Niko Hendrickx2006 Nu descendant par un ascenseur
PeerTube
2005 Nu descendant par un ascenseur
2005 Nu descendant par un ascenseur
Simon TaylorEntry under theory:
https://www.outsidelight.online/theory/theory-the-painter-of-mental-scenery/
#art #philosophy #psychology #Duchamp #Miró #Bergson #memory
https://www.outsidelight.online/theory/theory-the-painter-of-mental-scenery/
#art #philosophy #psychology #Duchamp #Miró #Bergson #memory
the painter of mental scenery
The title comes from Bergson's Matter and Memory. (Translation, N.M. Paul and W.S. Palmer for Zone Books, p. 170; the online searchable copy p. 69 (yes, they pack a lot in).) The title recalls Baudelaire's essay "The Painter of Modern Life." (see links) I read it while preparing
LoC Appreciation SocietyLeon Hartt, Marcel Duchamp, and Mrs. Hartt; half length, standing [no date recorded on caption card]
1 photographic print.
Henri-Robert-Marcel Duchamp was a French American artist, chess player, and inventor who played a key role in the development of the avant-garde in the United States and in New York City, where he spent the last 25 years of his life. https://en.wikipedia.org/wiki/Marcel_Duchamp
#MarcelDuchamp #Photography #thcentury #Formalattire #Portrait #LeonHartt #MrsHartt #Blackandwhitephotograph #Earlythcentury #Duchamp #Hartt #Photograph #Conversation #news #Leon #Marcel
https://www.loc.gov/item/2005685099/
slowforwardaggiornamento alla ‘carta d’identità in link’
per una ricostruzione (sempre in fieri) dell’attività degli spazi
blogspot di materiali sperimentali – specie a partire dal 2005
ho appena aggiornato la “carta d’identità in link” con gli indirizzi tutt’ora attivi dei vari blog che su blogspot, a partire soprattutto dal 2005 (ma in alcuni casi anche da prima, pur se su altre piattaforme), ho inventato o semplicemente contribuito a strutturare e far vivere – e che hanno visto insieme a me un gruppo folto di autrici e autori pubblicare [o essere ospitati con] materiali asemici, verbovisivi, glitch, scritture sperimentali, video, audio, immagini e centinaia anzi migliaia di altre strane robe. (chiaramente quelli non citati in calce si trovano nella carta a cui accennavo).
ricordo qui solo alcuni nomi di collaboratori, ospiti, amici, redattori: Bill Allegrezza, Reed Altemus, Daniele Bellomi, Cara Benson, Gherardo Bortolotti, Anne Boyer, Alessandro Broggi, Roberto Cavallera, Riccardo Cavallo, Cecelia Chapman, David-Baptiste Chirot, Crashtest, Jeff Crouch (che devo soprattutto ringraziare per il grande lavoro di ristrutturazione/hosting di molti blog, dal 2015 in poi), Rachel Defay-Liautard, Alessandro De Francesco, Michelle Detorie, Bill DiMichele, Linh Dinh, Greg Evason, Raymond Farr, Peter Ganick, Susana Gardner, Tim Gaze, Angela Genusa, K. Lorraine Graham, Mariangela Guatteri, Patrick Gulke, Carrie Hunter, Andrea Inglese, Michael Jacobson, Jukka-Pekka Kervinen, Karri Kokko, Drew Kunz, Jim Leftwich, Jon Leon, Antonio Loreto, Michele Marinelli, Giulio Marzaioli, Manuel Micaletto, Sheila Murphy, Yu Nan, Ross Priddle, Lanny Quarles, Carmen Racovitza, Andrea Raos, Giorgia Romagnoli, Joe Ross, Eric K. Zepka _ E-doppelganger, Massimo Sannelli, Jennifer Scappettone, Ed Schenk, Spencer Selby, Matina L. Stamatakis, Harry K. Stammer, Miron Tee, Ton van ‘t Hof, Cecil Touchon, Lubomyr Tymkiv, Dirk Vekemans, Luca Venitucci, Elisabeth Workman, Michele Zaffarano, Luca Zanini.
Gli spazi:
blog di materiali asemici su blogspot:
https://asemicnet.blogspot.com || https://asemic-net.blogspot.com
blog di materiali sperimentali, testuali e verbovisivi, su blogspot:
https://nothingandinsight.blogspot.com || https://exp–net.blogspot.com || https://eexxiitt.blogspot.com || https://eeexxxiiittt.blogspot.com || https://the-flux-i-share.blogspot.com || https://transcriptionesredux.blogspot.com || https://wee-image.blogspot.com || https://ex-ix-tere.blogspot.com
archivi su blogspot:
vispostock (2006-2007) https://vispostock.blogspot.com/
installance (2010-2015) https://installance.blogspot.com/
du-champ
[events from the field of the avant- / événements du champ de l’avant- / eventi dal campo dell’avan-]
(dal 2010 il maggior aggregatore di spazi sperimentali in rete):
https://du-champ.blogspot.com/
#achelDefayLiautard #AlessandroBroggi #AlessandroDeFrancesco #AndreaInglese #AndreaRaos #AngelaGenusa #AnneBoyer #AntonioLoreto #asemicNet #asemicnet #BillAllegrezza #BillDiMichele #blog #blogger #blogs #blogspot #CaraBenson #CarmenRacovitza #CarrieHunter #CeceliaChapman #CecilTouchon #Crashtest #dal2015InPoi #DanieleBellomi #DavidBaptisteChirot #DirkVekemans #DrewKunz #duChamp #EdSchenk #eexxiitt #ElephantZebra #ElisabethWorkman #EricKZepkaEDoppelganger #exIxTere #exixtere #expNet #expnet #GherardoBortolotti #GiorgiaRomagnoli #GiulioMarzaioli #GregEvason #harryKStammer #installance #JeffCrouch #JenniferScappettone #JimLeftwich #JoeRoss #JonLeon #jukkaPekkaKervinen #KLorraineGraham #KarriKokko #LannyQuarles #LinhDinh #LubomyrTymkiv #LucaVenitucci #LucaZanini #ManuelMicaletto #MariangelaGuatteri #MassimoSannelli #MatinaLStamatakis #MichaelJacobson #MicheleMarinelli #MicheleZaffarano #MichelleDetorie #MironTee #NothingAndInsight #PatrickGulke #PeterGanick #RachelDefayLiautard #RaymondFarr #ReedAltemus #RiccardoCavallo #ricostruzione #RobertoCavallera #RossPriddle #SheilaMurphy #SpencerSelby #storia #storiaDeiBlog #StoriaDellaRete #storiografia #SusanaGardner #TheFluxIShare #timGaze #TonVanTHof #transcriptiones #vispostock #weeImage #YuNan
differxFotografia e inconscio tecnologico
ci sono tre libri per 'capire' la scrittura di ricerca: le Notes di Duchamp, L'impero dei segni di Barthes, e Fotografia e inconscio tecnologico di Vaccari.
bisogna leggere
https://differx.noblogs.org/2025/12/17/fotografia-e-inconscio-tecnologico/
#art #ExperimentalPoetry #ScritturaDiRicerca #ScrittureDiRicerca #SegnaliEAzioni #teoria #TestiDiMgOnline #ZinesAuthors #Barthes #Duchamp #FotografiaEInconscioTecnologico #FrancoVaccari #ScritturaDiRicerca
Dave Fischer"Nude Descending a Staircase, No. 2", Duchamp's 1912 masterpiece, was shown at the 1913 Armory Show in NY, which was the first exposure most of mainstream America got to modern art. The press went wild.
dadaForthcoming in 2026 and 2027:
Major #Duchamp retrospective at Moma, Philly, and Pompidou:
Marcel Duchamp | MoMA
Exhibition. Apr 12–Aug 22, 2026. “Why is this art?” is a question often asked by viewers of contemporary art. It is virtually impossible to answer it without referring to the work of Marcel Duchamp (1887–1968). Over a six-decade career, Duchamp challenged the very definition of the artwork, ushering in a new era of creative license—the reverberations of which are still felt today. While resistant to “-isms,” Duchamp had a hand in modern art movements ranging from Cubism to Surrealism to Pop. His pursuits were marked by continuous reinvention and deliberate inconsistency: “I have forced myself to contradict myself in order to avoid conforming to my own taste.” With its fragmentation of the human form, Duchamp’s painting Nude Descending a Staircase (No. 2) (1912) produced shockwaves when it debuted at the legendary Armory Show in New York in 1913. His invention of the readymade as a form of sculpture forever altered the parameters of art and authorship, epitomized by his scandalous work Fountain (1917), a mass-produced urinal turned on its side and signed with the pseudonym “R. Mutt.” And his monumental painting-on-glass The Bride Stripped Bare by Her Bachelors, Even (The Large Glass) (1915–23) liberated painting as a medium from both the canvas and the wall. For the next 50 years, Duchamp continued to innovate in unexpected ways. For his “portable museum,” The Box in a Valise (1935–41), the artist painstakingly reproduced his life’s work to date in miniature. Featuring some 300 artworks, this exhibition marks the first retrospective of the artist’s work in the United States since 1973. Scholarship mining the artist’s famously enigmatic work has flourished in the intervening half-century—as have myths and misconceptions. This exhibition offers a sweeping account of Duchamp’s multifaceted career across all mediums from 1900 to 1968, offering today’s audience the first opportunity to view the full breadth of his creative output.
Don van Win
