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https://www.filmcentrum.nl/beste-films-van/2025

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FilmCentrum

2023 Film of the Year: Next Sohee. Solidly miles ahead of any other films this year. Probably the only media of the year where I don't have to agonise about multiple contenders.

Next Sohee excels at the sense of suffocation. There are no magical solutions. It's hazy, it's unfocused, and it's never meant to be. It's about death by million paper cuts, yet also when it's a public safety crisis. There won't be magical solutions, and there will be many many Sohees before any changes takes place, if ever.

(____ Of The Year is based on the year I first had access to it, NOT based on the year of release).

#Film #Films #Movie #Movies #NextSohee #2023Summary #FilmOfTheYear #MovieOfTheYear

#നേരം കാണാൻ പറ്റിയില്ലെങ്കിൽ ഈ കൊല്ലത്തെ തിയേറ്റർ അനുഭവത്തിന്റെ തുടക്കവും ഒടുക്കവും മമ്മൂട്ടിയിലാവും. നൻപകലും കാതലും. #malayalam #FilmOfTheYear #2023 #Neram #Kaathal #Nanpakal

Film of the year has got to be Benediction.

I admit I’m biased: Terence Davies is my favourite director - gay, Liverpudlian, (a bit) grumpy, honest, unashamedly and somehow radically nostalgic, truly cinematic.

WW1 poet Siegfried Sassoon was a great choice of subject (though I can’t say I warmed to him) and the performances are beautiful.

https://www.newyorker.com/culture/the-front-row/benediction-reviewed-the-bio-pic-as-radical-melodrama #arthouse #FilmOfTheYear #LGBTQ #TerenceDavies #film #Benediction #gay #Liverpool #Liverpudlian #WW1 #poet #warpoet #WW1poet #SiegfriedSassoon

“Benediction,” Reviewed: The Bio-Pic as Radical Melodrama

Richard Brody on Terence Davies’s masterly film “Benediction,” which centers on the life of the poet Siegfried Sassoon and his experiences during and after the First World War.

The New Yorker