Seven Metal Sins – Legacy of Chaos Review By Steel Druhm

Seven Metal Sins are a new act from France dedicated to the classic 80s heavy metal sound made famous by Accept and Gravedigger. On their Legacy of Chaos debut, they bring a ton of retro enthusiasm to the table, trying their level best to cobble together an album’s worth of headbanging, fist-pumping metal with loads of macho machismo and every traditional metal trope imaginable. The closest comparison is Gravedigger, as Seven Metal Sins base their sound around big, beefy riffs and warbling, semi-harsh vocals. This makes the material on Legacy of Chaos sit somewhere between Gravedigger classics like Excalibur and especially Rheingold. That’s a fine place to aim for, but unfortunately, it’s not so easy to stick the landing and come up equal to those particular platters. It also leaves those who attempt it exposed to sounding like an earnest but watered-down copy of the original. And in the worst-case scenario, a mere copy of a copy. Can Seven Metal Sins avoid these lethal pitfalls?

There’s no shortage of meatheaded metal exuberance on opening proper cut “Scars of Injustice.” It’s got everything someone who grew up in the 80s blasting Teutonic metal could want. Frontman Clovis Gay sounds a whole lot like Gravedigger’s Chris Boltendahl crossbred with Rebellion’s Michael Seifert, and he gleefully goes WAY over the top with a hoarse squeal and roar. As Clovis does his thing, Antton Iriat and Frédéric Auclerc flatten resistance with road-grading, burly riffs, and entertaining harmonies designed to bring out your inner ape. There’s a big whiff of Rheingold here, and I can’t huff enough of that Germanic wonderdust. The template thus set, Seven Metal Sins set out to build on it whilst beating your ass from chimpanz-A to pimpanzeE. Cuts like “Hypocrisy” eschew nuance in favor of head-on, full-speed collision dynamics, using riffacades and raw aggression to drive the point home, and it works for them in the same way it worked for Gravedigger on their best albums. Album highlight “Feel the Steel” takes this formula and runs with it for 4 minutes of brain-shaking classic metal fury that gets even an elder primate like me up and throwing heavy objects. It’s a warhammer of a tune, and it reminds me a lot of the better Rebellion material, including their mighty paean, “Taste of Steel.”

Legacy of Chaos is the rare album that improves as it rolls along, gathering momentum and crucial energy, and the songwriting becomes more and more memorable too. Later tracks like “Wolves of the Last Dawn” and “Sun Eaters” are old-timey heavy metal burners, high on energy, low on subtlety, and they’re great for a tough cardio session. “Rise of the Phoenix” has one of the best choruses, and even the closing power ballad “King of Sorrow” works, both as a change of pace and a suitably epic finale. At just under 47 minutes, Legacy of Chaos is a fast-moving, jacked-up spin through the glory days of heavy metal, and no song outstays its welcome or bogs down the meat parade.

Clovis Gay has the kind of voice that was made for metal. He can sing, but often opts to roar, shout, warble, and caterwaul, and that’s the golden ticket for this kind of fare. Like Chris Boltendahl, he will be a love or hate proposition for some, but I dig his rough ‘n’ ready style and his silent film era villain moustache. That said, it’s Antton Iriat and Frédéric Auclerc who really anchor the sound with their mighty riffs and the way they use them to hammer at you until you give in and enjoy the ride. This is a tried-and-true formula, and it works in 2026 as it did in 1985.

When I first started spinning Legacy of Chaos, I felt like Seven Metal Sins were like Gravedigger from Temu or a “we have Gravedigger at home” situation. Both are somewhat true, but the band is stout enough to deliver an entertaining platter of metal nonetheless. There’s nothing here you haven’t heard a million times before, and no one will put this on end-of-year lists, but it’s a fun, brainless release with enough nut wattage to warm the cockles of the 80s metal fan. Now let’s commence to metal sinning.1

Rating: 3.0/5.0
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Rockshots
Websites: facebook.com/sevenmetalsins | instagram.com/seven_metal_sins.official
Releases Worldwide: June 5th, 2026

#2026 #30 #Accept #FrenchMetal #Gravedigger #HeavyMetal #Jun26 #LegacyOfChaos #Rebellion #Review #Reviews #RockshotsRecords #SevenMetalSins
大和魂を見せてやる!
#Roblox #Gravedigger

I haven't listened to #GraveDigger in ages, but today's #TuneTuesday - "#SignOfTheCross" - immediately brought them to my mind.

https://www.youtube.com/watch?v=Gd34AHrmU94

Knights Of The Cross (Remastered Version)

YouTube

Today's #TuneTuesday is #SignOfTheCross, so #GraveDigger with Knights Of The Cross it is!

(sorry, no odesli-link available)

https://youtu.be/Gd34AHrmU94?si=xV514pGwRV-bXK__

Knights Of The Cross (Remastered Version)

YouTube
Olymp – Rising Review By Steel Druhm

You’ve heard me rant about the horrors that lurk in the promo sump come December, and how it’s mostly sub-basement black metal made by those who live on gas station pizza rolls. That kind of low-target high-risk environment is why I noticed the offering from German trve metal act Olymp and took action upon it rashly. Before we go any further, I need to point out that Olymp (I assume short of Olympus) is a truly godawful name. It also sounds like an erectile dysfunction medication. The fact that their sophomore album is titled Rising makes the comparison all the more… turgid, while also suggesting an entire marketing campaign for gas station dick pills. Also, that album art is next-level BAD. On the plus side, it’s probably not AI-generated. Poor moniker and dubious art choices aside, Olymp play a burly, beefy, 80s-centric variant of trve heavy metal with elements of Cirith Ungol and Manilla Road in the DNA. They also hit the same ground as their fellow countrymen, the long-running cheeseball power warriors, Wizard. That means Olymp teeter on that razor edge between serious and trve and over-the-top, cheddar-infected cornballery, which is a tough place to make a glorious last stand. But all hope is not lost, Olympi-Won!

After a table-setting instrumental, the Olymp ethos is unveiled on “Olive Wreath.” It involves hammering you relentlessly with beefy riffage as Sebastian Tölle delivers a rough, raw bellow that’s more shout than sing. He sits somewhere between the legendary Tim Baker of Cirith Ungol and Matias Nastolin of Desolate Realm, and his gruff style generally fits the sound and adds an extra layer of toughness. At times, “Olive Wreath” reminds me of long-forgotten German speed metal fiends Iron Angel and Deathrow, and the guitar phrasing often veers heavily into Cirith Ungol territory. These are all big pluses in my book, and if they gave me a whole album of this meaty broth, I’d happily overlook the issues discussed in the intro. “Thread of Life” is another iron fist to the cranium with burly, simplistic riffs pounding your brain nonstop, and it’s not far removed from what classic Gravedigger did/still do.

Olymp’s style is exceptionally simple, direct, and old school, and when it works, you get cuts like the slam-banging “Orpheus,” which riffs hard enough to shake teeth loose and addle your brain gelatin. The same goes for album closer “White Rose” which is laden with harmonies and flourishes that strongly recall Cirith Ungol. It’s an effective metal chestnut with a nice touch of melancholy. Not every cut pulls off the ancient alchemy, though. “Fire and Brimstone” comes off as really old Saxon and off-brand Manowar sutured together badly, and it’s dumb as hell. “Titan War” is aggressive and punchy, with Tölle sounding more like Tim Baker than usual, but things run too long, and the last few minutes feel tedious. “Olymp” also suffers from a late-song lag. While several songs extend too far considering the number of ideas presented, most tracks manage to avoid the bloat contagion. At 40 minutes, Rising feels like a quick enough spin, and the aggression levels keep it humming.

The biggest snag for Olymp is Sebastian Tölle’s vocals, which are too limited and one-note. As a poor man’s Tim Baker, his raw, ragged shouting works best on the most aggressive numbers, but as the album drags on, his delivery becomes more and more irritating. He isn’t able to elevate the material consistently, and you find yourself wishing he had another gear. The guitar work by Tölle and Armin Amboss reeks of the 80s trve metal era, and they do borrow a lot from Cirith Ungol and Manilla Road while beefing up the tones for maximum impact. Their playing is a highlight and routinely drops nostalgia glitter on those who grew up in the 80s.

Olymp play a style I’m predisposed to enjoy, and I do appreciate most of what they offer on Rising. If they could smooth out some of the rough spots in their songsmithing and improve the vocals, Olymp could become a worthy opponent for the likes of Eternal Champion and Dragon Skull. As things stand, they’re more a rowdy street thug than a noble barbarian. Here’s to rising on command!



Rating: 2.5/5.0
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Metalizer
Websites: olymp-band.com | olympmetal.bandcamp.com | facebook.com/olympmetal
Releases Worldwide: December 19th, 2025

#25 #2025 #CirithUngol #Deathrow #Dec25 #DesolateRealm #GermanMetal #Gravedigger #HeavyMetal #IronAngel #ManillaRoad #MetalizerRecords #Olymp #Rebellion #Review #Reviews #Rising #Wizard

Mal wieder ordentlich auf die Ohren!

#RockOutFestival in #Augsburg

Den Anfang machten #FreedomCall und dann #GraveDigger!

Grave Digger, The Haunted, Atlantean Kodex, Immolation, Spectral Wound, Lamp Of Murmuur, Crypt Sermon, Riot City, Endseeker, Phantom Spell, Megaton Sword, Servant, Nephylim, For Victory, Damnation Defaced, Ran?, Moribund Oblivion, Steelpreacher, Traktat,
23.07.2026 Osterholz-Scharmbeck / Burning Q Festivalgel?nde

Orden Ogan
11.01.2027 Bremen / Aladin

Supersuckers
27.02.2026 Bremen / Lila Eule

#Aladin #Bremen #BurningQFestivalgelande #GraveDigger #LilaEule #OrdenOgan #OsterholzScharmbeck #Supersuckers #SteelFeed

SteelFeed: Osterholz-Scharmbeck / Burning Q Festivalgelände / Burning Q Festival 2026 (Festival) / 2026-07-23

Metal-Konzert-Termine in RSS-Feed, iCal und im Fediverse

Live roundup #40

The Nwothm

We are back with another live roundup showing you some of the best gigs and festivals coming up in the near future! Buying in advance both supports bands and festivals helping to make sure shows go ahead! So what are you waiting for, go and grabs some tickets!

What your gig featured?

If you would like to have your gig featured here please drop us a message on our socials or email [email protected]!

#1 Hellions III Metal Fest

More info:https://www.instagram.com/hellions_hmfc/?hl=en

#2 Explosion Metalica Tour 2026

More info: https://www.facebook.com/HyenaHeavyMetal

#3 Desolus + Support

More info: https://fb.me/e/6vKv8uX0D

#4 Grave Digger + Sintage

More info: https://www.facebook.com/profile.php?id=100089607068295

#5 Massacre Metal Fest X

More info:https://www.facebook.com/axeblade.official

#6 Pyrenean Warriors Open Air X

More info: https://www.facebook.com/pyreneanwarriorsopenair

#7 Acero Letal

More info: https://www.facebook.com/AceroLetal

#8 Courts Of Chaos Festival

More info: https://www.facebook.com/courtsofchaosfestival

#9 Hell Over Hammaburg

More info: https://www.facebook.com/HellOverHammaburgFestival

#10 Silver + Hunger

More info: https://entradium.com/events/silver-hunter-en-sevilla-sevilla

#1 #10 #2 #3 #4 #5 #6 #7 #8 #9 #aceroLetal #antagonizer #axeBlade #courtsOfChaosFestival #desolus #graveDigger #heavyMetal #hellOverHammaburg #hellionsIiiMetalFest #hyena #liveRoundUp #massacreMetalFestX #newWaveOfTraditionalHeavyMetal #nwothm #picture #sintage #sortilege #thenwothm #thenwothmCom