“It is impossible to win gracefully at chess. No man has yet said “Mate!” in a voice which failed to sound to his opponent bitter, boastful and malicious.”*…

… but perhaps the offense is muted if the call is remote.

Electronic gaming is huge– and growing, As Rolling Stone reports

The gaming industry, fueled by platforms like Twitch and YouTube, has surged into a multi-billion-dollar powerhouse, projected to exceed $207 billion in 2026. These platforms do more than showcase gameplay—they cultivate vibrant, interactive communities where fans engage in real time, from live chats to virtual watch parties. Games like League of Legends, Call of Duty, Counter-Strike and Fortnite have become a cultural phenomenon, drawing in over 2.6 billion gamers globally, a number that continues to climb each year. Mobile gaming, accounting for over 60% of global gaming revenue, plays a significant role in this growth, making gaming accessible to a broader audience than ever before…

But as Danny Robb explains, using tecnology to play games remotely has a long history…

In 1897, the United States House of Representatives held a series of chess matches to find their most skilled players. The five winners were pitted against counterparts in the British House of Commons. But while the Americans sat down to play in Washington, D.C., their opponents sat in London. The players received moves by telegraph, and sent responses back over wires that crossed the Atlantic.

By this point, “cable chess” had been slowly evolving for decades. Historian Simone Müller-Pohl argues that this form of long-distance chess play offers insight into the cultural and political currents of the industrial era.

By the mid-nineteenth century, she explains, there was a growing sports culture in Europe and the US. Industrial technologies enabled more people to attend games and follow along from a distance. A growing middle class fostered this sporting culture, which came to include chess.

“Weekly,” Müller-Pohl explains, “the liberal and intellectual elites of the time assembled around chess boards in Paris, Berlin, Warsaw, Vienna, Moscow, Rome, and London.” Interest in the game spread, and chess clubs emerged. As clubs arranged tournaments and standardized chess rules, Müller-Pohl argues that chess “was gradually turned into a sport.”

Correspondence chess grew along with the game, in part thanks to cheap and efficient postal services. When the telegraph emerged on the scene, the application to chess was almost immediate.

“It was telegraphy’s fathers who pulled the strings behind the first schemes for cable chess,” Müller-Pohl explains. In 1844, inventor Samuel Morse arranged chess matches on a new telegraph line between Baltimore and Washington, D.C. “All of the 686 moves necessary for the seven games played were transmitted without mistake or interruption,” Müller-Pohl writes.

Not long after, in 1845, inventor Charles Wheatstone attended a demonstration in London. Chess legend Howard Staunton played against his rival George Walker over the South Western Railway line between Portsmouth and London. Müller-Pohl describes how witnesses found the match “rather tedious,” but it received a lot of press. This was partly the point—the matches demonstrated and advertised the capabilities and accuracy of the invention.

The Staunton match had another interesting aspect. Müller-Pohl points out that “the lines were still used for ordinary traffic during the games, allowing a group of chess players from Southampton to have every move telegraphed to them.” A bit like modern e-sports, spectators could observe the virtual match…

The early history of e-gaming– when telegraph cables let chess clubs stage matches across continents, linking players and spectators in a new kind of long-distance competition: “The First E-Sports? Chess by Telegraph,” from @inverting-vision.bsky.social in @jstordaily.bsky.social.

* A. A. Milne

###

As we note that what’s old is new again, we might recall that it was on this date in 1958 that Chuck Berry’s “Johnny B. Goode” was released. It peaked at number two on the Hot R&B Sides chart and number eight on its pre-Billboard Hot 100 chart. Considered “the first rock & roll hit about rock & roll stardom”, it has been covered by many, many other artists and has received many, many honors and accolades, among them being ranked 33rd and 7th, respectively, on Rolling Stone’s 2021 and 2004 lists of 500 Greatest Songs of All Time. It was also included as one of the 27 songs on the Voyager Golden Record (a collection of music, images, and sounds designed to serve as an introduction and record of global humanity’s achievements, innovations and culture, to alien/otherworldly inhabitants).

Apropos the piece above, it was released by Chess Records.

source

https://youtu.be/6ROwVrF0Ceg?si=mn0aUbfgzyWtINVy

#chess #ChuckBerry #culture #eGaming #electronicGaming #gaming #history #mobileGaming #music #rock #rockAndRoll #SamuelMorse #Technology #telegraph #VoyagerGoldenRecord

Super Mario Kart World Turnier

21. Februar 2026, 17:00:00 UTC - GMT - RaumZeitLabor, 68309, Mannheim, Deutschland

https://rheinneckar.events/events/b3220853-bb34-4d96-9491-33c7b0a258b4

之前搜攻略的时候搜到了一个 #牧场物语 主题攻略站
网站关于 #閃耀太陽與夥伴們 的交互介绍里也提到了使用触屏远比使用按键方便的特性
https://fogu.com/hm8/basics/controls_and_menus.php

#电子游艺 #EGaming #fLSG #StoryofSeasons #HarvestMoon #牧場物語 #SunshineIslands #HarvestMoonDS

Controls and Menus > Harvest Moon Sunshine Islands > UNoTx8

An explanation of the controls and game menus.

另外还有一些对游戏交互的感受
#閃耀太陽與夥伴們 一方面在充分利用 #NDS 的独特机能,比如各种向麦克风吹气、在触屏上划动等的小游戏;另一方面却又明显有着很多作为新平台新交互范式过渡期而必然出现的不成熟
比如四个装备槽位可以用肩键轮切(只能单向)也可以触屏直接点按想要的,但初次点按只是选中,要再次点击才能使用。一模一样的问题在当年nokia推出s60v5从按键交互转向触屏交互时同样出现过
随着范式迭代,掌机也如同手机一样到达了一个高度相似化的原型,单块横向宽屏+按键操控为主,很多switch蓝海玩家甚至好几年才发现屏幕可以触摸

一个关于交互的小tip:在需要批量转移物品时,直接和单个或多个不同物品交换位置是效率最高的方式。如果目标位置没有符合条件的物品、或者要移动到某个空位,那要先点击空位、再点击要移动的批量物品,相当于空位和物品交换位置。如果先点物品再点目标位置就会变成往那个空位一个个搬运……

#电子游艺 #EGaming #fLSG #StoryofSeasons #HarvestMoon #牧場物語 #SunshineIslands #HarvestMoonDS

继续玩了 #閃耀太陽與夥伴們
进入第三年体验有很多不同。庆幸先玩了 #双子村 ,因为闪耀太阳在耕作模块引入了非常复杂的积点机制,作物生长需要日期、光照、水分三个条件都在对应品种区间内,如果任意一项缺乏或超过都会导致枯萎。配合农具的镶嵌加成系统,使得本作提供了远超一般种田模拟器的游戏深度和游玩寿命。这一点在第一年的时候没太有体会因为第一年几乎用不到改造后的道具(加上我因为在双子村选了偏向耕作的此花村所以在本作初期主要放在了畜牧玩法上),反而在镶嵌改造后农具几乎四五下就能覆盖整片田,相当于自带拖拉机mod(但收割还是要逐一点按);浇灌深度点满的水壶一次浇水可能就会导致作物水分过多枯萎
与此同时本作在任务上的门槛却非常低,比如与剧情强关联的道具获取有NPC回礼,但只要简单送个四五次就会收到;各种出荷达标任务也都是单季耕作就能满足的。
这一作真的非常适合对 #牧场物语 系列不了解的玩家新上手。

#电子游艺 #EGaming #fLSG #StoryofSeasons #HarvestMoon #牧場物語 #SunshineIslands #HarvestMoonDS

又是个打tag打到昏阙的分支系列(而且还涉及到发行商商标争议导致更换品牌译名(
同时间上手了 #牧场物语#NDS 上的两作 #閃耀太陽與夥伴們#双子村 ,在两边都过完第一年之后记一记感想
https://www.igdb.com/games/harvest-moon-ds-sunshine-islands
DS是该系列发布最多作的平台足足七部,于是想选这个平台上初期和末期的作品对比看看第三方开发商对平台特性的理解以及在产品中的应用。末期双子村很好选,口碑好到在下一代平台3DS上出了高清移植;初期就比较难选,因为DS上头三作 #精灵驿站 #與你開拓的島嶼 和闪耀太阳是有延续性的分支系列(都是 #HarvestMoonDS),搜索发现前两者褒贬不一,精被视作匆忙赶场新平台而岛则因为交互严重依赖DS触屏被玩家批评,于是最终选了分支最终作闪耀太阳;但实际上太阳双子之间也不过差了两年时间,中间只隔了一代 #风之集市(前几天刚刚发重制版)
↓下续

#CozyGame #fLSG #电子游艺 #EGaming #StoryofSeasons #HarvestMoon #牧場物語 #SunshineIslands #TheTaleofTwoTowns

在b站刷到一则转载ytb的影片,主题是分析游戏行业为什么排斥使用 #Godot 开源引擎
评论里果不其然又是顺直男恶臭,张嘴又开始炮轰DEI
讽刺的是他一边炮轰开源社区拥抱DEI,一边又抱怨「大公司资源丰富自然会选择服务支持更好的商业引擎,有问题随叫随到;开源社区应该多去服务小团队需求」

旁友,在强势群体占尽优势的时候要求社会有意识地向弱势群体倾斜资源提供照顾,这就是 #DEI

#电子游艺 #Egaming #政治正确

《#旅者之憩》#TravellersRest
https://www.igdb.com/games/travellers-rest

用周末的时间把目前的游戏内容玩了个七七八八
我之前误把它和另一部旅店经营游戏《#守墓人》#GraveyardKeeper 搞混了,不喜欢僵尸活死人之类的元素所以刻意回避,结果本作是很正经的旅店经营
刚好赶在「主线剧情的第一部分」上线之前,所以算是看到了没有剧情加成下游戏机制部分的质量,总的评价是中上。大大小小的bug还是不少(比如在牧场交易教程时突然赶上酒馆升级结果被卡死退都退不了只能任务管理器强制结束),但也看得出一款已经持续更新了五年的游戏的积累
#星露谷物语 相比,因为是 #模拟经营 类所以游玩操作的回报是即时的,像是把社区贡献压缩到了一天内,所以很好上手又有吸引力,走出了自己的路子
看介绍重绘过整个画风,对于 #像素游戏 来说是很大的成本,可见开发团队的诚意和用心。重绘后的画风很精美,在像素种田里也是中上成
游戏很有意思的一点坚持是所有金属加工都只有铁和铜没有金银,挺符合游戏的中世纪背景

#电子游艺 #EGaming #BSG

《#绵羊村》#ようこそひつじ村 #ShepherdsCrossing
https://www.mobygames.com/game/113033

这就是个交互无比繁琐且反人类的合成大西瓜……
一开始玩的民间汉化的PSP版,已经觉得操作非常别扭了;搜攻略的时候发现这两年刚出了个复刻上了steam,结果上手一玩服了交互更差了!这大概是我见过最没诚意的复刻了,素材没有任何高清化处理,启动默认竟然是720p的窗口,估计素材根本不够1080p满屏运行;反人类交互也没改,聊胜于无的变化是道具栏从三格变成了七格
举个例子,游戏里绝大部分时候都是a键确定b键取消,但偏偏在高频操作的物品拾取丢弃时改成了a键丢弃b键拾取,真不明白制作团队脑回路是怎么长的
其他奇葩的诸如物品栏只能按捡拾顺序使用,不小心捡了东西的话必须把之后的东西丢干净才能丢出去;但买卖东西却突然开始不按次序而是直接等位替换交换出去的东西……
本来以为是个 #cozygame 结果是高血压游戏

#电子游艺 #EGaming

《#山上宫殿》#ThePalaceontheHill
https://www.igdb.com/games/the-palace-on-the-hill

印度出品的、以印度本土文化为特色的 #种田模拟器 游戏。流程很短(而且我又用了cheatengine,进一步缩短了游戏内容,建议还是不要,就慢慢玩就好),大部分感想都在游戏之外

画面风格是手绘插画,有种非常淳朴的粗糙感,和游戏设置的印度1990s乡村背景很是契合
游戏代码质量不太妙,一些基础交互做得很差,比如在采收/浇水作物时,即使触发了动作,角色仍然要走到交互对象的某个固定位置才会执行,不知道是不是出于动画表现的考虑;而且不知道为啥角色在物品旁有碰撞算法,经常点一下像个陀螺一样在对象周围来回走,期间无法终止,操作手感很差
游戏内容还是挺单薄的,分了三个模块,种田模块(包括打鱼和加工家具之类),产出物品供茶摊经营模块使用;在茶摊积累够资金后用于解锁故事模块,形式是在各种景点采风然后画画。结尾是主角靠画画获得奖学金进城上大学了,全游戏流程很短(再次强调),而且收尾很值得玩味

下续↓

#电子游艺 #EGaming