"Silence is acceptance."

WB From Bomb Magazine: An Oral History with Willie Birch by Ron Bechet et al

#WillieBirch #BlackMastodon #BlackFedi #Academia #ArtHistory #Photography #Art #NewOrleans #Academicchatter #BombMagazine #Africa #BlackHistory #History #America #Palestinians ❤️

Bomb Magazine: An Oral History with Willie Birch by Ron Bechet et al.

"Willie Birch is a visual artist whose mediums include drawing, painting, and sculpture. With a career that spans over four decades, Birch has earned his place in the art world, creating works that depict New Orleans and its quotidian inhabitants."

#WillieBirch #BombMagazine #ArtHistory #OralHistory #BlackMastodon #BlackTwitter #BlackFedi #AfricanAmerican #NewOrleans #Academia #Photography #Image

https://bombmagazine.org/articles/an-oral-history-with-mr-willie-birch?fbclid=IwAR1WyMIUVpJ98b4VDpyw5SkF-_fbTS5uRuzUCMOuLUgr_lOEa-TwL4PBdfw

BOMB Magazine | An Oral History with Mr. Willie Birch

BOMB Magazine has been publishing conversations between artists of all disciplines since 1981.

BOMB Magazine
BOMB Magazine | William T. Williams

"I didn’t want to paint figuratively. I didn’t want something that was overtly referencing the social issues around me, but I wanted to find a way to describe them. How do you internalize this? How do you make a form that forces a painting to be an experience that is not necessarily easy to see,…

BOMB Magazine

Emily Clayton interviewed by Elizaveta Shneyderman:

"Emily Clayton’s practice of joining autobiography with a critique of the ideological formation of a given milieu uniquely examines how images inform the nuances of a locality’s culture. Such is the case with her new exhibition, Hydra, which turns rural and blue-collar histories—among many other material psychologies—into an evocation."

#EmilyClayton #BombMagazine #Art #ArtHistory #Paintings #Graphics #Red #Women

https://bombmagazine.org/articles/scenes-and-scenarios-emily-clayton-interviewed?fbclid=IwAR0wbQeq-Z6XNLEV1yfbFHTtItiBVFlpc3wiIH44_ZBc2rJrPF5dOw_L6jo

BOMB Magazine | Emily Clayton Interviewed

An installation featuring a small-town newspaper archive.

BOMB Magazine

Old and New Discoveries: Baldwin Lee Interviewed by Mark Steinmetz

Photographing Black Southern life.

"Baldwin Lee, now seventy-one, grew up in the insular enclave of New York City’s Chinatown and, fulfilling his parents’ expectations, went to MIT in the late 1960s to study science and technology."

#BaldwinLee #Magazine #BlackMastodon #BlackTwitter #Art #Humanities #BlackFedi #Photograph #BombMagazine #AfricanAmerican #Photographers #Camera #MarkSteinmetz

https://bombmagazine.org/articles/old-and-new-discoveries-baldwin-lee-interviewed/

BOMB Magazine | Old and New Discoveries: Baldwin Lee Interviewed

Photographing Black Southern life.

BOMB Magazine

Carrie Moyer by Bruce Pearson

A studio visit with the abstract painter where she reflects on past and present work and on resisting the conventions of late modernism.

"I’ve followed New York painter Carrie Moyer’s work for a couple of decades, and it’s been exciting to see her ongoing experimentations with paint, different textures, techniques, and references." Bruce Pearson

https://bombmagazine.org/articles/carrie-moyer

#BombMagazine #Art #ArtHiistory #FineArt #CarrieMoyer #BrucePearson #Magazine #Humanities

BOMB Magazine | Carrie Moyer

A studio visit with the abstract painter where she reflects on past and present work and on resisting the conventions of latemodernism.

BOMB Magazine

An Oral History with McArthur Binion by Judy Pfaff

"Like I’ve said, I'm really happy for all the young Black kids—it's something like a mafia made up of ninety-nine percent of the Black kids who all went to Yale’s graduate painting school. (laughter) You know what I'm saying?."

#BombMagazine #McArthurBinion #JudyPfaff #BlackMastadon #BlackTwitter #BlackFediverse #AfricanAmerican #ArtHistory #Humanities #OralHistory

https://bombmagazine.org/articles/an-oral-history-with-mcarthur-binion/?fbclid=IwAR0kVvBmzd5s1EtxS_VmCOSQ7_5d76nTtYTMoQrIQqXGxqL4yPJSUOkvwnw

BOMB Magazine | An Oral History with McArthur Binion

BOMB Magazine has been publishing conversations between artists of all disciplines since 1981.

BOMB Magazine
Strange publishing landscape, where Bomb mag's list of "small press" books includes selections from presses funded by the Koch family and a Chinese conglomerate. But I guess if a US press isn't owned by the Big 5 it magically becomes a small press, with all the aura that term confers? https://bombmagazine.org/articles/2022-small-press-gift-guide/ #smallpress #corporatepublishing #Grrrr #bombmagazine
BOMB Magazine | 2022 Small Press Gift Guide

BOMB's big gift guide of small press books for almost anyone on your list.

BOMB Magazine

Bomb Magazine: OHP Excerpt: Folayemi Wilson by Ayanah Moor

"In a preview of her forthcoming Oral History, artist, designer, and academic Folayemi Wilson uses an Afrofuturist framework to explore Black vernacular architectures and Black imagination as a strategy of resistance and self-determination."

#FolayemiWilson #AyanahMoor #BombMagazine #BlackMastodon #BlackWomenArtists #BlackFedi #WomenArtists

https://bombmagazine.org/articles/ohp-excerpt-folayemi-wilson/

BOMB Magazine | OHP Excerpt: Folayemi Wilson

In a preview of her forthcoming Oral History, artist, designer, and academic Folayemi Wilson uses an Afrofuturist framework to explore Black vernacular architectures and Black imagination as a strategy of resistance and self-determination.

BOMB Magazine

Bomb Magazine: OHP Excerpt: Folayemi Wilson by Ayanah Moor

"In a preview of her forthcoming Oral History, artist, designer, and academic Folayemi Wilson uses an Afrofuturist framework to explore Black vernacular architectures and Black imagination as a strategy of resistance and self-determination."

https://bombmagazine.org/articles/ohp-excerpt-folayemi-wilson/

#FolayemiWilson #AyanahMoor #BombMagazine #BlackMastodon #BlackWomenArtists #BlackFedi #WomenArtists

BOMB Magazine | OHP Excerpt: Folayemi Wilson

In a preview of her forthcoming Oral History, artist, designer, and academic Folayemi Wilson uses an Afrofuturist framework to explore Black vernacular architectures and Black imagination as a strategy of resistance and self-determination.

BOMB Magazine