En la película #Blow-Up de #Antonioni el personaje protagonista, supuestamente un fotógrafo profesional, no sujeta la cámara como tal sino como un puto dominguero. Incluso en una de las escenas más icónicas, tanto que sirvió de base para el cartel del filme, sigue sujetando la cámara como un dominguero.

(*) Desde hace más de medio siglo cada vez que en una película aparece una cámara fotográfica formando parte del atrezo, es una Nikon. Sus ejecutivos se lo llevan currando década tras década.

Mill Reef Club in Antigua January, 1959.
1 photograph : color transparency ; 35 mm (slide format)

Title: "Sports Illustrated Assignment in Antigua"
Date: 1959
Keywords: Sports, Photography, Antonioni, Mill Reef Club

Photographer Toni Frissell (1915-2001) was a renowned American photographer who captured iconic images of sports and cultural events during her career. This photograph was taken for Sports Illustrated in 1959 as part of her assignment to the Mill Reef Club in Antigua, Guatemala.

The photograph is part of Frissell's extensive collection, which is available online at the Library of Congress (https://hdl.loc.gov/loc.pnp/coll.090).

#MillReefClub #Antigua #Photography #Antonioni #ToniFrissell #American #theMillReefClub #Guatemala #Frissell #SportsIllustrated #guatemala #antigua #photography

https://www.loc.gov/pictures/item/2021722000/

PROFESSION : REPORTER Michelangelo Antonioni (1975) ★★★★
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Toute la complexité de l’esthétique cinématographique d’Antonioni se résume dans cette œuvre protéiforme, radicale. Une usurpation d’identité toute en perspective, soumise à la vacuité, à l’invisible, traversée par les lignes de fuite du road movie, rendue à la crudité d’un documentaire, avec le son témoignant des faits et de l’action. Fascinant à étudier.

#film #cinema #microcritique #cinemastodon #Antonioni #JackNicholson

Watched this yesterday. Antonioni in fine form https://www.imdb.com/title/tt0054130/?ref_=fn_all_ttl_1.

When the denouement begins with a death, but is yet so subtle compared with the backdrop of the piece as a whole, you know the film is expertly executed.

#film #cinema #Antonioni

La Notte (1961) ⭐ 7.9 | Drama

2h 2m | Not Rated

IMDb

[Title] La Notte
[Author] Michelangelo Antonioni
[Year] 1961
[Type] Film | Drama
[My rating] 10⭐ in 10

[Opinion] Sometimes we watch great movies. Every now and then we watch masterpieces. And seldom, we watch a movie like "La Notte".
We accompany a single day of a married couple that is slowly growing apart.

Ps. You know you make a hell of a part when Marcello Mastroianni is completely outshined. Bravo,
Jeanne Moreau!
#LaNotte #Antonioni #ItalianFilm

Last night: L’Avventura. #cinema #antonioni #vitti For some reason, watching the amoral, bored, hedonistic rich stumble through their lives was agitating.
#Antonioni, La Notte (1961)
A ★★★★★ review of L'Eclisse (1962)

That chemistry between Alain Delon and Monica Vitti in L'Eclisse... they don't make them like that anymore. The films and the stars; or how (daring) cinema can warm your home and cinematic heart. "Antonioni’s first films were documentaries, and it’s worth noting that he employed mainly real stockbrokers in the stock exchange sequences of L’eclisse, getting Delon to model his gestures on those of one of them. Part of what makes these scenes so breathtaking is his compositional style in using the edges of the frame and playing off different sections of the crowded image in relation to one another—much

Antonioni, Kancheli and Eötvös sound in Turin - Schedule // - www.worldconcerthall.com

Mario Brunello, cello, and the Rai National Symphony Orchestra conducted by Pascal Rophé play: Francesco ANTONIONI: Gli occhi che si fermano. Giya KANCHELI: T.S.D. Peter EÖTVÖS: Reading Malevich/ Dialogue with Mozart (Da capo for orc...

Antonioni, Kancheli and Eötvös sound in Turin - Schedule // - www.worldconcerthall.com

Mario Brunello, cello, and the Rai National Symphony Orchestra conducted by Pascal Rophé play: Francesco ANTONIONI: Gli occhi che si fermano. Giya KANCHELI: T.S.D. Peter EÖTVÖS: Reading Malevich/ Dialogue with Mozart (Da capo for orc...