Las fotos con composición que me encantaron fueron las de una galería que componía fotos de vuelos de polillas (Okayy polisha!)

#composite
#photography
#fotografia

numbers

https://ifckr8.wordpress.com/2026/05/08/numbers/

numbers

https://ifckr.wordpress.com/2026/05/08/numbers/

How to get Moon photos if you’re not on Artemis II

With Artemis II getting some of the best Moon photos we have seen in years, here are a few tips for getting pictures of Earth’s closest neighbor.

First, this is a time to take manual control of your camera, if possible. Automatic exposure will not serve you well, as the camera’s metering system will try to average out the bright Moon against the darkened sky, resulting in a blowout of the Moon.

If you’re getting a shot of a full Moon, an exposure of f8 at 1/500th and 100 ISO will serve you well. The Moon is the brightest object in the sky, reflecting sunlight.

A decent telephoto lens should be able to resolve some significant detail on the lunar surface, such as the Tycho crater, the large one on the south side of the Moon’s face, along with the Mare, or “seas” on the lunar surface.

Getting a photo of the Moon in a landscape or cityscape can be a challenge. In daylight, there should be a balance between the Moon and the rest of the picture. If it’s darker, an exposure that would get the landscape properly exposed would reduce the Moon to a bright ball.

The solution is to take two photos, one with the landscape or the skyline properly exposed, and one that exposes the Moon and then composite them.

I’ve taken the time to get photos of the Moon in every phase so I can insert it in photos when needed (and I make sure that I’m using the correct phase of the Moon, placing it over the overexposed Moon and keeping it the same size.)