Lars Holgersson 🎶#GiachesDeWert 1535 – 1596)
'Tirsi Morir Volea'
#VocesSuaves
#musik #music #musique #musica #deWert #score #classicalmusic #renaissancemusic
YouTube
earlymusicTO#ConcertodiMargherita debut recording (Feb 2022) an ensemble of instrumentalists and singers revives the precious #historicalperformancepractice of singers accompanying themselves...
at #ScholaCantorumBasiliensis, named after the Duchess of Ferrara, #MargheritaGonzaga performs as a consort of five voices theorbo #harp #violadagamba #lutes #madrigals #villanellas #canzonas #DeWert #Gastoldi #Monteverdi #Guarini
Stream/Download/Buy
https://lnk.to/IlgiocodellaciecaID
Watch
https://youtu.be/TdxqxekEcv8?si=IaMIY9CPS67opBY7 (4:28)
Concerto di Margherita, #historicalperformance specialists self-accompanied singers met at #ScholaCantorumBasiliensis Basel, theorbo harp violadagamba guitar/lutes
debut album of instrumental&vocal wks (madrigals villanellas canzonas) #DeWert #Gastoldi #Monteverdi, a scene fr #Guarini’s Il pastor fido 1580
https://outhere-music.com/en/albums/il-gioco-della-cieca-madrigali-canzoni-villanelle-cantare-et-sonare
Il gioco della cieca. Madrigali, Canzoni & Villanelle per cantare, et sonare
A young ensemble of instrumentalists and singers revives the precious historical practice of singers accompanying themselves (already brought back into currency by the soloist VivaBiancaLuna Biffi), thus producing a wholly new sound in music usually assigned to unaccompanied voices. With Concerto di Margherita, self-accompanied singing becomes ‘collective’ for the first time in our era, and is amplified in a shared gesture in which all the members of the group – playing and singing together with extraordinary coordination – produce a sonority unprecedented in this repertory. Created at the Schola Cantorum Basiliensis in Switzerland, the group (which is named after the Duchess of Ferrara, Margherita Gonzaga) performs as a consort of five voices, theorbo, harp, viola da gamba, guitar and lutes, inspired by the Concerto delle dame of Ferrara.The recording debut of Concerto di Margherita presents arrangements of a wide range of instrumental and vocal works (madrigals, villanellas and canzonas), drawing on music by De Wert, Gastoldi, Monteverdi and the ‘blind man’s buff’ scene from Giovanni Battista Guarini’s Il pastor fido (1580).