John Steinbeck (1902-1968) American writer
East of Eden, ch. 34 (1952)
More about this quote: wist.info/steinbeck-john/83944…
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We have only one story. All novels, all poetry, are built on the never-ending contest in ourselves of good and evil. And it occurs to me that evil must constantly re-spawn, while good, while virtue, is immortal. Vice has always a new fresh young face, while virtue is venerable as…
“Ecco: Lessons Learned From Sega’s Dolphin Defender of Time” by Andrew Nickerson
In Sega Genesis lore, one title still makes gamers of all ages cringe: “Ecco the Dolphin.” Renowned for its breathtaking graphics and dynamite soundtrack, yet also reviled for its notoriously brutal difficulty and jarring damage/death siren, “Ecco” is best described as a retro classic that’s revered by those who finish…yet notorious for inspiring rage-quitting.
Its plot, in contrast, deserves great admiration: a young dolphin is mysteriously stripped of his pod, so he goes on a journey for answers…only to learn he’s the latest victim of the Vortex, an intergalactic evil that’s plagued Earth for millennia. Aided by new allies, past and present, he launches a crusade spanning time and space itself that ultimately saves his pod, destroys the Vortex, and restores Earth’s balance—or so he thought….
However, when analyzing the plot, there’s one conclusion one can’t help reaching: Ecco’s victory was the culmination of literally ages of careful planning, all based around a truly moral champion, who used the Vortex’s complacent arrogance to destroy it. To better understand this, let’s run through the game’s plot to see what steps Ecco and his allies used, what went right/wrong, and how each point played out.
This is how a single brave dolphin stopped a force even a mythical civilization thought indestructible…only to inadvertently trigger another conflict in the process. In essence, love triumphed over greed, yet couldn’t stop the latter’s parasitic effects, for the Vortex Queen’s lust for destruction and power wouldn’t end until she was truly destroyed. It’d eventually lead to all-out war on Earth between nature and the Vortex Queen, as well as transforming Ecco into something truly incredible: “The stone that split the stream of time,” as the Asterite would later say in the sequel.
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“Take heart. You're not alone. Every broken heart breathes again. That's life. It goes on. In loss, and in gain.”
― Fakeer Ishavardas
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A quotation from George Orwell
By “nationalism” I mean first of all the habit of assuming that human beings can be classified like insects and that whole blocks of millions or tens of millions of people can be confidently labeled “good” or “bad.” But secondly — and this is much more important — I mean the habit of identifying oneself with a single nation or other unit, placing it beyond good and evil and recognizing no other duty than that of advancing its interests.George Orwell (1903-1950) English journalist, essayist, writer [pseud. of Eric Arthur Blair]
Essay (1945-05), “Notes on Nationalism,” Polemic Magazine (1945-10)
More about this quote: wist.info/orwell-george/16966/
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By "nationalism" I mean first of all the habit of assuming that human beings can be classified like insects and that whole blocks of millions or tens of millions of people can be confidently labeled "good" or "bad." But secondly -- and this is much more important -- I mean…
A quotation from Madeleine L'Engle
We find what we are looking for. If we are looking for life and love and openness and growth, we are likely to find them. If we are looking for witchcraft and evil, we’ll likely find them, and we may get taken over by them.Madeleine L'Engle (1918-2007) American writer
Speech (1983-11-16), “Dare To Be Creative,” Lecture, Library of Congress, Washington, DC
More about this quote: wist.info/lengle-madeleine/823…
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We find what we are looking for. If we are looking for life and love and openness and growth, we are likely to find them. If we are looking for witchcraft and evil, we’ll likely find them, and we may get taken over by them.
Euripides (485?-406? BC) Greek tragic dramatist
Medea [Μήδεια], l. 516ff (431 BC) [tr. Johnston (2008)]
More info about (and translations of) this quote: wist.info/euripides/81527/
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MEDEA: O Zeus, why did you give men certain ways to recognize false gold, when there’s no mark, no token stamped on the human body, to indicate which men are worthless. [ΜΉΔΕΙΑ: ὦ Ζεῦ, τί δὴ χρυσοῦ μὲν ὃς κίβδηλος ᾖ τεκμήρι᾽ ἀνθρώποισιν ὤπασας σαφῆ, ἀνδρῶν δ᾽ ὅτῳ χρὴ τὸν…