Next concert tomorrow - and the very first one we’re co-organising in Ireland with France Baroque and the Church of Ascension - will take place in the beautiful village of Timoleague, a place rich in remarkable history!
On the programme: “Les Folies Françaises” , in partnership with the community of the Church of the Ascension.
A beautifulmoment to share together in the West Cork region.
Hope to see you there!
#JSBach #GoldbergVariations en Concert,
(arr for 5-str #cello, #recorder, #harpsichord by TakuyaNemoto), feat TheJugongBoys ToruYamamoto TakuyaNemoto MutsuyukiMotomura
https://youtube.com/playlist?list=OLAK5uy_nUJeGoV9zcU4h1mfYxRXAkFrT-N89pEYw&si=zkqslRZBJ64I6WLc (33 tracks)
"...witty performance of the Goldberg Var in a consort version... The harpsichord provides the framework, the recorder the gorgeous melody, and the cello skillfully weaves deep bass and inner voices, breathing new life into Bach's masterpiece..."
For example this one, from Brilliant Classics, listening now :
https://inv.thepixora.com/watch?v=BYZXjwykJko
World-premiere recordings of motets by a host of unknown names from the early Italian Baroque: the latest result of performing scholarship by a group with a notable track record of success in this repertoire.
Composer: Various composers
Artists: Capella Artemisia, Candace Smith
(part of) Tracklist:
00:00:00 Carlo Donato Cossoni: Morior misera (from Motetti a due e tre voci, Op. 1, Venice 1665, rep. 1678)
00:07:51 Alessandro Della Ciaia: Feria quinta, lamentatione prima (from Lamentationi sagre, e motetti ad una voce col basso continuo, Venice 1650)
00:16:55 Giovanni Matteo Asola: Lamentationes in coena domini (from Lamentationes, Improperia, et alia sacrae Laudes, Venice 1588 in alternation with Anon: Lamentatione di Geremiah (from Canti delle Monache, Bologna 1670)
00:21:37 Chiara Margarita Cozzolani: Quid miseri, quid faciamus? (from Concerti sacri a 1-4 voci, (Op.2, Venice, 1642)
00:29:11 Agostino Guerrieri: Sonata malinconica (from Sonate di Violino [...] Per chiesa, & anco aggionta per camera, Venice 1673)
,,,,
#Italian #Motets #Ensemble #Convents #Baroque #Lamentations #Nun #Classical #Music #BrilliantClassics #Laments #String #Organ #Opera #Songs #Harpsichord
Gorgeous Harpsichords Bundle for Kontakt by Realsamples on sale at 94% OFF https://rekkerd.org/gorgeous-harpsichords-bundle-for-kontakt-by-realsamples-on-sale/
Ended Thursday and welcomed Friday after a walk with Impressions of a Patch of Blue a 1966 album by vibraphonist Walt Dickerson with keyboardist Sun Ra in a rare appearance as a sideman...
Review by Steve Huey
Impressions of a Patch of Blue was the second time Walt Dickerson recorded an album of rearranged movie soundtrack pieces, following his interpretations of material from Lawrence of Arabia. Starring Sidney Poitier, A Patch of Blue was about a star-crossed pair of interracial lovers, with the twist that Elizabeth Hartman's character also happened to be blind. More important to jazz fans, though, is that the album marked one of Sun Ra's extremely rare appearances as a sideman, playing both piano and harpsichord. And he turns in a masterful supporting performance behind Dickerson, putting his own indelible stamp on the proceedings without ever overwhelming them..
https://www.youtube.com/watch?v=Yql5cToVoAw&list=OLAK5uy_kRezZ5od7UbN2T_J4pX3NxcpoMQ4CIHsI
#WaltDickerson #SunRa #Vibraphone #harpsichord #Jazz #Music #Soundtrack #APatchOfBlue
Vienna Symphonic Library releases Synchron Harpsichord (Blanchet) https://rekkerd.org/vienna-symphonic-library-releases-synchron-harpsichord-blanchet/
@classicalmusic
Johann Sebastian Bach
Suite a-Moll BWV 818.2
Praeludium und Fuga E-Dur BWV 878
Praeludium und Fuga C-Dur, BWV 870 aus "Das Wohltemperierte Clavier II"
Johann Caspar Ferdinand Fischer (1656‒1746)
Suite Nr. 3 a-Moll "Melpomene", aus "Musicalischer Parnassus"
Praeludium octavum und Fuga E-Dur
Praeludium primum und Fuga C-Dur aus "Ariadne musica"
...
Christine Schornsheim, Cembalo
Prima Luce opens in stillness then snaps into motion — harpsichord lines moving with mechanical precision, strings reinforcing something newly awakened and already accelerating. Not a celebration. A beginning. #classical #baroque #cinematic #harpsichord #newmusic
Prima Luce opens in stillness, then snaps into life with mechanical precision. Harpsichord lines move fast and exact — like something calculating its own existence. The rhythm locks in early and refus
Barbara #Strozzi’s ‘Amor dormiglione’ from the Op. 2 set of Cantate, ariette, e duetti (1651) is one of her most beguiling and subtly witty arias, a gently teasing address to Cupid himself, coaxing the god of love to wake and resume his work...
from Bellot Ensemble’s debut album, Cupid’s Ground Bass, filmed at VOCES8 Centre. Lucine Musaelian sings while also playing the #violadagamba, joined by Daniel Murphy on #theorbo and Matthew Brown on #harpsichord...
https://youtu.be/8JKtqn7rEAw?si=RIQ6YHXCMycpjloK (4:21)
Oli Garde Music
earlymusicTO
Regendans
Ronnie / Rekkerd.org
Andi Chorley
Boerps ☑️