#GatoBarbieri #LatinLady #TheLatinSoulParty #KUVO

Did Gato Barbieri ever record or perform with Santana? I'd love to hear that (esp. if they did "Europa"). They'd sound great together.
Fénix is an album by Argentinian jazz composer and saxophonist Gato Barbieri featuring performances recorded in 1971 and first released on the Flying Dutchman label.
Writing in 1971 for The Village Voice, Robert Christgau referred to Fénix as "the first jazz I've played frequently for pleasure since In a Silent Way" (1969) by Miles Davis.[4] The AllMusic site awarded the album 4½ stars, stating that "at this point in 1971, well before the Muppets would create a caricature out of him, Barbieri was absolutely smoking, and for a certain style of rhythmic free jazz, this is a captivating album indeed" - Wikipedia
https://www.youtube.com/watch?v=JTI9yHkJr0s
#GatoBarbieri #LonnieListonSmith #JoeBeck #RonCarter #LennyWhite #NanáVasconcelos #FreeJazz #Jazz #Argentina #Music #FlyingDutchman #BobThiele
#GatoBarbieri = Ultimo tango a Parigi (di gran lunga la cosa migliore del #film). Per noi italiani anche l'assolo di "Sapore di sale" e tante altre collaborazioni. Ma se si ascoltassero i vari volumi di "Latin America" ci si renderebbe conto che, oltre al talento, c'era una visione politica (siamo negli anni della dittatura in Argentina) nonché uno dei primi tentativi di world-music. Ci lasciava 10 anni fa un sax che ha fatto epoca | Radio Popolare https://www.radiopopolare.it/gato-barbier-un-sax-che-ha-fao-epoca
NDR Jazz Workshop TV (Hamburg 1968)
Sensationelle Proben-Aufnahmen mit herrausragenden internationalen Musikern und wunderschönen Arrangements.
Amazing open rehearsal video from 1968 with world-renowned musicians and a beautiful selection of songs and arrangements.
https://www.philwoods.com/discography/item/382-ndr-jazz-workshop-tv-hamburg-1968
#JimmyOwens #AckvanRooyen #SlideHampton #LeeKonitz #PhilWoods #GatoBarbieri #VolkerKriegel #JoachimKühn #GünterLenz #BarryAltschul #AldoRomano

No. 57May 31, 1968Studio 10 des Funkhauses NDR, Hamburg, D PRESENT AND FUTURE Jimmy Owens (tp, flh) Ack van Rooyen (tp, flh) Slide Hampton (tb) Lee Konitz (fl, as) Phil Woods (cl, as) Gato Barbieri (ts) Volker Kriegel (g) Joachim Kühn (p, org) Günter Lenz (b, g) Barry Altschul (dr) Aldo Ro...
Hamba Khale! by Gato Barbieri & Dollar Brand, released on Totherness in 1968 (reissue as Confluence on Freedom in 1974)
Different Perspectives in A Room wrote on their blog:
A real sleeper – and one of the treasures of the Freedom series! The album's a rare meeting between Argentine tenor player Gato Barbieri and South African pianist Dollar Brand – a true global meeting of the jazz minds, and a recording that's stronger than most of the work either player was recording at the time! The format is incredibly spare – just tenor and piano, plus some occasional cello work by Brand – dark and angular, but also filled with small flowers of hope, flowering in the spontaneous presence of these two titans. Tracks are long, with a free flowing quality that's infused with soul and spirit.
https://www.youtube.com/watch?v=syE4Nw8sqrY&list=OLAK5uy_m07sFR47NrNz9Ja6h8FOEyrfGJ415UMEA
#DollarBrand #AbdullahIbrahim #GatoBarbieri #Jazz #FreeJazz #Duet #Music
In "Merceditas" di Gato Barbieri, dentro un tempo ce n'è un altro, che ne contiene un altro ancora. Non saprei indicare un altro brano che illustri il concetto di "poliritmia" in modo altrettanto chiaro.
Ho provato a trascriverlo e analizzarlo 👉 https://go.leoravera.it/4fnaBjf