A few glyphs from the update to my typeface Boiga Version 2, out now with futurefonts.
https://www.futurefonts.com/overlaptype/boiga #typedesign #FutureFonts #displaytype
A few glyphs from the update to my typeface Boiga Version 2, out now with futurefonts.
https://www.futurefonts.com/overlaptype/boiga #typedesign #FutureFonts #displaytype
Shop Sans is a typeface for curved text paths
https://www.futurefonts.com/hex/shop-sans
#HackerNews #ShopSans #Typeface #CurvedText #DesignFonts #FutureFonts #Typography

Shop Sans is a typeface for setting text on circles and curved text paths. Its ‘Curve’ variable font enables adjustments to optimize details for bending type smoothly with an adjustable radius. The normal non-curved variant can also be used in standard settings. The design channels a general workaday feeling from 20th-century commercial and industrial lettering that is blunt and plainspoken but not sterile. Designed by Nick Sherman (https://nicksherman.com/) at HEX Projects (https://hex.xyz/).
OK, have a great weekend everyone.
Here is another animation by Daniël Maarleveld for #ElectricBlue.
Now with Latin Extended glyph set.
The version v0.3 is available at @futurefonts
https://www.future-fonts.com/fontspectrum/electric-blue
#VariableFont #FutureFonts #Cavalry #Ad
Electric Blue is a rounded pixel typeface derived from Daniël’s experimentation with melting and conjoining pixels. It is a variable font with extremely bold and thin poles and a surprising switch in-between. The look of Electric Blue taps into the nostalgia of retro futuristic design from the Space Age 60’s and Neon Glow 80’s. While it might awake associations to existing typefaces, we can asure you, that these are purely coincidental. The technical challenge to switch from apart elements to conjoined letters, pushed Edgar to the outskirts of variable font engineering. Not every software (looking at you After Effects) might support all features, but we went out of our ways to support as many environments as possible. Be an early adapter and join our journey now, we are exited to explore more dimensions and alternate universes in the near future.
With this font, Edgar flies solo. Inspired by the rotating letters of Daniël, he dug out an old concept developed during the MultipleMaster era. Silver Coil mixes his expertise from variable font engineering, with knowledge gained by creating animated GIFs. To animate Silver Coil one best loops from 100 to 700 ♾️. By looping from 700 to 100 in the background, one can create the illusion of a full 360° tube.
Bitzer is the latest #typeface by James Plattner, now available on Future Fonts @futurefonts Designed for headlines, #logos and editorial design, Bitzer’s narrow proportions allow for efficient #text arrangement without compromising #readability. 🔗 https://futurefonts.xyz/james-plattner/bitzer
#variablefonts #newfont #typedesign #typefacedesign #typefaces #fontdesigner #fonts #fontdesign #variablefont #futurefonts #jamesplattner #therightfont
An experiment in testing boundaries, Bitzer selectively observes and breaks the established rules of Latin flat brush calligraphy. Bitzer speaks with a voice that is equal parts trustworthy and contemporary. Cutting edge without feeling overly irreverent. A visual balance of order and chaos… you get the idea. Bitzer was designed for use in headlines, logotypes and editorial design. Its narrow proportions aren’t exaggerated but allow for succinct delivery within a few lines of text. Sharp twists of the pen give the letters a bottom-heavy quality, adding a sense of gravity into the visual texture, which becomes more pronounced in heavier weights. For trial fonts or inquiries, please write [email protected] :)
The first early attempt for Canicule Greek. Hopefully, it won't be long till v.0.3 comes out. Fitting is really painful with this one.
#wip #fontinprogress #typedesign #typefacedesign #graphicdesign #typefaces #typeface #futurefonts