
AWM Talks About Annihilation 2018
PeerTube
Mick Jagger to play Josh O’Connor’s father in new film from Alice Rohrwacher
The Rolling Stone will play a lighthouse keeper in Three Incestuous Sisters, joining a cast including Dakota Johnson, Jessie Buckley and Saoirse Ronan
The Guardian
The Unknown review – Léa Seydoux gets invaded in uncanny and bizarre body-swap horror
Cannes film festival: A man is terrified to wake up in Seydoux’s body in this metempsychotic mystery film about gender identity
The Guardian
Maverick: The Epic Adventures of David Lean review – a dashing retrospective for a cinematic titan
Cannes film festival: Barnaby Thompson’s documentary on the great British director is an exhilarating delve into the ebb and flow of Lean’s peerless career and sometimes complex personal life – with a grand cast of talking heads
The Guardian
I Want More Subtle Horror_ A Silent Hill Video Essay
PeerTube
All of a Sudden review – care home drama is tender, meditative and a little too precious for its own good
Cannes film festival: Ryusuke Hamaguchi’s ocean-hopping treatise on love and mortality is undeniably beautiful – but it works best in its quieter, compassionate moments rather than the flurries of self-conscious solemnity
The Guardian
The Odyssey: trailer for Christopher Nolan’s classical Greek epic released online
Trailer offers glimpses of Matt Damon as mythological hero Odysseus, Tom Holland as his son Telemachus and Anne Hathaway as his wife, Penelope
The Guardian
The Sheep Detectives review – Hugh Jackman gives a flock in baa-rking mad cosy crime caper
Jackman plays the farmer in this Babe-style feelgood family film about plucky sheep who help solve a murder
The Guardian
Project Hail Mary review – Ryan Gosling’s charm carries unserious last-ditch space mission
Tale of a brilliant molecular biologist cast into outer space with only a helpful alien for company is a bit silly, but Gosling’s charisma keeps it watchable
The Guardian
Why Train Dreams should win the best picture Oscar
With its meditative pace and sincere interest in moral questions, Clint Bentley’s film of a rudderless man cutting down trees in Idaho’s verdant vistas has the air of a Hollywood classic from another era
The Guardian