Johannes Holt Iversen (b.1989) is a Danish painter and sculptor currently located in
Amsterdam, Netherlands. He is an apprentice of Danish painter and sculptor Erik Rytter
(former assistant of Poul Gernes). Holt Iverson focuses on exploring the tension between
artificial and organic material and life forms and works with both traditional art forms and
cutting-edge technology including AI, to imbue his viewers with an existential awareness of the
hyper-slick representation of reality that surrounds them. His works can be abstract at times,
but are always related to the real-world counterpart, often appearing from the use of high-tech
materials; used in other industries such as retroreflection technology from the aviation
industry, functional aesthetics from industrial plastic construction and chrome pigments from
the car manufacturing industry. Iversen draws on inspirations in various fields; whether it be
historical elements, like the early depictions from the Lascaux caves or other inspirations that
comes from the fields of sociology, psychology, scientific methodologies and pop culture; all
with a common denominator in using, dissecting and understanding symbols, relics and human
selfrepresentation; such as the anthropromorphic qualities certain objects contains.

#art #finearts #contemporaryart #jholtiversen #johannesholtiversen #contemporarysculpture

Gulnur Mukazhanova, “Postnomadic reality, 5”, 2014, mixed media, felt, glue, 100 × 100 × 15 cm ★ Qazaqstan/Germany ★ https://gulnurmukazhanova.com/Post-Nomadic-Realities #GulnurMukazhanova #contemporaryart #abstractart #fiberart #contemporarysculpture #felt #feltinart #mixedmedia #postnomadic #circles #сircularsculptures #UgoRondinone #ArtwinGallery #Qazaqstaniartists #Kazakhstaniartists #2010s

Не очень понятно, как всё это выглядит в реальности (слишком большие размеры).

не стало Мелвина Эдвардса (1937–2026)

Melvin Edwards, installation from the exhibition “Some Bright Morning”, 2024 ⦾ https://artviewer.org/melvin-edwards-at-fridericianum-kassel/ #MelvinEdwards #MelEdwards #installationart #contemporarysculpture #corpses #BLT

James Webb, “This is where I leave you”, 2020, a mid-20th century, ornamental, porcelain statue of Ānanda is encased in a vitrine made of fluted glass ★ S. Africa ★ https://www.oneart.org/galleries/james-webb-where-i-leave-you-and-other-works-2020 #JamesWebb #JamesWebbtoo #contemporaryart #contemporarysculpture #flutedglass #opart #Ānanda #Ananda #buddhism #2020s

ну и пришитый к наматраснику или простыне реди-мейдовый бантик вблизи

Glenda León, “Forgetfulness (Red)”, 2001/2015, bow from female lingerie, bed (detail) #GlendaLeón #contemporarysculpture #lingerie #bows

Glenda León, “Forgetfulness (Red)”, 2001/2015, bow from female lingerie, bed, 186 × 138 × 40 cm ★ Cuba ★ https://www.glenda-leon.com #GlendaLeón #GlendaLeon #contemporaryart #contemporarysculpture #bedinart #gagart #flirty #lingerie #forgetfulness #Cubanartists #2000s

Afra Al Dhaheri, “Bobby tamed our frizz”, 2022, bobby pins and cotton rope on wood, 220 × 40 × 45 cm ★ UAE ★ https://www.gagallery.com/art-fairs/abu-dhabi-art3/works?view=thumbnails #AfraAlDhaheri #contemporaryart #fiberart #contemporarysculpture #abstractart #comparisons #OlgadeAmaral #hairsalon #hairs #bobbypins #blonde #GreenArtGallery #Emiratiartists #2020s

Немного напоминает модную Ольгу де Амараль.

Jes Fan, “Mother is a Woman (Cream)”, 2019, estrogen, lotion, test tube, silicone, pigment, 25 × 20 × 8 cm ★ Canada/USA/Hong Kong ★ https://liverpoolbiennial2021.com/artists/jes-fan/ #JesFan #contemporarysculpture #siliconesculpture #estrogen #gendertransition #nonbinaryartists #transgenderartists #немешайтепереходуграждан #немешайтетранспереходуграждан #2010s

Работа на тему медикаментозных аспектов транс-перехода.

МишМаш, «Сверху вверх/Лампы», 2018 ★ Russia/Germany ★ https://www.mishmash.group/lampa.htmlhttps://toiida.dreamwidth.org/1043750.html #MishMash #contemporaryart #contemporarysculpture #recollections #materialism #lamps #forms #2010s

Работа исполнена второй половиной дуэта, г-жа Сумнина повторила из сподручных материалов — скотча, проволоки, гипса, пластилина, лака, — лампу, которая ей досталась от бабушки. И этот жест должен был продемонстрировать, как художница не похожа на свою бабушку, и что она — вся в бабушку.