For @derthomas' #ThrashThursday:

#Dissentience: Kaiju

https://album.link/xv9r4gnnnmpr5

#DeathThrash

FFO #Begravement #Confess #Depravity

Every day it feels like stories like this, "NEW: Open AI intends to sell digital versions of your children to Society Paedophiles, a $10 fee to opt your child out."

#EpsteinClass #TechBros #GrokAI #OpenAI #Depravity #CSAM #Patriarchy #Technology

Alon Mizrahi:

“I want us to understand, I want all of us to understand, that when politicians, academic, high tech people, senior journalists and others from #Western #elite told us

'We have to stand with Israel'

What they really meant was 'we have to protect the international networks of human trafficking, satanic abuse, sacrifice and rape, cannibalism, and antisocial criminality of all sorts we are neck-deep in'”

[More … https://substack.com/@alonmizrahi/note/c-211190525]

#Israel #Depravity #Zionism #Epstein

“The #Epstein case points not to isolated #depravity, but to structured leverage: an architecture of #blackmail in which sexual crimes become instruments of power rather than grounds for prosecution. That is why the fixation on individual scandal – princes, parties and gossip – functions as #misdirection”

in “Epstein, #Mossad, and the question we are not allowed to ask but must do” by Rares Cocilnau in The Canary

@thecanaryuk

https://www.thecanary.co/opinion/2026/02/03/epstein-mossad/

#Press #SocialMedia #US #Elite #Depravity

A Dark Place

I’m in a dark place. We are in a dark place. Living with our eyes wide open in a darkness. No light needed to know what we see. ICE thugs. Minneapolis. Journalists arrested. Public corruption. Wars. Corporate capitulation to evil. And “The Epstein Files.”

I have not written much about that entire depraved episode. I will today.

In what seems like a backhanded, boomeranging, and backfiring way to distract from all of the other despicable things this administration has been doing to distract us from the Epstein files, the Justice Department released about three million of those files today. Apparently there are millions more. But in some ways we’ve probably seen enough.

Or at least to my mind we probably have. Some of the files, either mistakenly or on purpose, were leaked. They include descriptions of what horrible men did to young girls. I won’t post or describe the specifics, beyond saying how utterly depraved they are.

They’d get an XXX rating if those acts were included in a movie. If you want specifics you won’t find them in the government release of the files because the DOJ actually deleted the links to some of the worst, which do indeed finger the president of the United States as a participant. But I’m sure you can find them all over the Internet.

Let me say this. The fact that there are going to be people trying to brush past and brush over what we’ve long suspected but now seen makes those horrible acts of cruelty almost pale in comparison. You have to be some sort of sick to try and rationalize it as anything other than evil. But I’m sure there will be too many willing to throw their souls under the bus they continue to ride on.

When and where I grew up, it was a small rural community, populated with many who had some of the same political and social leanings of those we call MAGA today. I don’t care how much of an exalted office anyone held, how much money they made, or what pulpit they preached from. If they were accused of the things mentioned in those files they would have been quietly disappeared from the earth, never to be heard from, and mostly not spoken of again.

If this crowd of criminals and pedophiles and their supporters keep talking about Making America Great Again, I assume they are referring to that period of time when I was growing up. There’s a large part of me that thinks in despicable cases like these that perhaps we should. If only to mete out punishment the way it was done then.

You can also find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above.

#Depravity #DonaldTrump #EpsteinFiles #Politics

Five years ago, I highlighted Invictus’ 2020 debut LP Catacombs of Fear as part of our year-end death metal roundup feature. Since then, the Japanese death metal trio toiled under the ground with a brutal live schedule and steadily wrote what might very well be my most highly anticipated follow-up in the death metal realm. Hot on the heels of killer releases from personal favorites like Depravity, and jumping just ahead of another highly anticipated salvo from Eximperitus, Invictus’ upcoming Nocturnal Visions has big shoes to fill and stiff competition to combat. But if anybody has the chops and the balls to do it, it’s Invictus.

Having only one previous album and a few scattered demos/singles to their name, Invictus haven’t messed with their formula very much since their inception. Boasting a killer combo of Demolition Hammer nastiness and Consuming Impulse-era Pestilence attack, Nocturnal Visions pushes 35 minutes of pure adrenaline. Nary a second faffs about with filler, fluffy atmosphere, or anything else that could be construed as something other than devout reverence to The Almighty Riff™. With each twist of phrase or shift in movement, guitarist/vocalist Takehitopsy Seki tears through an unrelenting assault of intense grooves, speedy thrashes, and writhing rhythms that don’t just open up pits, but rather rip open dimensional rifts straight to hell itself (“Altar of Devoted Slaughter,” “Wandering Ashdream”). Instead of relying on blasts for intensity, Haruki Tokutake’s percussive strategy focuses on machine-gun double-bass runs and thrashy skanks so brutally exacted upon my spine that I needed a back brace and headgear just to approach the second half—accommodations which in no way deterred my summary bodily encrushment (“Persecution Madness”). Bassist Toshihiro Seki clunks and clangs beneath the surface with a violent, hammering tone that, while not always as audible as it ought to be, nonetheless deepens the tonal quality of the record’s warm, slightly swampy production (“Nocturnal Visions”). Unlike many of those acts from whom Invictus draws inspiration, Seki’s vocals operate squarely inside the Incantation/Tomb Mold school of subterranean monstrosity. Counterintuitively, this sets the trio apart from their influences by hiding in plain sight with their contemporaries.

Nocturnal Visions by Invictus

Regardless of where you fall in the greater scope of metallic fandom, Nocturnal Visions is a magnificent showcase of energetic songwriting and devastating hookcraft. While the formula opener proper “Abyssal Earth Eradicates” utilizes feels and sounds familiar, Invictus executes it with a youthfulness, voracity, and dare I say exuberance that makes me forget for a moment the entirety of death metal’s history. As Nocturnal Visions progresses through its early movements, boasting killer tracks in “Altar of Devoted Slaughter,” “Lucid Dream Trauma,” and “Persecution Madness,” my ability to care about anything other than banging my head, grimacing like a gargoyle, and stomping my poor abused feet against the floor vanishes. What’s left is a mind-broken sponge reduced to primal instincts, with a vocabulary of one word, “Fuck!” exclaimed exclusively with each new swaggering groove or pummeling riff. Even after several dozen spins, pit monsters “Persecution Madness,” “Dragged Beneath the Grave,” and later highlight “Wandering Ashdream” received such frequent and aggressive verbal confirmation of their sheer awesomeness and perpetual energy that my coworker had to perform a wellness check. Even the daunting eight-minute closer “Nocturnal Visions” earns its keep here, switching up themes and reprising refrains just enough to keep my interest up and my engagement high.

That doesn’t leave much room for negatives, and indeed, few found purchase in my evaluation. Obviously, Nocturnal Visions exhibits nothing new or innovative; it’s simply doing classic death metal far better than most. Consequently, Invictus left some creativity and novelty on the table. They could easily pick up bits and bobs from that stack of potential ideas and bring an extra dimension to future efforts without sacrificing their core sound. Additionally, pacing Nocturnal Visions at such a blistering rate of speed so consistently across 35 minutes leaves a little to be desired in the way of songwriting dynamics. Tokutake in particular makes the most of his arsenal of patterns, fills, and tumbles to alleviate this condition, but not quite enough to cure it—see the otherwise ripping “Frozen Tomb.” Seki’s somewhat one-note vocal approach doesn’t always help matters in that respect, but his performance is rock-solid and dependable enough not to hurt either.

Of course, these critiques amount to mere nitpicks in the truest sense of the term. Nocturnal Visions is, simply put, a staggering monument to old-school death molded for the modern era. Invictus blasted my skull apart with their debut, but this sophomore effort is more than a worthy successor. Hear it!

Rating: Great!
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Me Saco Un Ojo Records
Websites: invictus3.bandcamp.com | facebook.com/Invictus
Releases Worldwide: January 26th, 2026