SILVER TIDE (2006)

Acrylic on Canvas - 60" x 36"

Painted as I was 55 turning 56 and pondering the intransigence of time. I swear I was not consciously thinking, "Time and Tide wait for no man!"

https://www.michaelwhelan.com/galleries/silver-tide/

#fineart #personalvisions #imaginativerealism

PASSAGE: THE RAINBOW (1991)
Acrylic on Canvas - 36” X 48”

The surface meaning of my Passage paintings is technical—it signifies a passage from working nearly exclusively in acrylics to attaining a greater technical flexibility in oils. 1/2

#personalvisions #imaginativerealism #fineart #passage

LUMEN 4 (1997)
Acrylic on Canvas - 48” X 36”

Despite the numbering, this was the first painting in a series of gallery paintings. 1/3

#personalvisions #imaginativerealism #fineart #lumen

FLOWERS AND WEEDS (1997)
Acrylic on Canvas - 36" X 48"

When my son Adrian was 3 or 4 years old, we used to go to an abandoned construction site where there were huge slabs of concrete embedded with iron reinforcing rods.

When we struck the rebar with a stone or another piece of metal they would ring like bells. It was interesting to hear such beautiful tones coming from such ugliness and he really enjoyed it. 1/3

#fineart #personalvisions #imaginativerealism

EDGEDANCER (2002)

Acrylic on Gessoboard - 28" x 22"



From the End of Nature subset of my gallery work, a cautionary tale, “All good things come to an end...” 1/2

#fineart #endofnature #personalvisions #imaginativerealism

AFTERNOON SHADOWS (2006)
Acrylic on Panel - 12” x 9”

Dedicated to my beloved mother-in-law Pat Larsen. “Mum” will never be forgotten.

Inspired by a ruined abbey I saw on the coast of England, this study is an exploration of feelings about the inevitability of time. 1/2

#fineart #personalvisions #imaginativerealism #portals

EROSION (1999)
Acrylic on Panel - 32" x 40"

The fourth of my End of Nature paintings. The figure is stranded on a pillar of human folly, looking up to a symbol of technology—the lamppost—for her deliverance from the perils signaled by the oncoming storm. 1/2

#fineart #personalvisions #imaginativerealism #endofnature

GLIMPSE (1992)

Acrylic on Canvas - 48" x 36"



I think this is the first time I used the red glass heart as a symbol for the immediate and/or material possessions. 1/2

#fineart #personalvisions #imaginativerealism

THE REACH (1999)
Acrylic on Canvas - 48” x 30”

Almost a Lumen painting, in which figures are trying to work their way out of enclosed spaces and get into the light. 1/3

#fineart #personalvisions #imaginativerealism

TOTEM II: NAUSET (2012)

Acrylic - 12" x 9"



When I think of Nauset beach, I am reminded of early mornings walking the sands wrapped in dense fog. One late afternoon, however, a fog rolled in slowly off the ocean, something I had never experienced outside of Northern California. 1/2

#personalvisions #imaginativerealism #fineart