Herbie Hancock, My Point of View, 1963 on Blue Note
Hancock's sophomore album as a leader, recorded by Rudy Van Gelder in Englewood Cliffs NJ. Hancock joined by Donald Byrd (trumpet), Gracham Moncur III (trombone), Hank Mobley (tenor sax), Grant Green (guitar), Chuck Isreals (bass), and Anthony Williams (drums). Herbie Hancock is a master, and it is wonderful to find the early Blue Note albums - I now have the first five in good vinyl editions. All the tracks on this one are Hancock originals - love "Blind Man, Blind Man" which recalls & […]https://goatless.org/2026/05/28/herbie-hancock-my-point-of-view-1963-on-blue-note
monday's bobbi humphrey post — "new york times" off satin doll — pulls into the larger mizell shop. so today: donald byrd, "places and spaces" (1975, blue note).
same rhythm section. chuck rainey on bass, harvey mason on drums. bobbi on flute through the whole record.
"wind parade" is the centre — brass-and-clavinet pre-disco strut.
as-if-radio.com
cover: places and spaces, blue note 1975 (via last.fm)
Miles Dewey Davis III
May 26, 1926 – September 28, 1991
#OneHundredYearsOfMiles #MilesDavis #Music #Jazz #Jazztodon #Prestige #BlueNote #CBS
Grant Green, Green is Beautiful, 1970 on Blue Note
Green joined here by Blue Mitchell (trumpet), Claude Bartee (tenor sax), Emmanuel Riggens (organ), Jimmy Lewis (bass), and Idris Muhammad (drums) plus Richard Lendrum (bongos) and Candido Camero (congas). Recorded in 1970 by Rudy Van Gelder in Englewood Cliffs, NJ. My copy—via Salem Flea Marketplace—is the 2023 Blue Note Classic Vinyl Series reissue, mastered by Kevin Gray at Cohearent Audio and pressed at Optimal, which sounds (and looks) great.https://goatless.org/2026/05/16/grant-green-green-is-beautiful-1970-on-blue-note
Blue Bossa a compilation released on Blue Note back in 1986.
The first of the excellent Blue series
William Shears wrote on the Steve Hoffman music forums:
‘Blue Bossa’ blew my mind. It introduced me to Charlie Rouse, Kenny Dorham’s ‘Afrodesia’ album and Big John Patton’s magnificent ‘Let Em Roll’ and scratched the itch of a Brazilian/Latin obsession I’d been nursing since the early 80s. The compiler was Gilles Peterson, a name I knew from the incredible Jazz Juice compilations that had started coming out a couple of years before. But ‘Blue Bossa’ was an actual UK Blue Note release housed in a sharp, Reid Miles-esque sleeve and had clearly been compiled with love and care. It was an LP of truly deepcuts and as such a groundbreaking record.
https://www.youtube.com/watch?v=smTbJJCOTOc&list=RDsmTbJJCOTOc&start_radio=1
#BlueNote #BlueBossa #BossaNova #HardBop #LatinJazz #Jazz #Music #GillesPeterson
#NowSpinning No More Water: The Gospel Of James Baldwin by Meshell Ndegeocello
I didn’t really have expectations when I threw this into my last #BlueNote order, but it seemed interesting when I read about it. What a wonderful surprise this has been so far.
https://album.link/us/i/1747673197
#Vinyl #RecordCollecting #VinylCommunity #VinylCollection #VinylRecords
Auto-tagged and link generated 🤘🏻
Norah Jones, Day Breaks, 2016 on Blue Note
Sixth studio album from Norah Jones, and the only one so far I've managed to locate on vinyl (I've been looking). Produced by Eli Wolf and Jones, and recorded in Brooklyn, this LP has Jones going back to the piano driven vocal-centric approach of Come Away With Me. Wayne Shorter shows up on four songs playing soprano sax. Includes a great cover of Neil Young's "Don't Be Denied" as well as Horace Silver's "Peace" and Duke Ellington's "Fleurette Africaine." My copy—via the Record […]https://goatless.org/2026/05/05/norah-jones-day-breaks-2016-on-blue-note
Lee Morgan, l’assassinio
🛑Prima l’ha fatto rinascere, poi l’ha ucciso 👇
#boomerissimo #leemorgan #truecrime #jazz #bluenote #UnoRadio
https://boomerissimo.it/2024/09/15/lassassinio-di-lee-morgan-una-storia-di-troppo-amore/
„Being #Hipp
First Lady of European #Jazz
Jutta Hipp war die erste Musikerin aus Europa, die beim legendären #BlueNote Label veröffentlichte – eine deutsche #Jazzpianistin, die sich in den 50ern von Nazi-Deutschland bis nach New York spielte. Die Doku erzählt von ihrem Aufstieg, ihrem Bruch mit der Szene und ihrem Rückzug ins Private. Ein Porträt über Selbstbehauptung und künstlerische Integrität.“
55 Minuten, verfügbar auf #arte.tv bis zum 24/05/2026
Jutta Hipp war die erste Musikerin aus Europa, die beim legendären Blue Note Label veröffentlichte – eine deutsche Jazzpianistin, die sich in den 50ern von Nazi-Deutschland bis nach New York spielte. Die Doku erzählt von ihrem Aufstieg, ihrem Bruch mit der Szene und ihrem Rückzug ins Private. Ein Porträt über Selbstbehauptung und künstlerische Integrität.
Antonio Elías
John Eckman
as.if.records
Gary
Andi Chorley
Kaiser 
📷 🎞️ 💿 
Boomerissimo.it
#Blaugrana