 1970s and 1980s, she was widely recognized for her outspoken activism, particularly her opposition to the Vietnam War and her advocacy for women’s rights. This made her a polarizing yet influential public figure, aligning her with Warhol’s own provocative engagement with celebrity culture. Warhol’s diary entries occasionally mention Fonda, suggesting a professional relationship marked by mutual respect. Both figures used their public visibility to shape cultural discourse in different ways—Warhol through visual art that both celebrated and critiqued fame, and Fonda through political activism and performance. The Polaroids from 1982 thus represent a convergence of two major cultural icons of the era, captured at a moment when art, celebrity, and politics often intersected.

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Andy Warhol’s 1982 Polaroids of Jane Fonda and Their Role in His Silkscreen Portraits

📰 Original title: Polaroids of Jane Fonda Taken by Andy Warhol at The Factory, 1982

đŸ€– IA: It's not clickbait ✅
đŸ‘„ Users: It's not clickbait ✅

View full AI summary: https://en.killbait.com/andy-warhol-s-1982-polaroids-of-jane-fonda-and-their-role-in-his-silkscreen-portraits.html?utm_source=mastodon_social&utm_medium=social&utm_campaign=killbait.mastodon_social

#culture #andywarhol #janefonda #popart

Andy Warhol’s 1982 Polaroids of Jane Fonda and Their Role in His Silkscreen Portraits

This article explores a series of Polaroid photographs of actress and activist Jane Fonda taken by pop art icon Andy Warhol in 1982 at his New York studio known as The Factory. Warhol frequently used the Polaroid Big Shot camera, introduced by Polaroid in 1971, which was designed for portrait photography with a fixed focus and built-in flash. Although the camera was discontinued in 1973, Warhol continued to use it extensively until his death in 1987, documenting a wide range of subjects including celebrities, political figures, and people from his social circle. In 1982, Warhol photographed Jane Fonda as part of this ongoing Polaroid practice. These images were not merely casual snapshots; they served as reference material for his later silkscreen portraits. One of the resulting works became the well-known piece titled 'Jane Fonda 268,' produced in an edition of 100 prints. Some of these prints were reportedly signed by both Warhol and Fonda, highlighting the collaborative and semi-commercial nature of Warhol’s portrait production. The article also situates Fonda within her broader cultural and political context. During the 1970s and 1980s, she was widely recognized for her outspoken activism, particularly her opposition to the Vietnam War and her advocacy for women’s rights. This made her a polarizing yet influential public figure, aligning her with Warhol’s own provocative engagement with celebrity culture. Warhol’s diary entries occasionally mention Fonda, suggesting a professional relationship marked by mutual respect. Both figures used their public visibility to shape cultural discourse in different ways—Warhol through visual art that both celebrated and critiqued fame, and Fonda through political activism and performance. The Polaroids from 1982 thus represent a convergence of two major cultural icons of the era, captured at a moment when art, celebrity, and politics often intersected.

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Jane Fonda’s Breakout Role in ‘Walk on the Wild Side’ (1962)

📰 Original title: Vintage Portraits of Jane Fonda From ‘Walk on the Wild Side’ (1962)

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#cinema #janefonda #walkonthewildside #1960s

Jane Fonda’s Breakout Role in ‘Walk on the Wild Side’ (1962)

In the 1962 film 'Walk on the Wild Side,' Jane Fonda delivered a powerful early performance as Kitty Twist, a cunning and street-smart drifter who becomes involved in the darker aspects of a New Orleans brothel. Although she was not the main lead, Fonda's portrayal stood out for its depth, combining vulnerability with a sharp, sometimes predatory edge. Her character serves as a stark contrast to the more refined figures of the 'Doll House,' navigating the Southern Gothic atmosphere with raw energy and authenticity. Dressed in worn clothing and sporting a disheveled hairstyle, Fonda fully embodied the rebellious spirit implied by the film’s title. This role marked a critical moment in her transformation from a fresh-faced young actress into a mature performer capable of tackling complex and provocative roles. Through her depiction of Kitty Twist, audiences witnessed Fonda’s early ability to convey both desperation and resilience, signaling her future prominence in Hollywood as a versatile and compelling actress.

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Jane Fonda’s Breakout Role in ‘Walk on the Wild Side’ (1962)

📰 Original title: Vintage Portraits of Jane Fonda From ‘Walk on the Wild Side’ (1962)

đŸ€– IA: It's not clickbait ✅
đŸ‘„ Users: It's not clickbait ✅

View full AI summary: https://en.killbait.com/jane-fonda-s-breakout-role-in-walk-on-the-wild-side-1962.html?utm_source=mastodon_social&utm_medium=social&utm_campaign=killbait.mastodon_social

#cinema #janefonda #walkonthewildside #1960s

Jane Fonda’s Breakout Role in ‘Walk on the Wild Side’ (1962)

In the 1962 film 'Walk on the Wild Side,' Jane Fonda delivered a powerful early performance as Kitty Twist, a cunning and street-smart drifter who becomes involved in the darker aspects of a New Orleans brothel. Although she was not the main lead, Fonda's portrayal stood out for its depth, combining vulnerability with a sharp, sometimes predatory edge. Her character serves as a stark contrast to the more refined figures of the 'Doll House,' navigating the Southern Gothic atmosphere with raw energy and authenticity. Dressed in worn clothing and sporting a disheveled hairstyle, Fonda fully embodied the rebellious spirit implied by the film’s title. This role marked a critical moment in her transformation from a fresh-faced young actress into a mature performer capable of tackling complex and provocative roles. Through her depiction of Kitty Twist, audiences witnessed Fonda’s early ability to convey both desperation and resilience, signaling her future prominence in Hollywood as a versatile and compelling actress.

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