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Sonic Codex is an album by Norwegian guitarist Eivind Aarset.
This fourth solo album Sonic Codex from Norwegian guitarist Eivind Aarset incorporates concepts from his earlier albums, restates, elaborates and reinforces them to generate a genuine masterpiece, that might be a defining moment in both Aarset's career and the history of Jazzland. Sonic Codex puts forward rules of engagement that Aarset collaborate with the audience, and very deliberately quotes and redefines the musicality that made up his previous three albums, “Electronique Noire”, “Light Extracts”, and “Connected”, yet also points his way forward: it is an innovative present that simultaneously summarizes the past, and predicts the future. - Wikipedia
https://www.youtube.com/watch?v=ksMvAIR6y0c&list=OLAK5uy_keXloYUAI4mOtXXx7JF5my2E6l1Q-tcx4
#EivindAarset #Norway #Jazz #JazzGuitar #Music #ElectricJazz #ElectronicJazz
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BeatBoyNinja - Vampire Dreams
"Way of walking through loneliness, through the darker days, searching for an exit or maybe just a deeper understanding of yourself."
#ambient #synthwave #cinematic #experimentalelectronic #electronicjazz #music
Light Extracts is an album by Norwegian guitarist Eivind Aarset's Électronique Noire.
AllMusic critique Thom Jurek, in his review of Aarset's album Light Extracts states:
... Basses rattle in the underpinned rhythmic center as Aarset's guitar plies a textural schema trying to get to and undo the fixed center of the track.
He loose-hands his way around the fretboard, playing against the rhythm and on top of it until everything gives way to some new form of musically crystalline darkness.
Light Extracts is light years ahead of everybody in this game and a few notches above his first effort. This is the cat to watch.... - Wikipedia
https://www.youtube.com/watch?v=_2-ERaCdKy8&list=OLAK5uy_lS3RXXU7rXO78O835crzSfEMkg4YBZDAg
#EivindAarset #ElectronicJazz #ElectricJazz #JazzRock #Jazz #JazzGuitar #NorwegianMusic #Music
Ended the weekend and welcomed the week after a walk in the rain with Connected an album by Norwegian guitarist Eivind Aarset.
John Kelman in his review states, "...the unique language that he has developed over the course of his previous two efforts, Electronique Noire and Light Extracts, would imply a more formidable technique at play that is simply so subtle that it is subsumed in the sheer musicality of the work. And that's exactly how it should be..."
The review of the Norwegian newspaper Dagbladet awarded the album 5 stars (dice). - Wikipedia
https://www.youtube.com/watch?v=qs3sU8lXngg&list=PLqTmh69kDZ_s3ye2s4E9mQZylHW-R2dHN&index=1
#EivindAarset #Jazz #ElectricJazz #ElectronicJazz #Music #JazzRock #NorwegianMusic #JazzGuitar
Ended Monday and welcomed Tuesday after a swim with Électronique Noire an album by Norwegian guitarist Eivind Aarset.
This is a ground breaking debut solo album, and whether collaborating with trumpeter Nils Petter Molvaer or recording for Bugge Wesseltoft's Jazzland label, Eivind Aarset remains a highly treasured ambasadour of the Norwegian jazz scene. Électronique noire was rated "one of the best electric jazz albums of the post-Miles era" by no less than The New York Times. Melting jazz and electronic music into the most unexpected alloys, incorporating Aarsets unstoppable creativity and very personal sound, the result is an appreciably hearable album.
The AllMusic review awarded the album 4 stars,[2] and the reviewer Beate Nossum of the Norwegian newspaper Dagbladet awarded the album dice 3 - Wikipedia
https://www.youtube.com/watch?v=Nuz5jcuUdHE&list=OLAK5uy_n2ve2L8PnOTVMQMcfQzGa6LLR0hYHCukk
#EivindAarset #Jazz #Music #NilsPetterMolvær #NorwegianMusic #ElectronicJazz #ElectricJazz
Tome VI is an album by composer and bandleader Gil Mellé and the Jazz Electronauts recorded in 1968 and released on the Verve label.
The Allmusic review by Richard S. Ginell stated "After several years of experimentation, Melle came up with what he portentously called "the first album of electronic jazz." More to the point for jazz listeners, Melle revamped his quartet to keep up with the cutting edge of jazz, playing soprano sax and adopting several mannerisms of modal and free styles while reserving the electronic effects mostly for somewhat free interludes in between the jazz workouts. ... This LP was a technical breakthrough of sorts, for the electronic instruments were being played live at a time when electronic music could only be heard on pre-recorded tape. .." - Wikipedia
https://archive.org/details/lp_tome-vi_gil-mell
#GilMelle #ElectronicMusic #Jazz #ElectronicJazz #Music #VerverRecords
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BeatBoyNinja - Vampire Dreams
"Way of walking through loneliness, through the darker days, searching for an exit or maybe just a deeper understanding of yourself."
#ambient #synthwave #cinematic #experimentalelectronic #electronicjazz #music
Ended Wednesday and welcomed Thursday after a swim with Dropsonde is an ambient album by musician Biosphere (alias Geir Jenssen) released in 2006. Unlike his previous output, the album has a notable jazz influence.
The title refers to a dropsonde, a device designed to be dropped at altitude by parachute to collect data as the device falls to the ground (on Earth or sent to another planet.)
Unlike Jenssen's previous output, there is a notable jazz influence present on this album (such as on the tracks "Birds Fly By Flapping Their Wings" and "In Triple Time"), evocative of Miles Davis's 1970s jazz fusion works. Some tracks also integrate material Jenssen recorded in late 2001 during his climbing of the 8,201 meters mount Cho Oyu in Himalaya. (The raw material itself was released some months later as Cho Oyu 8201m – Field Recordings from Tibet.) - Wikipedia
https://www.youtube.com/watch?v=K60wMYk-b_Q&list=RDK60wMYk-b_Q&start_radio=1
An Ever-growing Meridional Entertainment Transgression At The Edge Of The Multiverse by Icarus, released on Not Applicable in 2024
Once described by a music magazine as possible “idiots savant who have arrived at a rollicking approximation of post-Darmstadt electronica by accident”, Ollie Bown and Sam Britton (aka Icarus) have always approached electronic music studio work with an insatiably naive experimentalism: never leading with a vision for how a record should sound, but treating the studio more like a teenagers’ amateur chemistry lab that might equally produce explosives, hallucinogens or goo...
#Icarus #Music #NotApplicable #DrumandBass #ElectronicJazz #OllieBown #SamBritton
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