Mondays don't suck when you've recently re-designed your home office space.
It isn't just visuals, I feel 300% more productive in this new room.
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#conceptartist #videogames #conceptualartist #freelancers #artistconcept #artisticconcept #artstationhq #wacom
The Sausage Show
Still Life with six Pork Sausages with garden vegetables in red tray (diptych)

The sausage, king of factory farming. King of greenhouse gas emissions, of danger to public health from transmission of zoonoses and of poor living conditions of pigs, cattle, and chickens. The king’s passing is just a matter of time. The sausage is dead. Long live the sausage.


#contemporaryart #modernart #museumart #kunst #modernekunst #artist #ratedmodernart #arte #arts #minimalart #contemporaryartist #artcollection #galleryart #conceptualart #conceptualartist #contemporaryart #conceptualphotography #meatlessmeal #dinnershow #foodstylish #foodgalery #factoryfarmingiskillingtheplanet #foodpicsdaily #foodphotoaday #the_sausage_show #koopmeerkunst #buymoreart
‘Unshore’, Old suitcase, sand and air humidifier, 2024.

c. 1400, unseur, of a place, “not safe against attack,” also, of persons, “lacking certainty,” from un- “not” and sure. By early 15c. as “dependent on chance.”
The key of return—the symbolic act of holding onto the keys to their homes—embodies Palestinian resilience and the enduring connection to their homeland amid the ongoing genocide in Gaza (and previously, the Nakba). Central to Palestinian culture and activism, it signifies resistance and the relentless pursuit of justice.

Using sand from his garden, Alaric explores the concept of “home from home,” with the coastline serving as both a border and a gateway, symbolising departure, arrival, and displacement. This piece reflects on “emotional baggage” and “living from a suitcase,” addressing the shared trauma of refugees and rough sleepers.

#vintagesuitcase #contemporaryart #contemporarysculpture #contemporaryartist #conceptualart #conceptualartist #conceptualsculpture #roughsleepers #displacement #trauma #refugees #migration #seekingasylumisnotacrime #baggage #departure #arrival #emotionalbaggage #genocide #gaza #palestine #unsure #coasttocoast #border #shore #boundary #boundaries #boundarywaters #alarichobbs

Every day is a choice.

How do you want to show up in the world?

How do you want to be remembered?

🦋

#choices #digitalart #digitalmixedmedia #blue #conceptualart #conceptualartist #howdoyouwanttoberemembered #howdoyouwanttolive

Art & Language (Terry Atkinson, Michael Baldwin): Map to not Indicate, 1967. Linotype on paper. Edition: 50. Tate Gallery, London. More informations: Dreher, Thomas: Art & Language und Luhmanns "Theorie der Beobachtung": "redescriptions", chapter II.1 Maps. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang3.html #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartwork #sixtiesart #artsixties #printart #printartwork
Thomas_Dreher:Art&Language&Luhmann_No.2

John Baldessari: Brutus Killed Caesar, 1976. book with spiral binding, b/w offset print, 35 pages. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Allegorische Montage. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #johnbaldessari #thomasdreher #fotomontage #conceptualart #conceptart #conceptartist #conceptartists #conceptartwork #conceptartworks #conceptualart #conceptualartwork #conceptualartworks #conceptualartist #conceptualartists #allegoricmontage #allegoricalmontage
Thomas_Dreher:Aesthetik_des_Beweises

Henry Flynt: Concept Art, 1963. In: Mac Low_Jackson/Young, La Monte (ed.): An Anthology of Chance Operations, New York 1963, unpaginated. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-1976, chapter Fluxus und "Concept Art". Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #henryflynt #thomasdreher #fluxus #fluxusart #fluxusartist #fluxusanthology #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartworks #arttheory #sixtiesart
Thomas_Dreher:Konzeptuelle_Kunst:Amerika/England:Text

Art&Language (Atkinson, Terry/Baldwin, Michael): Map of the Sahara Desert after Lewis Carroll, 1967. India ink on graph paper. Collection Art & Language. More informations: Dreher, Thomas: Art & LanguageUK (1966-72): Maps and Models. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang2.html #artandlanguage #lewiscarroll #thomasdreher #conceptart #conceptartist #conceptartists #conceptartwork #conceptualart #conceptualartist #conceptualartists #conceptualartwork #sixtiesart #artsixties #drawing #mapping #mapart
Thomas_Dreher:Art&Language:Maps

On Kawara: Date Paintings, 1966, oil on canvas, photographed at artist's studio, 13th Street, New York, 1966. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Dematerialisierung und Textkunst. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #onkawara #thomasdreher #datepaintings #conceptart #conceptualart #conceptualartist #conceptualartists #conceptualartwork #conceptualartworks #conceptartist #conceptartists #conceptartwork #conceptartworks #sixtiesart
Thomas_Dreher:Konzeptuelle_Kunst:Amerika/England:Text

Art & LanguageUK: Dialectical Materialism, 1974, photographic paper on walls, installation Museum of Modern Art, Oxford 1975. Illustration: one of several walls. More informations: Dreher, Thomas: Art & Language: Kontextreflexive Kunst im Kunstkontext, chapter Dialectical Materialism. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang.html #artandlanguage #thomasdreher #conceptualart #conceptualartist #conceptualartists #conceptualartwork #conceptualartworks #conceptart #conceptartist #conceptartists #artistsgroup
Thomas_Dreher:Konzeptuelle_Kunst:Art&Language