Mastodawn

Sol LeWitt: Structures with Open Cubes, since 1965. Painted Wood. In: Dreher, Thomas: Differenz und Indifferenz. In: Künstler. Kritisches Lexikon der Gegenwartskunst. Issue 6, Munich 1989, p.6f. PDF with new illustrations: https://dreher.netzliteratur.net/3_Konzeptkunst_SolLeWitt4.pdf
#conceptart #conceptartists #conceptualart #conceptualartists #minimalart #minimalartists #sollewitt #DwanGallery #villastuck

On Kawara: Date Paintings, 1966, oil on canvas, photographed at artist's studio, 13th Street, New York, 1966. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Dematerialisierung und Textkunst. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #onkawara #thomasdreher #datepaintings #conceptart #conceptualart #conceptualartist #conceptualartists #conceptualartwork #conceptualartworks #conceptartist #conceptartists #conceptartwork #conceptartworks #sixtiesart

Art & LanguageUK: Dialectical Materialism, 1974, photographic paper on walls, installation Museum of Modern Art, Oxford 1975. Illustration: one of several walls. More informations: Dreher, Thomas: Art & Language: Kontextreflexive Kunst im Kunstkontext, chapter Dialectical Materialism. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang.html #artandlanguage #thomasdreher #conceptualart #conceptualartist #conceptualartists #conceptualartwork #conceptualartworks #conceptart #conceptartist #conceptartists #artistsgroup

Robert Barry: Marcuse Pieces, 1970-71. Series of invitations (illustration: card with invitation Nr.6: gallery Eugenia Butler, Los Angeles). More informations: Dreher, Thomas: Kontextreflexive Kunst. In: Weibel, Peter (ed.): Kontext Kunst. Kunst der 90er Jahre. Cologne 1994, p.88. PDF: https://dreher.netzliteratur.net/9_KontextKunst_Text.pdf #robertbarry #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartist #conceptartists #contextart #contextartwork

Sol LeWitt: Serial Project No.1 (ABCD), 1966. Various realizations in different sizes and materials. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1992, p.263-274, ill.15. PDF: http://dreher.netzliteratur.net/3_Konzeptkunst_Diss.pdf #sollewitt #thomasdreher #sollewittsculpture #sollewittsculptures #conceptualart #conceptualartist #conceptualartists #conceptart #conceptartists #conceptualartworks #minimalart #minimalartist #minimalartists

Robert Barry: Closed Galleris, 1969. Invitation card, part of a series of invitations of galleries with the information "During the exhibition the gallery will be closed". More informations: Dreher, Thomas: Kontextreflexive Kunst. In: Weibel, Peter (ed.): Kontext Kunst. Kunst der 90er Jahre. Cologne 1994, p.87f. PDF: https://dreher.netzliteratur.net/9_KontextKunst_Text.pdf #robertbarry #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartists #contextart #contextartwork

John Baldessari: Violent Space Series: Two Stares Making a Point but Blocked by a Plane (for Malevich), 1976. B&w photograph with montage on cardboard. The Nelson-Atkins Museum of Art, Kansas City. © Marion Goodman Gallery, New York. More Informations: Dreher, Thomas: Aesthetik des [Nicht-]Beweises, chapter Allegorische Montage. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #johnbaldessari #thomasdreher #photomontage #conceptualart #conceptualartist #conceptualartists #conceptartwork #montage #filmstill