### 🌌 #TripHop version
A #hypnotic Trip-Hop #interpretation #blending #haunting #electronic #textures, #introspective #rhythms and #atmospheric #depth #with a #touch of #bandoneon
#Dance #me #to #the #end – Trip-Hop Song | #My #Original #Lyrics, My #Voice ( #Suno)
### 🎷 #Jazz version
A Jazz version with #haunting #female #vocals, slow #hypnotic #mood, #emotionally #intimate and #introspective #with a #touch of #bandoneon
#Dance #me #to #the #end – Jazz Song | #My #Original #Lyrics, My #Voice ( #Suno)
### 🎬️️️️️️️ #Cinematic version
A cinematic #interpretation #emphasising #atmosphere and #emotional #intensity with a #touch of #bandoneon.
#Dance #me #to #the #end – Cinematic Song | #My #Original #Lyrics, My #Voice ( #Suno)
Five Tango Sensations is a suite of works (Asleep—Loving—Anxiety—Despertar—Fear) for bandoneón and string quartet written in 1989 by Argentine composer Ástor Piazzolla. It was premiered in New York that year and recorded immediately afterwards by the Kronos Quartet and the composer, who played the bandoneón.
Allan Kozinn, reviewing the compositions for The New York Times after their premiere in New York in 1989, called them "a set of charmingly melodic tangos in which the group supplied an accompaniment to the composer's urbane performances on the accordionlike bandoneon." Adam Greenberg remarks in his review on Allmusic that "Piazzolla plays his heart out on his trusty bandoneon, and the Kronos players accompany to perfection." Michael Barrett, in the San Antonio Express-News, calls it a "work of tragic beauty." - Wikipedia
https://www.youtube.com/watch?v=Do3e94AxD4U
#KronosQuartet #ÁstorPiazzolla #Tango #Bandoneon #Accordion #StringQuartet #Music
Bandoneon Tierra Adentro Vol. 2 by Dino Saluzzi, released on RCA Vik in 1975.
Timoteo "Dino" Saluzzi (born 20 May 1935) is an Argentine bandoneon player. He is the son of Cayetano Saluzzi and the father of guitarist José Maria Saluzzi.
Timoteo "Dino" Saluzzi was born in Campo Santo, Salta Province, Argentina. He began playing the bandoneon as a child. His father was Cayetano Saluzzi.
Saluzzi has been playing the bandoneon since his childhood. As a youth in Buenos Aires, Dino played with the Radio El Mundo orchestra. - Wikipedia
@sellathechemist @catsalad @accordionnoir
The great joke of the #bandoneon 🪗🧉😢
“The bandoneon was originally designed to be easy to play: using the same finger technique, you could switch from the tonic to the dominant by opening and closing the bellows – just like a small portable organ
“But as soon as you wanted to play more complex music…
https://operavision.eu/performance/maria-de-buenos-aires
#Piazzolla #Tango #opera
@sellathechemist @catsalad @accordionnoir
What a wonderful article! 🥰
“The bandoneon entered #tango out of necessity. Typical tango instruments were the violin, flute and guitar – they made the music agile, not only through fast tempos, but also so that it could be quickly hidden away in case of a police raid on the brothels
#Bandoneón replaced the flute and piano replaced the guitar – instruments that could fill a dance hall full of people talking, drinking or arguing without amplification
@sellathechemist @catsalad
I didn’t know there was a box set of all #Piazzolla’s recordings?
I read one of his biographies, and talked to somebody who dealt with some of his manuscripts
It sounded like he just compulsively composed (for the money)
Discarding pieces like a Oblivion without intending to record them well for posterity
(They had to twist his arm on that one)
My acquaintance made it sound like there was so much material no one could ever deal with it
#tango #bandoneon
@ratatosk (That’s quite a review 😅)
“One need only bathe in the waters of “Don Caye” (an ode to his father’s music) to know that if the bandoneón were a film camera, Saluzzi would be one of its greatest living auteurs”
Have to get this to play on @accordionnoir radio ❤️🔥🪗🧉
https://ecmreviews.com/2022/07/02/dino-saluzzi-albores-ecm-2638/
#DinoSaluzzi #Music #ECM #ECMReviews #bandoneón #accordion #Argentina #Jazz
Ended Thursday and welcomed Friday with Albores by Dino Saluzzi, released on ECM in 2020.
Tyran Grillo wrote on ECM Reviews:
"Whereas many of us who once painted with fingers as a child moved on to brushes, Dino Saluzzi seems to have ignored that transition. On Albores, an album born of reckoning, Saluzzi renders what Luján Baudino in his liner note calls an “inner landscape.”
“Adiós Maestro Kancheli” opens on a somber note by paying respects to the late Georgian composer, who passed away in 2019. And yet, what we are given is more than a tribute or homage; rather, it is an identity without personhood, a force that animates the spirit of bygone days. Such redemptions of memory are as integral to Saluzzi’s language as sunlight and rain are to crops. .."
https://ecmreviews.com/2022/07/02/dino-saluzzi-albores-ecm-2638/
https://www.youtube.com/watch?v=JPQoslQ2YnE&list=RDJPQoslQ2YnE&start_radio=1
#DinoSaluzzi #Music #ECM #ECMReviews #bandoneón #accordion #Argentina #Jazz
Geetha
Andi Chorley
AccordionBruce